Brazil is in Fashion, as Brazilians Like to Say. Here’s Why

A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)
A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)
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Brazil is in Fashion, as Brazilians Like to Say. Here’s Why

A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)
A tourist wearing a jersey in Brazilian colors poses for photos on a terrace at the Rocinha favela in Rio de Janeiro, on Sept. 2, 2026. (AP Photo/Silvia Izquierdo)

Brazil is having a moment. Celebrities and record numbers of tourists donning green, yellow and blue are flooding into the country. Brazilian culture — from its Oscar-nominated films to funk music — is taking the world by storm. Global fashion brands and influencers are leaning into the hype.

For decades, Brazilians have lamented that the country and its cultural makeup and output have long gone under-appreciated in what has become known as the “mongrel complex”, The Associated Press said.

But as attention from abroad pours in and consolidates itself in 2026, some say a shift may be underway with the rise of “caramelo pride” — a ubiquitous celebration by Brazilians of caramel-colored street mutts that have come to represent the country.

Here’s a look at the phenomenon.

Brazilcore kicks off the trend

Brazil has captured the world’s attention and admiration before, and Brazilians cyclically observe that “Brasil está na moda,” or Brazil is in fashion.

Many trace the current popularity of the phase to 2023, when Brazilcore, a fashion trend featuring the colors of the Brazilian flag and inspired by Brazilian culture, gained widespread global traction. Celebrities including Bad Bunny, Emily Ratajkowski, Hailey Bieber, Tina Kunakey, Sabrina Carpenter, Alex Consani and Addison Rae have all participated in the trend.

Fashion was “very rigid, with many uniformized clothes. Suddenly came this wave from Brazil showing more skin, using more color,” said Néli Pereira, a PhD candidate at the University of Sao Paulo in cultural studies who specializes in Brazil. The spontaneity and vivid color palettes resonated amid a craving for more light-heartedness.

Recently, the popularity of Brazilcore has morphed into a massive, multi-faceted global phenomenon that celebrates “brasilidade,” or Brazilianness, moving beyond fashion to include music, dance, cinema and sport.

Trend seen in fashion, increased tourism and star power

Brazilcore can be spotted on high streets around the world and takes the forms of bikinis, micro-shorts, crochet pieces, soccer shirts and accessories. Brands including fast fashion giants, such as Zara and H&M, have put out tops in green and yellow or emblazoned with Rio de Janeiro, while Chanel, Jil Sander and Schiaparelli have all made references to Brazil’s national colors.

The hype around Brazil has also translated into record numbers of tourists visiting the country. More than 9 million tourists came to Brazil last year, a 37% increase compared with 2024. Jokes on the internet abound about the CPF — an individual’s fiscal identity in Brazil — being the new sought-after green card.

In Rio, visitors head to Rocinha favela, kitted out in Brazilcore, and pay for footage of themselves striding out onto a terrace, plonking themselves down as a drone captures the scene before panning out to capture Rio’s stunning urban landscape. These videos have gone viral in recent months.

“If you don’t do the video with the drone, it’s as if you didn’t come to the favela,” said Eduardo Maristany, a 30-year-old tourist from Barcelona, who recently partook in a tour of Rocinha. Like many others, he chose the country as a destination after seeing an influx of videos on social media about Brazil’s famed favelas, beaches and parties.

It’s not just tourists who are engaging with Brazil. Madonna, Lady Gaga and Shakira performed free shows on Copacabana Beach in 2024, 2025 and 2026 respectively, drawing at least a million concert-goers each time, according to Rio City Hall numbers.

And in 2024, Bruno Mars posted a video of himself dancing to funk music, seemingly getting a Christ the Redeemer tattoo on his chest and posing with a caramelo dog. With more than 13 million likes on Instagram, the video ends with the words: “I love you Brazil.” Rosalia and Dua Lipa have also professed their love for Brazil online.

Meanwhile, Brazilian culture — from Anitta’s funk music to Academy Award-nominated films such as ‘I’m Still Here’ and ‘The Secret Agent’ — is being celebrated on the world’s biggest stages and across the internet, turbocharging Brazil’s soft power.

Brazil is renowned for its complexity and online presence It's frequently said about the country that “Brazil is not for amateurs.” The oft-repeated phrase taps into the complexity of the continental-sized country, where exuberant celebrations of life – epitomized by Carnival — coexist alongside violence, poverty and political scandals reminiscent of telenovelas.

Brazil’s ambiguities “make sense in a world filled with conflicts, inequalities and scarcity,” said Bruno Pompeu, a professor at the University of Sao Paulo’s school of communications and arts.

The country’s formidable presence online is also contributing to the current wave of interest in Brazil. Brazil — with a population of over 200 million — is one of the most connected countries in the world and social media users are showcasing the country’s seemingly infinitely multilayered culture.

“Brazil pulsates creativity and has this very particular characteristic of interacting on the internet in a collective manner. It’s common for content to be quickly transformed into memes and cultural references,” said Eduardo Lorenzi, general director of operations for Latin America at TikTok.

Brazilians are known for their high engagement, a much-sought-after characteristic in the attention economy.

Courtney Henning Novak, a Californian and prolific reader and writer, developed an online community composed mostly of Brazilian followers after her rave review of a 1881 book by Brazilian author Joaquim Maria Machado de Assis went viral.

“Brazilians love to comment. I get more messages than I can keep up with, and there’s a lot of positive energy,” she said.

For the global entertainment industry, brands, event organizers, businesses and influencers, Brazil represents a key market and an exceptionally valuable fan base.

Vitor Oliveira, a 36-year-old tour guide from Rocinha, credits social networks for the explosion of tourism in his neighborhood. “Influencers coming here were a game changer and primordial to the increase of tourism in Rio and especially in Rocinha,” he said.

Beyond digital engagement, Brazil’s current moment in the spotlight is the result of a confluence of factors involving politics, diplomacy, culture and economics, said Pereira, pointing to policies that support the showcasing of Brazilian culture and a huge effort to attract tourists by Embratur, Brazil’s government tourism agency.

Brazil's popularity might begin to fade

Like all trends, this one is likely to fade, experts say, predicting that the upcoming election and the return of political polarization may diminish the association of yellow and green with joy.

French comedian Paul Cabannes, who is based in Sao Paulo and has millions of followers across different platforms, posts humorous content about Brazil and has watched as the number of foreigners producing content almost exclusively about Brazil soared.

“It’s a formula that’s getting a bit tired. I think it’s harder to succeed doing this than before,” he said.

In an increasingly multipolar world, many Brazilians believe that the country’s soft power is here to stay. But Pereira predicts that Brazil’s “mongrel complex” will resurface if the current attention from abroad fades. “Once people stop giving us those little pats on the head, it’ll all come back," she said.



Bones from Iraqi Cave Hint at Violence and Compassion in Neanderthals

The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS
The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS
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Bones from Iraqi Cave Hint at Violence and Compassion in Neanderthals

The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS
The entrance to Shanidar Cave in Iraq's Kurdistan region, a site of important Neanderthal remains, is seen in an undated photograph released on October 15, 2026. Prof Graeme Barker/Handout via REUTERS

The bones of a Neanderthal from a cave in Iraq's Kurdistan region are offering evidence of both violence and compassion in the closest evolutionary cousins of our species, exhibiting a wound apparently from a fatal spear attack as well as signs of an earlier nonfatal injury that may have elicited kindly care.

Researchers have discovered at Shanidar Cave in the Zagros Mountains of northern Iraq a partial skeleton of a Neanderthal, aged in the mid-40s, that included a left shoulder blade, or scapula, with a circular hole six-tenths of an inch (15 mm) wide indicative of a deeply penetrating stab.

The bones of this individual, who they call Shanidar A, were unearthed from under about 25 feet (7.5 meters) of rocks and sediment inside the cave and date to about 75,000 years ago.

The researchers were unable to determine Shanidar A's sex.

According to Reuters, the researchers said the injury's shape suggests it was caused by a forceful thrust using a sharpened wooden spear, a type of weapon Neanderthals are known to have used, rather than a spear with a stone tip. It was a weapon employed in hunting large mammals that were an important food source.

"The ⁠spear would have ⁠gone through the skin and major muscles, especially the pectoralis, as well as the ribcage and muscles between the ribs, and the lung," said biological anthropologist Emma Pomeroy of the University of Cambridge in England, lead author of the study published on Thursday in the journal Scientific Reports.

"The location could be like the kind of 'heart shot' hunters use to kill animals quickly by puncturing the heart, but that is a bit speculative. We do see heart shots as a hunting strategy both today and in the archaeological record. Neanderthals would have known this would lead to a quick death," Pomeroy said.

University of Cambridge archaeologist and study co-author Graeme Barker, who has led Shanidar Cave excavations since 2015, said the likeliest scenario ⁠is interpersonal violence.

The researchers said the violence probably occurred either between members of a particular Neanderthal group or between members of rival Neanderthal groups, calling a Homo sapiens attack or an accidental injury less likely.

The researchers found shards of bone displaced by the weapon. The injury indicated that the spear entered from above with a downward trajectory, penetrating the left chest cavity from the front and traveling through the body before punching the hole in the scapula, causing quick death.

In addition to the scapula, the researchers found some ribs, a nearly complete right hand and seven teeth, mostly from the front of the lower jaw, belonging to Shanidar A. The teeth bore evidence that this Neanderthal had survived brutal injury at least a year before death — a blow to the face resulting in front teeth being smashed and lost. One tooth was split, with half remaining rotated in the mouth and others pushed out of position.

"The pain would have been extreme, and basic needs like eating and drinking would have been difficult, perhaps meaning Shanidar A needed food mashing and being able ⁠to rest. It's likely that Shanidar ⁠A did need some care from members of the group for some basic needs during recovery," Pomeroy said.

Shanidar A was one of five Neanderthals, four adults and one infant, whose bodies were carefully tucked behind a rock pillar in the cave in a burial cluster within a generation or so of each other. The cave was occupied by Neanderthals for tens of thousands of years as a seasonal campsite, and later by Homo sapiens.

Neanderthals were more robustly built than Homo sapiens, with larger brows. They lived as hunter-gatherers and inhabited Eurasia from the Atlantic coast to the Ural Mountains from about 400,000 years ago until a bit after 40,000 years ago, disappearing after Homo sapiens became established in the region.

The two species interbred, with modern non-African human populations bearing residual Neanderthal DNA.

The cave, overlooking the Great Zab river valley, has been a source of information about Neanderthals since the 1950s, with Shanidar A now offering new insight into their behavior.

"We see evidence of two contrasting facets of human nature – care and violence – juxtaposed in the same individual," Pomeroy said.

"We see evidence all around us today that violence and care are both aspects of how we humans behave, and we see this here in Shanidar A, too. Neanderthals were like us in many respects, both the good and the bad, and this find really highlights that, going against stereotypes of Neanderthals as unintelligent, uncaring cavemen and cavewomen," Pomeroy said.


Riyadh Art Program and Wrth Sign MoU to Strengthen Cooperation in Cultural and Creative Fields

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
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Riyadh Art Program and Wrth Sign MoU to Strengthen Cooperation in Cultural and Creative Fields

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA
The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact - SPA

The Riyadh Art Program, one of the programs of the Royal Commission for Riyadh City, signed a memorandum of understanding (MoU) with the Royal Institute of Traditional Arts "Wrth" to strengthen cooperation in cultural and creative fields.

The agreement aims to develop initiatives that bring together contemporary and traditional arts, serve the objectives of both parties, and enhance their cultural impact, SPA reported.

The MoU covers the development of joint creative initiatives that bring together contemporary and traditional arts through the exchange of expertise, art residency programs, and seasonal events.

It also includes cooperation to enhance the presence of both parties' projects and programs at relevant international events and forums.


Van Gogh Work Unseen in Public for 60 Years on Show in Hong Kong

Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
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Van Gogh Work Unseen in Public for 60 Years on Show in Hong Kong

Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou
Staff members pose with Vincent van Gogh's "Chataigniers en fleurs" (Chestnut Trees in Blossom) at a media preview ahead of its auction in New York, at Sotheby's in Hong Kong, China, October 13, 2026. REUTERS/Joyce Zhou

Hundreds of people queued on Tuesday outside a Hong Kong gallery to see a Vincent van Gogh painting on public display for the first time in six decades.

The Dutch artist's "Chataigniers en fleurs" ("Chestnut Trees in Blossom") was on show in Hong Kong ahead of its November 18 auction in New York, where it is expected to smash records and fetch around $180 million, according to Sotheby's.

It was one of 12 works owned by late Argentine collectors Nelly Arrieta de Blaquier and Carlos Pedro Blaquier. Others by Claude Monet, Camille Pissarro and Paul Cezanne will also go under the hammer.

The van Gogh, which according to Sotheby's was unseen by the public for over 60 years, portrays a blossoming chestnut tree with a solitary man walking past three women in Japanese attire.

Completed in 1890, it is from the last two months of van Gogh's life.

"It's one of the last, most expressive and hopeful works by van Gogh in this final phase of his career," Scott Niichel, a vice chairman at Sotheby's, told AFP.

It is one of approximately 70 works van Gogh created after leaving the psychiatric asylum of Saint-Remy, where he had created his famous "The Starry Night.”

During these final days of his life, van Gogh was producing at a frantic rate -- averaging around one work a day.

He died shortly after at the age of 37, two days after shooting himself in the chest following well-documented mental health struggles.

"This manic frenzy of paint application suggests he has so much more to give, and he's just racing to put it to canvas," Niichel said, noting the thickness of the paint layers.

"Orchard with Cypresses" set the current record for a van Gogh price point, selling for $117.2 million in a 2022 auction.

Niichel said that "anything is possible" for who might claim the painting in November.

"Our revealing in Hong Kong suggests that Asia is certainly a possibility."