Austrian Actor Helmut Berger, Movie Star in the 1960s and ’70s, Dies at 78

This file photo taken on May 15, 1976, shows Austrian actor Helmut Berger and French actress Suzy Dyson during the Cannes Film Festival in Cannes, southern France. (AFP)
This file photo taken on May 15, 1976, shows Austrian actor Helmut Berger and French actress Suzy Dyson during the Cannes Film Festival in Cannes, southern France. (AFP)
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Austrian Actor Helmut Berger, Movie Star in the 1960s and ’70s, Dies at 78

This file photo taken on May 15, 1976, shows Austrian actor Helmut Berger and French actress Suzy Dyson during the Cannes Film Festival in Cannes, southern France. (AFP)
This file photo taken on May 15, 1976, shows Austrian actor Helmut Berger and French actress Suzy Dyson during the Cannes Film Festival in Cannes, southern France. (AFP)

Austrian-born actor Helmut Berger, a European movie star in the 1960s and 1970s who rose to prominence with roles in films by Italian director Luchino Visconti, died Thursday, his agent said. He was 78.

Berger died “peacefully but nevertheless unexpectedly” early Thursday in his home city of Salzburg, agent Helmut Werner wrote on his management company’s website.

Berger was born in Bad Ischl, Austria on May 29, 1944. In 1964, he worked as a film extra in Rome before being discovered by Visconti, who would later become his partner and in 1966 gave him his first role. He played prominent roles in Visconti’s “The Damned,” “Ludwig” and “Conversation Piece.”

Berger’s credits also included appearances in Vittorio De Sica’s “The Garden of the Finzi-Continis,” Massimo Dallamano’s “Dorian Gray,” and, later, in Francis Ford Coppola’s “The Godfather Part III.”

After a string of health problems, Berger announced the end of his acting career in November 2019.

Berger’s agent said that “he enjoyed his motto ‘La Dolce Vita’ to the full all his life.” He quoted Berger as saying many years ago: “I have lived three lives, and in four languages! Je ne regrette rien!”



Marion Cotillard Likens Public Image to Berlinale Fairy Tale Film’s Cursed Camera Effect

 Cast member Marion Cotillard attends a press conference to promote the movie "The Ice Tower" at the 75th Berlinale International Film Festival in Berlin, Germany February 16, 2025. (Reuters)
Cast member Marion Cotillard attends a press conference to promote the movie "The Ice Tower" at the 75th Berlinale International Film Festival in Berlin, Germany February 16, 2025. (Reuters)
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Marion Cotillard Likens Public Image to Berlinale Fairy Tale Film’s Cursed Camera Effect

 Cast member Marion Cotillard attends a press conference to promote the movie "The Ice Tower" at the 75th Berlinale International Film Festival in Berlin, Germany February 16, 2025. (Reuters)
Cast member Marion Cotillard attends a press conference to promote the movie "The Ice Tower" at the 75th Berlinale International Film Festival in Berlin, Germany February 16, 2025. (Reuters)

French actor Marion Cotillard said her own public image is like the distorted reflections captured by the cursed camera in her latest film "The Ice Tower" - detached from reality.

Promoting the film, based on a Hans Christian Andersen fairy tale, at the Berlin Film Festival on Sunday, Cotillard said her true persona differed from the public's perception of her.

"The general public, the audience has always invented the lives of actors they've never met" that is far away from reality, she told journalists in the German capital.

"Sometimes you feel like you've managed to live with yourself, to love yourself. And then there are relapses, because something happens in your life that makes you look at yourself again with judgement and harshness."

Cotillard, who won an Oscar in 2008 for "La Vie En Rose," said that while she tries to protect herself as much as possible from that perception, at times it still affects her.

"Whether it's positive or negative feedback, it's always ... a mirror, a totally distorted mirror," she said.

"The Ice Tower," by French director Lucile Hadzihalilovic, is one of 19 films competing for the Golden Bear top prize.

It is based on Andersen's "The Snow Queen" fairy tale that also served as the inspiration for popular Disney film "Frozen."

In the tale, the snow queen has a cursed mirror that distorts the appearance of everything it reflects to show only the worst aspects.

In Hadzihalilovic's version, set in 1970s Paris, the mirror is replaced by a camera lens that is being used to film "The Snow Queen," starring Cotillard's beautiful-yet-aloof Cristina.

Cotillard called the decision to replace the mirror "really profound" and that "it says a lot about the world that we live in nowadays."

The actor added that she did not encounter the original Andersen fable until much later in life.

"It took me a while to realize that the Disney film was very, very far away from the original narrative," she said.