‘Fast X’ Speeds to No. 1; Knocks ‘Guardians 3’ to 2nd 

This image released by Universal Pictures shows Vin Diesel in a scene from "Fast X." (Universal Pictures via AP)
This image released by Universal Pictures shows Vin Diesel in a scene from "Fast X." (Universal Pictures via AP)
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‘Fast X’ Speeds to No. 1; Knocks ‘Guardians 3’ to 2nd 

This image released by Universal Pictures shows Vin Diesel in a scene from "Fast X." (Universal Pictures via AP)
This image released by Universal Pictures shows Vin Diesel in a scene from "Fast X." (Universal Pictures via AP)

The 10th installment of the “Fast and Furious” franchise was off to the races this weekend, knocking “Guardians of the Galaxy Vol. 3” out of first place and easily claiming the No. 1 spot at the box office. “Fast X” earned $67.5 million in ticket sales from 4,046 North American theaters, according to estimates from Universal Pictures on Sunday.

It’s on the lower end of openings for the series which peaked with “Furious 7’s” $142.2 million launch, the sole movie in the series to surpass $100 million out of the gates. “Fast X’s” domestic debut only ranks above the first three. The last movie, “F9,” opened to $70 million in 2021.

But this is also a series that has usually made the bulk of its money internationally, often over 70%. True to form, overseas it’s on turbo drive. “Fast X” opened in 84 markets internationally, playing in over 24,000 theaters, where it earned an estimated $251.4 million. The top market was China with $78.3 million, followed by Mexico with $16.7 million. And it adds up to a $319 million global debut — the third biggest of the franchise.

“It’s a global franchise with a very broad audience,” said Jim Orr, Universal’s head of domestic distribution. “The themes resonate across the world.”

Directed by Louis Leterrier (who took over from Justin Lin during production), “Fast X” brings back the familiar crew including Vin Diesel, Michelle Rodriguez, Tyrese Gibson and Jordana Brewster and adds several newcomers, like Brie Larson, Rita Moreno and a villain played by Jason Momoa. The ever-expanding cast also includes Jason Statham, Charlize Theron, Scott Eastwood and Helen Mirren.

Reports say the movie cost $340 million to produce, not including marketing.

Reviews were mixed for “Fast X,” the beginning of the end for the $6 billion franchise, which currently has a 54% on Rotten Tomatoes. AP’s Mark Kennedy wrote in his review that, “It has become almost camp, as if it breathed in too much of its own fumes” and that it’s also “monstrously silly and stupidly entertaining.”

According to exit polls audienecs were 29% Caucasian, 29% Hispanic and 21% Black, and 58% were between the ages of 18 and 34. They gave the film a B+ CinemaScore.

In its third weekend, Disney and Marvel’s “Guardians of the Galaxy Vol. 3” made an estimated $32 million in North America to take second place. It’s now made $266.5 million domestically and $659.1 million globally.

Third place went to another Universal juggernaut, “The Super Mario Bros. Movie,” which is now in its seventh weekend and available to rent on VOD. Nevertheless, it earned an additional $9.8 million in North America, bringing its domestic total to $549.3 million.

“Book Club: The Next Chapter” added $3 million in its second weekend to take fourth place, while “Evil Dead Rise” rounded out the top five in its fifth weekend with $2.4 million.

“Mario” and “Fast X” are just the latest success stories for Universal, following hits like “Cocaine Bear” and “M3GAN.” And later this summer, on July 21, they’ll release Christopher Nolan’s “Oppenheimer.”

“Universal as a studio is just on a roll like no other by having this incredible slate of films from all different types of genres,” said Paul Dergarabedian, the senior media analyst for Comscore. “They’ve created a release strategy that’s really picture perfect so far.”

“Fast X” doesn’t have an entirely open runway though. Next weekend there will be sizable competition in Disney’s live-action “The Little Mermaid,” in addition to a slew of crowd-pleasers hoping to catch a Memorial Day weekend audience, including Julia Louis-Dreyfus in “You Hurt My Feelings” and the broad comedy “About My Father,” with Sebastian Maniscalco and Robert De Niro.



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
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Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.