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Crime Thriller Steals Best Pic at Bollywood Awards in UAE

Bollywood actress Jacqueline Fernandez was one of many stars on the green carpet. Giuseppe CACACE / AFP
Bollywood actress Jacqueline Fernandez was one of many stars on the green carpet. Giuseppe CACACE / AFP
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Crime Thriller Steals Best Pic at Bollywood Awards in UAE

Bollywood actress Jacqueline Fernandez was one of many stars on the green carpet. Giuseppe CACACE / AFP
Bollywood actress Jacqueline Fernandez was one of many stars on the green carpet. Giuseppe CACACE / AFP

Crime thriller "Drishyam 2" was crowned best picture as Bollywood glossed over its recent struggles with a high-octane International Indian Film Academy Awards show in Abu Dhabi on Saturday.

Director Abhishek Pathak's gritty remake of a Malayalam film took the top honor at the end of a four-hour ceremony of pumping dance routines that showcased the Hindi-language movie industry, AFP said.

Best director went to Ranganathan Madhavan for "Rocketry: The Nambi Effect". Hrithik Roshan won best actor for his role in "Vikram Vedha" and Alia Bhatt took best actress for "Gangubai Kathiawadi".

"Brahmastra: Part One - Shiva" picked up a number of prizes including best supporting actress for Mouni Roy and best female playback singer for star vocalist Shreya Ghoshal.

The IIFA awards, intended to reach an international audience, were held for the second year running in Abu Dhabi, capital of the United Arab Emirates where more than a third of the 10 million population is Indian.

The Hindi-language film industry was worth $2.5 billion in 2019. India also releases hundreds of films in its 21 other official languages, churning out about 1,600 each year total.

But Mumbai-based Bollywood, the world's most prolific producer of movies, has been mired in crisis since the pandemic with ticket sales remaining low since cinemas reopened.

The rise in streaming services, competition from other parts of India and demand for meatier fare than Bollywood's trademark song-and-dance routines have all contributed to the slump, experts say.

However, superstar Shah Rukh Khan's "Pathaan" smashed Indian box office records in January, in a positive sign for the industry.

Shiny gold shirt

Indian cinema also received a boost in March when viral dance hit "Naatu Naatu" won an Oscar for best song, a first for a film from the country.

"What does IIFA mean for (Indian) cinema? I think opening up to the global stage and also bringing us to the global stage as well, so it's exciting both ways," said actress Jacqueline Fernandez, wearing an Arab-inspired head covering.

Among the highlights, heart-throb Varun Dhawan, wearing a shiny gold shirt, rode onto the stage on a mini-dune buggy, and ceremony host Vicky Kaushal drew screams from the audience when he launched into a dance number.

Actor and eco-activist Dia Mirza reminded the crowd about pressing environmental concerns months before the UAE, one of the world's biggest oil producers, hosts the COP28 United Nations climate talks in November and December.

Veteran actor Kamal Haasan was awarded for his outstanding achievement in Indian cinema and Anil Kapoor won best supporting actor for his role in "Jugjugg Jeeyo".

"Darlings" took best original story, and best female debut was Khushali Kumar in "Dhokha: Round D Corner".

The IIFA show, one of a number of Indian awards ceremonies, has been held in several countries since its debut in London in 2000. Voting is done online by fans.

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Billy Idol on His First Album in over a Decade, the Rock Hall and More

Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
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Billy Idol on His First Album in over a Decade, the Rock Hall and More

Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)
Billy Idol performs during the Vive Latino music festival in Mexico City, Saturday, March 16, 2024. (AP)

When Billy Idol first entered American consciousness in the early '80s, leather-clad and bleached hair in tow, he not only brought a punk rock sound to the mainstream. The Englishman brought a new attitude, a new, rebellious way of being.

In the time since, songs like “White Wedding,” “Rebel Yell” and “Eyes Without a Face” have become instant classics — for those who've worn a spiky jacket and those who've only imagined what it might be like.

Now, over four decades later, he's got the wisdom to reflect. It's led to a new documentary about his life, “Billy Idol Should Be Dead,” which will premiere at the Tribeca Film Festival — and a new album, the polished punk-pop of “Dream Into It.”

“It was a gradual process, really,” he said of the 11-year span between albums. “It wasn’t so much that we didn’t want to make an album, it was more like we were building up to doing this.”

Idol discussed with The Associated Press this week his new album and forthcoming documentary, his past struggles with addiction, his first-ever Rock & Roll Hall of Fame nomination and more.

Remarks have been edited for clarity and brevity.

AP: You've described “Dream Into It” as autobiographical. I thought your last album, 2014's “Kings & Queens of the Underground,” pulled from your life as well.

IDOL: Being this age, in particular, 69, when you look back, you can really see your whole life, how it plays out. And maybe it’s also having grandchildren. My children are having children.

You sort of reach this vantage point where you can really look back and see all the sort of different eras of my life. And you can sing about it. And I think I didn’t go deep enough with the songs I did on “Kings and Queens.” I thought lyrically I could go deeper. That’s one of those regrets I had about the last album. So I really went for it, and I went for more imagery, (on ‘Dream Into It,’ in the) way of talking about my life. I’m not spelling it out exactly.

AP: There are a lot of rock ‘n’ roll women on the album. Joan Jett, Avril Lavigne and The Kills' Alison Mosshart are all featured.

IDOL: (Mosshart's) voice is just incredible. And of course, Joan Jett, I’ve known since 1978 after a Germs/Dead Kennedys concert. We hung out in Los Angeles. I was on a Generation X promotion tour for the first album. And then Avril, I mean, I’ve just been watching her career forever and she’s fantastic. So, it was just great.

AP: The documentary has an evocative title, “Billy Idol Should Be Dead.” It sounds like it may dive into your past struggles with addiction.

IDOL: There was a point in my life when I was living like every day, like, “Live every day as if it’s your last.” One day, you’re going to be right.

In the '70s, in England, you know, young people, we had this feeling that we were being completely ignored. You were even being told that you had no future. And so, we just didn’t think beyond the day-to-day existence. It was probably only when I really started having children and stuff like that, I really starting to realize I (should) try start to give up drugs and things.

I’ve always flirted with death, in a way. Even riding motorcycles, you’re staring at the concrete. It’s right there, you can come off that thing and get horribly messed up. And I’ve done it. It’s horrible. You find out how human you are, how vulnerable. There’s lots of things about my life that, yeah, I did kind of call death at times. Not really mean to, but you just were living like that.

Imagine if it was today. If I was doing what I was back then today, I would be dead because I would have run into fentanyl.

AP: You're nominated for the Rock & Roll Hall of Fame for the first time. Do you think your younger punk rock self would be excited?

IDOL: I do sort of think about Bo Diddley and Chuck Berry and Little Richard. “And what? Are you going to be in something with those guys?” You know, Buddy Holly. These are some of the seminal people who turned on the people that turned me on, you know? Somewhere down the road, it led to punk rock.

Also, my motorcycle has been in the Rock & Roll of Fame for like five years. So I might as well be in it, too.