How ‘Grease: Rise of the Pink Ladies’ Found a Sound of Its Own 

Ari Notartomaso, Marisa Davila, Cheyenne Isabel Wells and Tricia Fukuhara attend Paramount +'s "Grease: Rise Of The Pink Ladies" FYC Event at Hollywood Athletic Club on May 14, 2023 in Hollywood, California. (Getty Images/AFP)
Ari Notartomaso, Marisa Davila, Cheyenne Isabel Wells and Tricia Fukuhara attend Paramount +'s "Grease: Rise Of The Pink Ladies" FYC Event at Hollywood Athletic Club on May 14, 2023 in Hollywood, California. (Getty Images/AFP)
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How ‘Grease: Rise of the Pink Ladies’ Found a Sound of Its Own 

Ari Notartomaso, Marisa Davila, Cheyenne Isabel Wells and Tricia Fukuhara attend Paramount +'s "Grease: Rise Of The Pink Ladies" FYC Event at Hollywood Athletic Club on May 14, 2023 in Hollywood, California. (Getty Images/AFP)
Ari Notartomaso, Marisa Davila, Cheyenne Isabel Wells and Tricia Fukuhara attend Paramount +'s "Grease: Rise Of The Pink Ladies" FYC Event at Hollywood Athletic Club on May 14, 2023 in Hollywood, California. (Getty Images/AFP)

While songwriter Justin Tranter has attained success by penning hit pop anthems like Justin Bieber's "Sorry" and Imagine Dragons' "Believer," writing music for the Paramount+ prequel "Grease: Rise of the Pink Ladies" took him in a new direction.

For the 10-part musical TV series based on the famous 1978 film "Grease," Tranter wrote 30 original tracks - most of which weren't in the vein of the pop songs for which he is known.

"I'm very proud of my pop songs but there isn't the level of storytelling that's required for a musical," Tranter told Reuters.

"Grease: Rise of the Pink Ladies" is set in 1954, four years before the story of the US high school movie starring John Travolta and Olivia Newton-John.

The first season, which ends on Thursday, follows four rebellious students who unite to become the misfits of Rydell High and eventually the "Pink Ladies" clique. The show's lead, Marisa Davila, portrays Jane Facciano, the first female student to run for class president.

When he knew he was interested in being a part of the project, Tranter wrote his own original audition song, "Too Cool," which is featured in the first episode.

One of the main challenges Tranter faced was emulating the popular songs from the original film, which incorporated sounds from different decades.

"Some of it feels very true to the '50s and some of it is very much a late '70s take," Tranter said, referring to the original "Grease."

He also wanted to bring some of his contemporary pop style into the mix as well.

"We are waiting to see how an audience receives 30 original songs over 10 episodes. No-one has done it before, so we don't know how it's going to work," Tranter said.



Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
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Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)

Alfonso Cuarón is the first to admit that he does not know how to make a television series. He might even be too old to learn how, he said.

The Oscar-winning filmmaker has technically now made a series, the seven-part AppleTV+ show “Disclaimer,” four episodes of which premiered Thursday at the Venice Film Festival. But he did it his way: Like a film.

Based on Renée Knight’s 2015 book of the same name, “Disclaimer” is a psychological thriller about a documentarian and journalist, Catherine Ravenscroft (Cate Blanchett), who discovers she’s a character in a novel that reveals her darkest secret.

Cuarón, Blanchett and Kevin Kline all made the journey to the Italian film festival to debut and speak about the show before it begins streaming on Oct. 11.

“I read the book and immediately in my mind I saw a film, but I didn’t know how to make that film,” Cuarón, the director of films including “Gravity” and “Roma,” said in a news conference Thursday. “It was way too long. I could not shape it as such.”

It was only later, he said, that he thought it might work in longer form, inspired by predecessors like Rainer Werner Fassbinder, David Lynch and Krzysztof Kieślowski.

“I was intrigued and that was the point of departure,” Cuarón said.

He started writing with one name in mind for Catherine: Blanchett, terrified that she might say no. Not only did she not say no, she also was the one who suggested Kline for a British character. Sacha Baron Cohen plays her husband in the show and Kodi Smit-McPhee plays her son.

All soon realized that approaching it as a film, and shooting it as a film, would take much longer than a normal series. He even enlisted two cinematographers, Emmanuel Lubezki and Bruno Delbonnel, to add a distinct visual language to the different perspectives in the story. All told, it took about a year.

“It was a really long process,” Cuarón said. “And I really feel for the actors because they were stuck with the characters for way too long.”

Blanchett laughed that they were “still recovering.”

The final three episodes will screen Friday at the festival. Though the festival is most known for its feature film premieres, it does play host to select series as well. This year those also include Joe Wright’s Mussolini biopic “M: Son of the Century,” Rodrigo Sorogoyen’s “The New Years” and Thomas Vinterberg’s “Families Like Ours.”