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Walt Disney’s Pixar Animation Eliminates 75 Positions

(L-R) Actors Mamoudou Athie, Leah Lewis, Pixar CCO Pete Docter, producer Denise Ream, director Peter Sohn, actors Vincent Lacoste, Adele Exarchopoulos, and a guest attend the photocall for Pixar's “Elemental” during the 76th annual Cannes Film Festival, in Cannes, France, 26 May 2023. (EPA)
(L-R) Actors Mamoudou Athie, Leah Lewis, Pixar CCO Pete Docter, producer Denise Ream, director Peter Sohn, actors Vincent Lacoste, Adele Exarchopoulos, and a guest attend the photocall for Pixar's “Elemental” during the 76th annual Cannes Film Festival, in Cannes, France, 26 May 2023. (EPA)
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Walt Disney’s Pixar Animation Eliminates 75 Positions

(L-R) Actors Mamoudou Athie, Leah Lewis, Pixar CCO Pete Docter, producer Denise Ream, director Peter Sohn, actors Vincent Lacoste, Adele Exarchopoulos, and a guest attend the photocall for Pixar's “Elemental” during the 76th annual Cannes Film Festival, in Cannes, France, 26 May 2023. (EPA)
(L-R) Actors Mamoudou Athie, Leah Lewis, Pixar CCO Pete Docter, producer Denise Ream, director Peter Sohn, actors Vincent Lacoste, Adele Exarchopoulos, and a guest attend the photocall for Pixar's “Elemental” during the 76th annual Cannes Film Festival, in Cannes, France, 26 May 2023. (EPA)

Walt Disney's Pixar Animation Studios has eliminated 75 positions including those of two executives behind box office disappointment “Lightyear,” sources said on Saturday, the first significant job cuts at the studio in a decade.

The cuts included "Lightyear" director Angus MacLane, a 26-year animator who was part of the senior creative team on such acclaimed films as “Toy Story 4” and “Coco.” Galyn Susman, producer of "Lightyear," also departed. Susman had been at Pixar since the release of the original “Toy Story” movie in 1995.

MacLane and Susman could not be reached for comment.

The cuts, which took place May 23, are part of Walt Disney Chief Executive Bob Iger’s previously announced plan to eliminate 7,000 jobs and slash $5.5 billion in costs. That restructuring combined the film and television groups into a single Disney Entertainment unit and eliminated a division charged with distribution.

The layoffs at Pixar are significant because the studio is a creative force generating franchises and characters that drive revenue across Disney.

Pixar is famous for cinematic franchises including “Toy Story,” “The Incredibles” and “Cars.” But “Lightyear,” released a year ago with a reported budget of $200 million, brought in a modest $226.7 million in worldwide ticket sales and received a mixed critical reception.

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'Inside Out 2' Scores $100M in its 2nd Weekend, Setting Records

This image released by Disney/Pixar shows Joy, voiced by Amy Poehler, left, and Anxiety, voiced by Maya Hawke, in a scene from "Inside Out 2." (Disney/Pixar via AP)
This image released by Disney/Pixar shows Joy, voiced by Amy Poehler, left, and Anxiety, voiced by Maya Hawke, in a scene from "Inside Out 2." (Disney/Pixar via AP)
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'Inside Out 2' Scores $100M in its 2nd Weekend, Setting Records

This image released by Disney/Pixar shows Joy, voiced by Amy Poehler, left, and Anxiety, voiced by Maya Hawke, in a scene from "Inside Out 2." (Disney/Pixar via AP)
This image released by Disney/Pixar shows Joy, voiced by Amy Poehler, left, and Anxiety, voiced by Maya Hawke, in a scene from "Inside Out 2." (Disney/Pixar via AP)

Weekend number two was just as joyous for “Inside Out 2.”
The Pixar sequel collected $100 million in ticket sales in its second weekend, according to studio estimates Sunday, setting a new record for an animated movie in its follow-up frame in theaters, The Associated Press reported. The previous best second weekend for an animated title was the $92 million for “The Super Mario Bros. Movie.” Only six movies ever have had better second weekends.
In just a week and a half, “Inside Out 2” has become 2024’s highest-grossing film to date with $724.4 million globally, including $355.2 million in US and Canadian theaters. That passes the $711.8 million worldwide total of “Dune: Part Two.” “Inside Out 2” will likely blow through the $1 billion mark in about a week, which would make it the first film since “Barbie” to do so.
The extent of the “Inside Out 2” success startled Hollywood, which had grown accustomed to lower expectations as the film industry watched ticket sales this year slump about 40% below pre-pandemic totals, according to data firm Comscore, before “Inside Out 2” came along.
The record haul for “Inside Out 2,” though, recalled past years when $1 billion grosses were more commonplace for the Walt Disney Co. It is also a much-needed blockbuster for Pixar, which after experimenting with direct-to-streaming releases, reconsidered its movie pipeline and approach to mass-audience appeal.
Now, “Inside Out 2,” which dipped a mere 35% from its $154 million domestic debut, is poised to challenge “The Incredibles 2” ($1.2 billion) for the all-time top grossing Pixar release. It could also steer the venerated animation factory toward more sequels. Among its upcoming films is “Toy Story 5,” due out in 2026.
For theater owners, “Inside Out 2” could hardly have been more needed. But it also reminded exhibitors of how feast-or-famine the movie business has become in recent years. Since the pandemic, movies like “Barbie,” “Spider-Man: No Way Home” and “Top Gun: Maverick” have pushed ticket sales to record heights, but fallow periods in between box-office sensations have grown longer. Ticket sales over Memorial Day last month were the worst in three decades.
Some of 2024’s downturn can be attributed to release-schedule juggling caused by last year’s writers and actors strikes. The biggest new release over the weekend was Jeff Nichols’ motorcycle gang drama “The Bikeriders,” a film originally slated to open in 2023 before the actors strike prompted its postponement.
“The Bikeriders,” starring Jodie Comer, Austin Butler and Tom Hardy, came in on the high side of expectations with $10 million from 2,642 venues in its opening weekend. “The Bikeriders,” which cost about $35 million to produce, was originally to be released by Disney before New Regency took it to Focus Features last fall.
The strong business for “Inside Out 2” appeared to raise ticket sales generally. Sony Pictures’ “Bad Boys: Ride or Die” held well in its third week of release, collecting $18.8 million. It remained in second place. The “Bad Boys” sequel, starring Will Smith and Martin Lawrence, has grossed $146.9 million domestically thus far.
Next week, the sci-fi horror prequel “A Quiet Place: Day One” and Kevin Costner's Western epic “Horizon: An American Saga — Chapter 1" will hope some of the “Inside Out 2” success rubs off on them.