Alan Arkin, Oscar-Winning ‘Little Miss Sunshine’ Actor, Dies at 89

Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)
Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)
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Alan Arkin, Oscar-Winning ‘Little Miss Sunshine’ Actor, Dies at 89

Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)
Actor Alan Arkin poses during the CinemaCon Big Screen Achievement Awards at Caesars Palace in Las Vegas, Nevada April 23, 2015. (Reuters)

Alan Arkin, the wry character actor who demonstrated his versatility in everything from farcical comedy to chilling drama as he received four Academy Award nominations and won an Oscar in 2007 for "Little Miss Sunshine," has died. He was 89.

His sons Adam, Matthew and Anthony confirmed their father's death through the actor's publicist on Friday. "Our father was a uniquely talented force of nature, both as an artist and a man," they said in a statement.

A member of Chicago's famed Second City comedy troupe, Arkin was an immediate success in movies with the Cold War spoof "The Russians Are Coming, The Russians Are Coming" and peaked late in life with his win as best supporting actor for the surprise 2006 hit "Little Miss Sunshine." More than 40 years separated his first Oscar nomination, for "The Russians are Coming," from his nomination for playing a conniving Hollywood producer in the Oscar-winning "Argo."

In recent years he starred opposite Michael Douglas in the Netflix comedy series "The Kominsky Method," a role that earned him two Emmy nominations.

"When I was a young actor people wanted to know if I wanted to be a serious actor or a funny one," Michael McKean tweeted Friday. ‘I’d answer 'Which kind is Alan Arkin?’ and that shut them up."

Arkin once joked to The Associated Press that the beauty of being a character actor was not having to take his clothes off for a role. He wasn't a sex symbol or superstar, but was rarely out of work, appearing in more than 100 TV and feature films. His trademarks were likability, relatability and complete immersion in his roles, no matter how unusual, whether playing a Russian submarine officer in "The Russians are Coming" who struggles to communicate with the equally jittery Americans, or standing out as the foul-mouthed, drug-addicted grandfather in "Little Miss Sunshine."

"Alan's never had an identifiable screen personality because he just disappears into his characters," director Norman Jewison of "The Russians are Coming" once observed. "His accents are impeccable, and he's even able to change his looks. ... He's always been underestimated, partly because he's never been in service of his own success."

While still with Second City, Arkin was chosen by Carl Reiner to play the young protagonist in the 1963 Broadway play "Enter Laughing," based on Reiner's semi-autobiographical novel.

He attracted strong reviews and the notice of Jewison, who was preparing to direct a 1966 comedy about a Russian sub that creates a panic when it ventures too close to a small New England town. In Arkin's next major film, he proved he could also play a villain, however reluctantly. Arkin starred in "Wait Until Dark" as a vicious drug dealer who holds a blind woman (Audrey Hepburn) captive in her own apartment, believing a drug shipment is hidden there.

He recalled in a 1998 interview how difficult it was to terrorize Hepburn's character.

"Just awful," he said. "She was an exquisite lady, so being mean to her was hard."

Arkin's rise continued in 1968 with "The Heart Is a Lonely Hunter," in which he played a sensitive man who could not hear or speak. He starred as the bumbling French detective in "Inspector Clouseau" that same year, but the film would become overlooked in favor of Peter Sellers' Clouseau in the "Pink Panther" movies.

Arkin's career as a character actor continued to blossom when Mike Nichols, a fellow Second City alumnus, cast him in the starring role as Yossarian, the victim of wartime red tape in 1970's "Catch-22," based on Joseph Heller's million-selling novel.

Through the years, Arkin turned up in such favorites as "Edward Scissorhands," playing Johnny Depp's neighbor; and in the film version of David Mamet’s "Glengarry Glen Ross" as a dogged real estate salesman. He and Reiner played brothers, one successful (Reiner), one struggling (Arkin), in the 1998 film "The Slums of Beverly Hills."

"I used to think that my stuff had a lot of variety. But I realized that for the first twenty years or so, most of the characters I played were outsiders, strangers to their environment, foreigners in one way or another," he told The Associated Press in 2007.

"As I started to get more and more comfortable with myself, that started to shift. I got one of the nicest compliments I've ever gotten from someone a few days ago. They said that they thought my characters were very often the heart, the moral center of a film. I didn't particularly understand it, but I liked it; it made me happy."

Other recent credits included "Going in Style," a 2017 remake featuring fellow Oscar winners Michael Caine and Morgan Freeman, and "The Kominsky Method." He played a Hollywood talent agent and friend of Douglas' character, a once-promising actor who ran an acting school after his career sputtered.

He also was the voice of Wild Knuckles in the 2022 animated film "Minions: The Rise of Gru."

Arkin also directed the film version of Jules Feiffer's 1971 dark comedy "Little Murders" and Neil Simon's 1972 play about bickering old vaudeville partners, "The Sunshine Boys." On television, Arkin appeared in the short-lived series "Fay" and "Harry" and played a night court judge in Sidney Lumet's drama series "100 Centre Street" on A&E. He also wrote several books for children.

Born in New York City's borough of Brooklyn, he and his family, which included two younger brothers, moved to Los Angeles when he was 11. His parents found jobs as teachers, but were fired during the post-World War II Red Scare because they were Communists.

"We were dirt poor so I couldn't afford to go to the movies often," he told the AP in 1998. "But I went whenever I could and focused in on movies, as they were more important than anything in my life."

He studied acting at Los Angeles City College; California State University, Los Angeles; and Bennington College in Vermont, where he earned a scholarship to the formerly all-girls school.

He married a fellow student, Jeremy Yaffe, and they had two sons, Adam and Matthew.

After he and Yaffe divorced in 1961, Arkin married actress-writer Barbara Dana, and they had a son, Anthony. All three sons became actors: Adam starred in the TV series "Chicago Hope."

"It was certainly nothing that I pushed them into," Arkin said in 1998. "It made absolutely no difference to me what they did, as long as it allowed them to grow."

Arkin began his entertainment career as an organizer and singer with The Tarriers, a group that briefly rode the folk musical revival wave of the late 1950s. Later, he turned to stage acting, off-Broadway and always in dramatic roles.

At Second City, he worked with Nichols, Elaine May, Jerry Stiller, Anne Meara and others in creating intellectual, high-speed impromptu riffs the fads and follies of the day.

"I never knew that I could be funny until I joined Second City," he said.



‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles

‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles
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‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles

‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles

“Venom: The Last Dance” enjoyed another weekend at the top of the box office. The Sony release starring Tom Hardy added $26.1 million in ticket sales, according to studio estimates Sunday.
It was a relatively quiet weekend for North American movie theaters leading up to the presidential election. Charts were dominated by big studio holdovers, like “Venom 3,” “The Wild Robot” and “Smile 2,” while audiences roundly rejected the Tom Hanks, Robin Wright and Robert Zemeckis reunion “Here.” Thirty years after “Forrest Gump,” “Here” opened to only $5 million from 2,647 locations.
“Venom 3” only fell 49% in its second weekend, which is a notably small drop for a superhero film, though it didn’t exactly open like one either. In two weeks, the movie has made over $90 million domestically; The first two opened to over $80 million. Globally, the picture is brighter given that it has already crossed the $300 million threshold.
Meanwhile, Universal and Illumination’s “The Wild Robot” continues to attract moviegoers even six weeks in (and when it’s available by video on demand), placing second with $7.6 million. That's up 11% from last weekend. The animated charmer has made over $121 million in North America and $269 million worldwide, The Associated Press reported.
"'The Wild Robot' has quietly been this absolute juggernaut for the fall season," said Paul Dergarabedian, the senior media analyst for Comscore. “For that film to see an increase after six weeks is astounding.”
“Smile 2” landed in third place with $6.8 million, helping to push its worldwide total to $109.7 million.
The time-hopping “Here,” a graphic novel that was adapted by “Forrest Gump” screenwriter Eric Roth, was financed by Miramax and distributed by Sony’s TriStar. With a fixed position camera, it takes audiences through the years in one living room. Critics were not on board: In aggregate it has a lousy 36% on Rotten Tomatoes.
“It was a slow weekend anyway, but it didn’t resonate in a way that many thought it might," Dergarabedian said. "There are a lot of films out there for the audience that ‘Here’ was chasing."
Despite playing in almost 1,000 more locations, “Here” came in behind Focus Features' papal thriller “Conclave,” which earned $5.3 million. Playing in 1,796 theaters, “Conclave” dropped only 20% from its debut last weekend and has made $15.2 million so far. Two Indian films also cracked the top 10 in their debuts, “Bhool Bhulaiyaa 3” and “Singham Again.”
Overall box office continues to lag behind 2023 by almost 12%. But holiday moviegoing will likely give the industry an end-of-year boost with titles like “Gladiator II” and “Wicked” on the way.
“In a couple of weeks, it’ll get a lot more competitive,” Dergarabedian said.
Jesse Eisenberg’s film “A Real Pain,” a comedic drama about cousins on a Holocaust tour in Poland, launched in four theaters this weekend in New York and Los Angeles. It made an estimated $240,000, or $60,000 per screen, which is among the top three highest per theater averages of the year. Searchlight Pictures will be expanding the well-reviewed film nationwide in the coming weeks, going wide on Nov. 15 to over 800 theaters.
Box office charts don’t always paint a full picture of the moviegoing landscape, however. This weekend several relatively high-profile films playing in theaters did not report full grosses for various reasons, including the Clint Eastwood film “Juror #2,” Steve McQueen’s WWII film “Blitz” and the Cannes darling “Emilia Pérez.” Netflix, which is handling “Emilia Pérez,” never reports box office. Apple Original Films is following suit with “Blitz,” a likely awards contender, which is in theaters before hitting Apple TV+ on Nov. 22.
“Juror No. 2” is a Warner Bros. release, and a well-reviewed one at that. The film directed by Eastwood stars Nicholas Hoult as a juror on a murder case who faces a big moral dilemma. Domestic ticket sales were withheld. The studio did say that it earned $5 million from international showings, where it played on 1,348 screens.
Even major studios withhold box office numbers occasionally. Earlier this year, Disney did not report on the Daisy Ridley movie “Young Woman and the Sea.” Results were most notably withheld during the COVID-19 pandemic.
"It’s really up to the distributors," Dergarabedian said. “Often times the reason that certain movies may not be reported is that there’s a chance that the quality of the movie will be conflated with the box office number.”