Bear Grylls Goes into the Wild with a New Batch of Celebrities, from Bradley Cooper to Rita Ora

 This image released by Nat Geo shows Bradley Cooper, left, and Bear Grylls on a paraledge hung off the edge of Pathfinder Canyon in Wyoming, in a scene from “Running Wild with Bear Grylls: The Challenge," premiering on July 9. (Nat Geo via AP)
This image released by Nat Geo shows Bradley Cooper, left, and Bear Grylls on a paraledge hung off the edge of Pathfinder Canyon in Wyoming, in a scene from “Running Wild with Bear Grylls: The Challenge," premiering on July 9. (Nat Geo via AP)
TT

Bear Grylls Goes into the Wild with a New Batch of Celebrities, from Bradley Cooper to Rita Ora

 This image released by Nat Geo shows Bradley Cooper, left, and Bear Grylls on a paraledge hung off the edge of Pathfinder Canyon in Wyoming, in a scene from “Running Wild with Bear Grylls: The Challenge," premiering on July 9. (Nat Geo via AP)
This image released by Nat Geo shows Bradley Cooper, left, and Bear Grylls on a paraledge hung off the edge of Pathfinder Canyon in Wyoming, in a scene from “Running Wild with Bear Grylls: The Challenge," premiering on July 9. (Nat Geo via AP)

For his latest role, Bradley Cooper leapt onto a hovering helicopter, rappelled down a 400-foot cliff and pulled himself across a 100-foot ravine in one of the harshest climates in North America.

His reward wasn't an Oscar nomination or a big box office hit. It was a hug from adventurist Bear Grylls and some words of encouragement.

“He smashed it,” Grylls says.

Cooper is one of several celebrities — including Benedict Cumberbatch, Cynthia Erivo, Russell Brand, Troy Kotsur, Rita Ora, Daveed Diggs and Tatiana Maslany — who put their survival skills to the test in a new season of Nat Geo’s “Running Wild with Bear Grylls: The Challenge,” premiering Friday.

“I’m really proud of this season. We’ve had incredible guests who pushed the boundaries in terms of terrain and the challenge,” Grylls told The Associated Press. “When there’s real tough weather with fun people, it’s often really compelling TV.”

The series pairs Grylls with a celebrity for 48 hours in a harsh environment. The first day, Grylls teaches key skills — climbing techniques, water-finding tips and fire-setting, among them — and then the guest must do them alone the second day.

Kotsur, who won an Oscar for “CODA,” was tested in the Scottish Highlands, descending 2,500 feet (760 meters) across eight miles (13 kilometers) of harsh terrain and freezing rivers, including a 150-foot (45-meter) rappel down a waterfall. Because Kotsur is deaf, the two men used rope tugs to communicate. Kotsur's reward: haggis, a Scottish delicacy in which organ meat is put inside a sheep's stomach and cooked.

Diggs, a city kid, finds himself in the inhospitable Great Basin Desert in Nevada.

“I don’t know how this is going to go and that’s why I’m doing it,” he says. Diggs learns how to use anchor points, track a target and make a signal fire. His dinner is a tarantula.

“It’s not what I was hoping for, I’m not going to lie to you,” Diggs says.

Grylls told the AP the best guests are always those who come with a willingness to go with it, not to look good.

“The wild is so unpredictable and stuff is always happening. You can’t look cool all the time in the wild,” he said.

The show is not just about survival. Grylls' guests usually open up and show a different side. Ora talks about her ties to Kosovo, Cooper seems unfazed eating mule deer tongue and Cumberbatch reveals stories about his grandfather. Over a campfire, Grylls goes deeper than many TV interviewers.

“It’s as much about the stars and their own personal journeys and struggles and battles as it is about the adventure and the places,” he says. “I think that combination works well because it doesn’t feel like a performance, like a chat show does, where you’re dressed up and made up and you get three minutes.”

Cumberbatch is taken to the Isle of Skye, where his grandfather trained as a submariner. He learns how to use climbing talons and how to tie an Italian hitch knot.

“It’s not the same as doing a stunt on a Marvel film. It’s a lot more real,” Cumberbatch says. His meal is seaweed and limpets — “Definitely al dente,” he jokes — and his bed is a wet field.

Ora arrives at the Valley of Fire in Nevada following a 15,000-foot (4,570-meter) skydive, learns a chimney climb, butchers a dead pigeon, sacrifices her lip balm to make a fire and uses a sock to soak up water. She and Grylls even dance on a rock ledge, casting their shadows tall.

“The wild strips us all bare, doesn’t it?” Grylls told the AP. “It’s like a grape when you squeeze us, you see what we’re made of. And that’s always the appealing part of ‘Running Wild’ — getting to know the real people.”

One commonality among the guests is that viewers will often hear it was the celebrity's parents who instilled in them a sense of adventure and testing themselves.

“It’s a reminder just how important parenting is,” Grylls said. “Almost invariably when I ask stars, ‘Where does it come from?’ they go, ‘Oh, my dad was amazing when I was really struggling at school.’ Or, ‘My mum was just such inspiration holding down three jobs.’”

“Running Wild with Bear Grylls" is only one of several shows the adventurist is juggling. On TBS this year, he debuted “I Survived Bear Grylls,” a competition series that bridges the survival and game show genres by having regular contestants recreate some of Grylls' stunts — like digging through poop or drinking urine. Younger fans can also enjoy “You vs. Wild,” an interactive Netflix show that asks viewers to choose how Grylls will make it out of the wilderness alive.

“I’m not going to be doing these shows forever but hopefully having an adventurous spirit and knowing the value of great friends and the power of a never-give-up attitude in the world — hopefully those things will keep going,” the 49-year-old said.

He seems to have tapped into something deep in the human DNA — a need to be able to start a fire, use tools and master the wild. But Grylls thinks it's more than that.

“I really believe it’s a state of mind. We don’t have to be in the wild to live an adventurous life,” he said. “It’s how we live our life, how we approach our work, our relationships, our dreams, our aspirations, our interactions with people. Are we leaning on the adventure side? Are we always pushing the boundaries, taking a few risks?”



Dark Comedy ‘A Different Man’ Surprisingly Triumphs at Gotham Awards

 Sebastian Stan attends the Gothams Film Awards at Cipriani Wall Street on Monday, Dec. 2, 2024, in New York. (AP)
Sebastian Stan attends the Gothams Film Awards at Cipriani Wall Street on Monday, Dec. 2, 2024, in New York. (AP)
TT

Dark Comedy ‘A Different Man’ Surprisingly Triumphs at Gotham Awards

 Sebastian Stan attends the Gothams Film Awards at Cipriani Wall Street on Monday, Dec. 2, 2024, in New York. (AP)
Sebastian Stan attends the Gothams Film Awards at Cipriani Wall Street on Monday, Dec. 2, 2024, in New York. (AP)

In a surprise that stunned the audience of Hollywood’s first big awards-season bash, "A Different Man," a dark comedy about doppelgängers, deformity and authenticity in acting, won best feature film at the 34th Gotham Awards on Monday night.

Much can be unpredictable at the Gotham Awards, which uses small juries of insiders and film industry veterans to pick nominees and winners. But as the "A Different Man" ensemble, including Sebastian Stan and Adam Pearson, took the stage, writer-director Aaron Schimberg was in obvious disbelief.

"I don’t think I'm the only person in this room who’s totally stunned," said Schimberg. "Considering the other nominees, I thought it would be hubris to prepare a speech."

At a starry Gothams that drew Zendaya, Timothée Chalamet and Angelina Jolie, most were expecting triumph for Sean Baker’s "Anora," a comedy about a sex worker who marries the son of a Russian oligarch. It came in the lead nominee, the Cannes Palme d’Or winner, and maybe a top best-picture contender at the Oscars, but went home empty-handed.

Instead, the night belonged to the A24 release "A Different Man," which stars Stan as a man with facial deformities who's healed of them. He's then upstaged by the character played by Pearson, who genuinely has neurofibromatosis, a condition that covers much of his face with benign skin tumors.

The Gothams aren’t an Oscar bellwether, though several of its recent top winners – including last year's winner "Past Lives," as well as "Everything Everywhere All at Once" and "Nomadland" – have gone on to be nominated for best picture at the Academy Awards, with "Everything Everywhere" and "Nomadland" winning.

Whether any of the winners Monday night — "Sing Sing" and "Nickel Boys" were also victorious — will use the early wins as a springboard for more trophies remains to be seen. But the Gothams, a black-tie affair held at Cipriani Wall Street in downtown Manhattan, tend to give some sense of the flavor of the upcoming gauntlet of award-season ceremonies.

How prominent politics, and the upcoming inauguration of President-elect Donald Trump, might be in this year’s Oscar race is one of the biggest questions as the season ramps up. On Monday, Trump's name was never uttered on stage (though Stan is in the awards mix for playing him in "The Apprentice"), nor were there any overtly political statements. But several winners seemed to allude to the shifting political climate.

"Let's keep doing the work that really matters and makes a difference," said Colman Domingo, who won best lead performance. "That's what we can do right now. That can be the light in the darkness."

Domingo won for his starring role in "Sing Sing," the indie drama about a real prison program called Rehabilitation Through the Arts, which helps incarcerated people heal through theater productions. Clarence Maclin, one of the formerly incarcerated men who co-star in the film, won best supporting performance.

"If someone was going to tell me ten years ago, I was going to be here, I wouldn’t have believed it," said Maclin.

"Sing Sing," also from A24, was arguably the emotional winner of the night. The film's ensemble also accepted a tribute award. In one of the evening's most powerful speeches Sean Dino Johnson, a founding member of RTA, spoke passionately about the redemptive qualities of the arts.

"Standing here tonight we are proof that movies like ‘Sing Sing’ don’t just entertain," said Johnson. "They change lives."

RaMell Ross' "Nickel Boys," his arrestingly photographed Colson Whitehead adaptation, also won two major awards: best director for Ross and breakthrough performer for Brandon Wilson. Ross’ film, about two Black teenagers at an abusive juvenile reform school in Jim Crow-era Florida, is filmed largely from the first-person perspective of its two main characters.

For many, the Gothams are a chance to make an impression with a speech that helps solidify their awards chances. To that cause, the Gothams gave out an array of tribute awards. This year’s crop was particularly starry, including Zendaya (for "Challengers"), Jolie (for "Maria"), Chalamet and James Mangold (for "A Complete Unknown"), Denis Villeneuve (for "Dune: Part Two"), the cast of "The Piano Lesson," and Franklin Leonard, founder of the fabled unproduced screenplay platform The Black List.

Jolie, who plays the opera singer Maria Callas in "Maria," also spoke about the importance of the arts.

"It’s so important that art be taught in our schools, and so concerning that is being reduced," Jolie said.

Zendaya, honored for her performance in Luca Guadagnino's "Challengers," took a moment to thank her date. "My mom's here tonight," she said. "Shout out mom."

Chalamet read a short speech about his transformation into Bob Dylan for the upcoming "A Complete Unknown."

"Getting to study and immerse myself in the world of Bob Dylan has been the greatest education a young artist can receive," Chalamet said. "If you're already a fan of Bob Dylan, this will make perfect sense to you. If you're not familiar with his work, perhaps our film can serve as a humble gateway to one of the great poets and chroniclers of our times."

Best documentary went to "No Other Land," a film made by a Palestinian and Israeli filmmaker collective that documents Israeli occupation of a Palestinian village in West Bank over the course of years. Despite being one of the year’s most acclaimed documentaries, "No Other Land" remains without an American distributor.

Payal Kapadia’s "All We Imagine as Light," a poetic drama about three women in modern Mumbai, took the award for best international film. Though the film was the first Indian movie in competition in more than 30 years at the Cannes Film Festival, India opted not to select it for its Oscar submission.