Philippines Allows Barbie Film but Wants Controversial Map Blurred 

Australian actress Margot Robbie meets fans during a pink carpet event to promote her new film "Barbie" in Seoul on July 2, 2023. (AFP)
Australian actress Margot Robbie meets fans during a pink carpet event to promote her new film "Barbie" in Seoul on July 2, 2023. (AFP)
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Philippines Allows Barbie Film but Wants Controversial Map Blurred 

Australian actress Margot Robbie meets fans during a pink carpet event to promote her new film "Barbie" in Seoul on July 2, 2023. (AFP)
Australian actress Margot Robbie meets fans during a pink carpet event to promote her new film "Barbie" in Seoul on July 2, 2023. (AFP)

Philippine censors said Wednesday they have allowed the upcoming Barbie film to be shown in cinemas, after asking its Hollywood distributor to blur a map allegedly showing China's claims to the disputed South China Sea.

The fantasy comedy film about the famous doll, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling, is set to open in the Southeast Asian nation on July 19.

After reviewing the film twice and consulting foreign affairs officials and legal experts, the government's Movie and Television Review and Classification Board said it would allow it to be screened.

The censors began examining "Barbie" last week after Vietnam reportedly banned the film over scenes featuring a map showing the so-called nine-dash line, which China uses to justify its maritime claims.

Beijing claims almost the entire South China Sea, despite rival claims from other Southeast Asian countries including the Philippines, Malaysia and Vietnam.

But after "meticulous" scrutiny of the film, Philippine censors were convinced that the "cartoonish map" did not depict the nine-dash line.

"Instead, the map portrayed the route of the make-believe journey of Barbie from Barbie Land to the 'real world,' as an integral part of the story," the censorship board said in a statement.

"Rest assured that the Board has exhausted all possible resources in arriving at this decision as we have not hesitated in the past to sanction filmmakers/ producers/ distributors for exhibiting the fictitious 'nine-dash line' in their materials."

In a separate letter to Philippine Senator Francis Tolentino, who had criticized the film for "violating Filipino fisherfolks' rights", the censors said they had asked Hollywood studio Warner Bros to "blur" the controversial lines on the map.

Dashed lines drawn in a "child-like manner" appeared in several locations on the map around land masses identified as Europe, North America, South America, Africa and Asia, the censors said.

But it found only eight dashes around the landmass labelled "Asia".

"Moreover, the Philippines, Malaysia, and Indonesia are not visible on the map," the board said in the letter dated July 11 and shared with reporters.

"This is in stark contrast to the maps found in the banned films 'Abominable (2019)' and 'Uncharted (2022)'," it said.

Warner Bros did not immediately respond to AFP's request for comment.

But a Warner Bros spokesperson was quoted by Variety as saying the map was a "child-like crayon drawing" and "not intended to make any type of statement".

The Philippines' approval of "Barbie" coincided with the seventh anniversary of an international ruling that China's historical claims to the South China Sea have no legal basis.



‘Deadpool & Wolverine’ Smashes R-rated Record with $205 Million Debut

FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
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‘Deadpool & Wolverine’ Smashes R-rated Record with $205 Million Debut

FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo

Marvel is back on top with “Deadpool & Wolverine.” The comic-book movie made a staggering $205 million in its first weekend in North American theaters, according to studio estimates Sunday. It shattered the opening record for R-rated films previously held by the first “Deadpool” ($132 million) and notched a spot in the top 10 openings of all time.
Including international showings, where it’s racked up an addition $233.3 million from 52 markets, “Deadpool & Wolverine” is looking at a global opening of over $438.3 million, The Associated Press reported.
Fittingly for both characters’ introduction to the Marvel Cinematic Universe, “Deadpool & Wolverine” played less like earlier X-Men or Deadpool movies and more like an Avengers pic. In the top domestic opening weekends ever, “Deadpool & Wolverine” is seated in 8th place between “The Avengers” ($207.4 million) and “Black Panther" ($202 million), bumping “Avengers: Age of Ultron” ($191.3 million) out of the top 10.
It’s by far biggest opening of the year, unseating Disney’s “ Inside Out 2 ” ($154.2 million) and the most tickets a movie has sold in its debut weekend since “Barbie” ($162 million) stormed theaters last July. Playing in 4,210 locations, “Deadpool & Wolverine” also surpassed 2019’s “The Lion King” ($191.8 million) to become the biggest July opening ever, and is the 34th consecutive MCU movie to debut in first place. And these are numbers previously thought impossible for an R-rated film.
The Walt Disney Studios release arrived at a pivotal time for an industry grappling with box office returns that continue to run at a double-digit deficit from last year. The success is also an important moment for Marvel Studios, which has had several high-profile disappointments lately; Most notably in “ The Marvels ” which opened to an MCU low of $47 million last November.
Superheroes have been struggling even more elsewhere: Sony, which reached a high point with “Spider-Man: No Way Home” ($1.9 billion worldwide) had a new low with “Madame Web,” which barely crossed $100 million. Warner Bros. Discovery, after a string of disappointments with “The Flash” and “Blue Beetle,” is currently working on restarting their DC universe under the supervision of James Gunn.
Marvel's savior came in the form of two characters who got their start outside of the MCU, and carried a Motion Picture Association rating that seemed to have an earnings cap.
Both Deadpool and Wolverine, played by Ryan Reynolds and Hugh Jackman, existed previously under the 21st Century Fox banner which for two decades had the rights to Marvel characters like the “X-Men” and “Fantastic Four.” That changed when Disney acquired the studio’s film and TV assets in early 2019 and plans started to take shape of how all these characters would fit into Kevin Feige’s MCU. In some cases, as with “Fantastic Four,” Marvel Studios is starting fresh. With “Deadpool & Wolverine,” the stars were as crucial as their characters.
Going into the weekend, $200 million domestic seemed like a pipe dream. Analysts were more conservative with predictions in the $160 million range. But from the start of the 3 p.m. Thursday preview screenings it was clear that “Deadpool & Wolverine” was more powerful. By the end of Friday, it had already made $96 million and received a coveted A CinemaScore from audiences. Critics, too, have been mostly positive. Premium screens, including IMAX and other large formats, accounted for 18% of the total box office.
The top domestic opening of all time still firmly belongs to “Avengers: Endgame” with $357.1 million. It’s followed by “Spider-Man: No Way Home” ($260.1 million), “Avengers: Infinity War” ($257.6 million), “Star Wars: The Force Awakens” ($247.9 million) and “Star Wars: The Last Jedi” ($220 million).
Second place went to Universal's “Twisters,” now in its second weekend with $35.3 million. The standalone sequel to “Twister” has now earned $154.9 million in North America. Universal also claimed third place with “Despicable Me 4,” which added $14.2 million in its fourth weekend, bringing its domestic total to nearly $291 million.
“Inside Out 2” landed in fourth place with $8.3 million. The Disney and Pixar release this week became the biggest animated release ever with $613.4 million domestically (surpassing “Incredibles 2”) and $1.5 billion globally. It also passed “Top Gun: Maverick” to become the 12th highest-earning global release of all time.
It all adds up to one of the top 10 domestic grossing weekends of all time, with around $280 million, according to Comscore. That puts it ahead of this weekend last year, when “Barbie” and “Oppenheimer” helped propel the box office to over $216.9 million in their second weekends.