Jury Declares Aretha Franklin Will Found in Couch Valid 

US singer Aretha Franklin poses on the red carpet before the 38th Annual Kennedy Center Honors in Washington, DC, on December 6, 2015. (AFP)
US singer Aretha Franklin poses on the red carpet before the 38th Annual Kennedy Center Honors in Washington, DC, on December 6, 2015. (AFP)
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Jury Declares Aretha Franklin Will Found in Couch Valid 

US singer Aretha Franklin poses on the red carpet before the 38th Annual Kennedy Center Honors in Washington, DC, on December 6, 2015. (AFP)
US singer Aretha Franklin poses on the red carpet before the 38th Annual Kennedy Center Honors in Washington, DC, on December 6, 2015. (AFP)

A handwritten document found in Aretha Franklin's couch cushion is a valid will determining the late Queen of Soul's wishes, a Michigan jury found Tuesday, according to the local Detroit Free Press newspaper.

A famously private person, when Franklin died five years ago at 76 years old, she left no formal will -- but hand-scrawled documents discovered later in her Detroit home fueled a dispute among her four sons for years.

The difficult to read papers appear to distribute assets including real estate, jewelry, furs, stereo equipment and music royalties to her family members.

One, dated to 2010, was discovered in a locked cabinet. Another, dated four years later, was found under the cushions.

Two of her sons, Edward and Kecalf Franklin, favored the 2014 paper. Another, Ted White Jr., says the 2010 document in the cabinet is more legitimate.

Both wills appeared to show an even split of royalties among those three sons.

The New York Times said that Clarence Franklin, the singer's first-born child, has a mental illness and lives under a court-appointed guardian, and that his brothers have agreed to support him.

The six-person jury's decision works in particular favor of Kecalf Franklin and his children, who are now set to inherit the singer's primary residence, a mansion in an affluent Detroit suburb. They also stand to inherit her cars.

Of significant focus in the trial was on a signature on the 2014 document, which said "A. Franklin" and included a smiley face in the first initial, which Kecalf Franklin testified was "characteristic" of his mother's writing.

The jury rendered its decision after deliberating for approximately an hour to close the swift two-day trial.

For years Franklin's estate managers have been settling debts and paying back taxes, while also generating royalties off music and intellectual property.

Franklin's death in Detroit closed the curtain on a glittering six-decade career that spanned gospel, R&B, jazz, blues and even classical music.

She died of pancreatic cancer on August 16, 2018.



‘Despicable Me 4’ Reigns at Box Office, While ‘Longlegs’ Gets Impressive Start

 This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
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‘Despicable Me 4’ Reigns at Box Office, While ‘Longlegs’ Gets Impressive Start

 This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)

Gru and the minions celebrated a second week in first place at the North American box office this weekend, while a small horror movie called “Longlegs” upset the starry $100 million "Fly Me to the Moon."

The supremacy of “Despicable Me 4” was hardly a surprise, as the Universal and Illumination franchise added $44.7 million and pushed the film over $200 million, according to studio estimates Sunday. But the big upset came further down the charts with “Longlegs ” more than doubling the debut of the Scarlett Johansson and Channing Tatum romantic comedy “Fly Me to the Moon.”

“Longlegs,” an original horror about a serial killer starring Maika Monroe and Nicolas Cage, made an estimated $22.6 million from 2,510 theaters. That’s the best ever start for indie outfit Neon (most famous for releasing the Oscar-winning “Parasite”), which acquired the $10 million film for distribution. Written and directed by Osgood Perkins, “Longlegs” also scored the best opening for an R-rated film this year.

Neon deployed an innovative marketing strategy for the film, including touches like placing cipher messages in local newspapers and posting a Los Angeles billboard with a phone number that played an “unnerving” message. In its first 48 hours, the number received over 250,000 calls.

“Longlegs” was well-received by critics (it has an 87% on Rotten Tomatoes), but audiences gave it a less enthusiastic a C+ CinemaScore.

“Fly Me to the Moon,” an Apple Original Films production, launched with only $10 million over the weekend. It trailed holdovers “Inside Out 2,” in third with $20.8 million; and “A Quiet Place: Day One,” in fourth place with $11.8 million.

Sony distributed “Fly Me to the Moon,” the Greg Berlanti-directed film about a marketing executive brought in to sell the space race to the American public, and, later, stage a fake moon landing just in case. Apple has not yet announced when it will debut on its streaming service.

The movie opened in 3,356 locations this weekend, attracting an audience that was mostly over 45. In this case, the audience was kinder than the critics, giving it an A- CinemaScore against a 67% on Rotten Tomatoes, suggesting that word-of-mouth may work in its favor over the long run.

The year-to-date gap between box office performance this year and last is getting moderately slimmer. It's now down 16.1% from 2023 thanks to a run of recent successes. But performance still pales in comparison to pre-pandemic standards. On July 14 in 2019, the annual box office take was at $6.2 billion. This year it’s at $4.1 billion so far.

“A very unpredictable summer movie season continues,” said Paul Dergarabedian, the senior media analyst for Comscore. “And after a slow start in May (it) has continued to surprise and impress with expected as well as unexpected hits adding bottom-line dollars to the industry’s most important season.”

In limited release, A24 opened “Sing Sing,” an early Oscar contender, in four theaters in New York and Los Angeles. With sellouts in both locations, it made $137,119, one of the best limited openings of the year.

The film from director Greg Kwedar is about an arts program at the prison and features many real life participants, including Clarence Maclin in his film debut. “Sing Sing” will continue playing on four screens through July and expand nationwide in August.

Finally, “Twisters,” which opens in North America on Thursday, began its international rollout this weekend, earning $11.5 million from 38 markets including in Australia, Mexico and Brazil.

In its wake comes “Deadpool & Wolverine,” the first Marvel release of the summer.