Taylor Swift Sets Women’s Record for Most Number One Albums 

Taylor Swift accepts the "iHeartRadio Innovator" award at the iHeartRadio Music Awards in Los Angeles, California, US, March 27, 2023. (Reuters)
Taylor Swift accepts the "iHeartRadio Innovator" award at the iHeartRadio Music Awards in Los Angeles, California, US, March 27, 2023. (Reuters)
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Taylor Swift Sets Women’s Record for Most Number One Albums 

Taylor Swift accepts the "iHeartRadio Innovator" award at the iHeartRadio Music Awards in Los Angeles, California, US, March 27, 2023. (Reuters)
Taylor Swift accepts the "iHeartRadio Innovator" award at the iHeartRadio Music Awards in Los Angeles, California, US, March 27, 2023. (Reuters)

Taylor Swift now has more number one albums than any other female artist in history following the recent release of "Speak Now (Taylor's Version)," Billboard said Monday.

The record debuted at the top of the Billboard charts, becoming the pop queen's 12th number one album and surpassing Barbra Streisand for the most among women.

For male performers, Jay-Z and the Beatles both have over a dozen number one albums, though Billboard notes it has changed its album ranking system over the decades to include anthologies.

Swift, 33, has also become the first living artist in nearly 60 years to have four albums in the top 10 at the same time, the organization added.

They include "Midnights," "Lover" and "Folklore."

Billboard said Swift had also become the first living artist to have 11 albums in the top 200 simultaneously.

Swift's record-breaking feats come as she performs many of her best hits on the fan-frenzied "Eras" tour.

The 106-date stadium concert series kicked off in March and is within striking distance of becoming the first billion-dollar tour.

"Speak Now" was originally released in 2010. Swift has vowed to re-record her first six albums so she can control their rights -- a process she was contractually allowed to begin in November 2020.

She has also re-recorded "Fearless" and "Red."

Last October, Swift became the first artist ever to simultaneously nab all 10 spots on the top US song chart after the release of her tenth studio album "Midnights."



‘I’m Still Here’: Joan Chen Plays Thwarted Immigrant Mom in ‘Didi'

Chinese-American actress Joan Chen poses during a photocall for Chinese director Jia Zhang Ke's film '24 City' at the 61st Cannes International Film Festival on May 17, 2008 in Cannes, southern France. (AFP)
Chinese-American actress Joan Chen poses during a photocall for Chinese director Jia Zhang Ke's film '24 City' at the 61st Cannes International Film Festival on May 17, 2008 in Cannes, southern France. (AFP)
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‘I’m Still Here’: Joan Chen Plays Thwarted Immigrant Mom in ‘Didi'

Chinese-American actress Joan Chen poses during a photocall for Chinese director Jia Zhang Ke's film '24 City' at the 61st Cannes International Film Festival on May 17, 2008 in Cannes, southern France. (AFP)
Chinese-American actress Joan Chen poses during a photocall for Chinese director Jia Zhang Ke's film '24 City' at the 61st Cannes International Film Festival on May 17, 2008 in Cannes, southern France. (AFP)

Long before Joan Chen charmed Western audiences with seductive turns in "The Last Emperor" and "Twin Peaks" she was a child star in China, hand-picked for her debut movie role by Mao Zedong's wife.

That remarkable personal journey, from Red Army propaganda movies to glamorous Hollywood roles directed by Bernardo Bertolucci and David Lynch, could not appear more different to Chen's character in new coming-of-age film "Didi."

Chen plays Chungsing, a Taiwanese single mom and frustrated artist in California, whose 13-year-old is too busy trying to impress his skater friends and navigate adolescent crushes to be nice to his family.

Yet the role -- which is already earning Oscars buzz -- "poured out of me, because that's the life I've lived," Chen told AFP.

"I am, like Chungsing, an immigrant mother, who raised two American children -- with such an intimate, loving relationship, but also fraught with cultural chasm, misunderstanding, unmet expectations," she said.

It all started for Chen, aged 14, when she was spotted by a film director who worked for Chairman Mao's wife Jiang Qing.

"The director picked me out of school, then sent my dossier and my pictures for her to approve," recalls Chen.

"I was so happy that I happened to be the type that they needed. It wasn't my dream. I never thought about it, when they picked me to be an actress. And then slowly, I learned to love it."

She quickly became a beloved movie star in 1970s China -- a job that spared her from being sent to work in rural provinces during the devastating Cultural Revolution.

Chen moved to the US at age 20, studying film but skeptical about her prospects as an Asian woman in Hollywood.

She landed a lead role in Bertolucci's "The Last Emperor," as the wife of China's final dynastic ruler. The film won nine Oscars, including best picture.

Yet Chen, now 63, recalls: "Back then, there just weren't any Asian filmmakers or scriptwriters who could create a part for me."

"I could have been this ingenue, this breakout new lead (actress)... So that was a shame. Nothing could really follow up."

- 'Still here' -

In "Didi," out in theaters on August 16, Chen's character is a talented artist who had to forsake her ambitions for her family, in their new country.

Chungsing is stoic, quietly bearing her disappointment while devoting herself to her frequently oblivious, Americanized children.

Unlike her character, Chen continued to work prolifically through parenthood, acting and directing in both the US and Asian film industries.

Chen's part as femme fatale Josie Packard in "Twin Peaks" remains popular with fans of the cult TV series to this day.

But her Western roles have failed to match the success of her early career.

And she still reflects on the "night and day" difference between her daughters' experience growing up in the West, and her own arrival in the United States as an immigrant, with "that uncertainty of the ground you're standing on."

"The pains and joys we see in the film is a lived experience for myself as well," said Chen.

With "Didi" winning awards at the Sundance film festival, there are hints of a late-career comeback. Chen and director Sean Wang are earning mentions as dark horses for the next Academy Awards.

"I am so thrilled that young filmmakers like Sean exist... when there are enough scriptwriters, directors, then you create more parts for people who look like them," she said.

"It's wonderful. And I'm so happy that I'm still here."