Johnny Depp Creates Debut Self-Portrait in 'Dark' and 'Confusing' time

A self-portrait by actor Johnny Depp is displayed at Castle Fine Art gallery on Thursday, July 20, 2023 in London. (Scott Garfitt/Invision/AP)
A self-portrait by actor Johnny Depp is displayed at Castle Fine Art gallery on Thursday, July 20, 2023 in London. (Scott Garfitt/Invision/AP)
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Johnny Depp Creates Debut Self-Portrait in 'Dark' and 'Confusing' time

A self-portrait by actor Johnny Depp is displayed at Castle Fine Art gallery on Thursday, July 20, 2023 in London. (Scott Garfitt/Invision/AP)
A self-portrait by actor Johnny Depp is displayed at Castle Fine Art gallery on Thursday, July 20, 2023 in London. (Scott Garfitt/Invision/AP)

Johnny Depp has painted the emotions of recent years into a self-portrait and is offering the result for sale as a time-limited edition.
The actor began working on the piece, titled “Five,” around 2021 in the midst of an explosive dispute with his ex-wife, Amber Heard, which played out in courtrooms on both sides of the Atlantic, The Associated Press said.
“I think this is the most personal piece he’s ever done,” said Ian Weatherby-Blythe, managing director of Castle Fine Art, which is handling the sale of “Five.” The gallery also oversaw Depp’s sold-out debut art collection, the series of portraits “Friends & Heroes.”
“He revisited the eyes over and over and over again. And when you look at the piece, you know, it’s a beautiful portrait. But when you look at the eyes there’s something very meaningful behind the eyes, there’s something, you know, quite sad."
“It was created at a time that was, let’s say, a bit dark, a bit confusing,” Depp said in a video released Thursday to promote the sale.
“Essentially, I just wrote ‘Five’ on there because I was just about to enter the fifth year of the madness.”
Priced from £1,950 ($1,950), signed editions of “Five” go on sale at 1600 GMT Thursday for 13 days.
Heard filed for divorce in May 2016, seeking a temporary restraining order against the “Pirates of the Caribbean” star.
In April 2022, Depp began a libel trial he brought against Heard, based on a 2018 Washington Post op-ed piece in which she referred to herself as “a public figure representing domestic abuse.” A Virginia jury eventually ruled that Heard had defamed Depp on three counts and awarded him $15 million in damages. In a countersuit, Depp was found guilty of one charge of libel and Heard was awarded $2 million.
A British court had ruled in 2020 that a tabloid article labeling Depp “a wife beater” was “substantially true.” Soon after the ruling in the UK, Hollywood largely cut ties with Depp, jettisoning him from both the “Fantastic Beasts” and “Pirates of the Caribbean” franchises.
Fashion house Dior, Depp notes, “as much as it was painful ... stuck to their guns,” and “Five” uses as a starting point the photograph that launched his Dior Sauvage campaign, led by creative director Jean-Baptiste Mondino.
A few months ago, Depp went back to the artwork, and after making adjustments, decided to publicly share what he views as an act of creative healing.
Using archival pigment, in the style of his earlier series of portraits, “Five” marks the first time Depp has sought to capture his own image. A smaller artwork, with a lower price tag, “Five” is described as deliberately intimate and shows the actor in a state of emotional exhaustion.
“It’s not the most comfortable thing doing a self-portrait,” Depp said, noting he would sit with a mirror and sketch himself in different lights, times and angles.
“It should just be some expression, spit it out as it gets spit out.”
He also intends to sign “each and every one,” said Weatherby-Blythe. “He’s made that commitment, he wants to give the opportunity to as many people as possible to buy his art and also he wants to try to raise as much money as he can for Mental Health America,” he added. From the proceeds of each sale, $200 is to be donated to the non-profit.
Depp may have won in court, but public opinion remains divided on the actor who was once one of the most bankable stars in movies.
Weatherby-Blythe believes there will be interest from art collectors as well as the stars’ supporters.
“I think Johnny still has many, many fans out there. But I’m also hoping that art buyers will see it as a one-off work of art,” he said, pointing out that the actor has “painted and drawn his entire life, and I think that art connoisseurs will see that. ... And this piece is a very, very special, very personal piece.”



Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
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Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)

Actor Blake Lively sued "It Ends With Us" director Justin Baldoni and several others tied to the romantic drama on Tuesday, alleging harassment and a coordinated campaign to attack her reputation for coming forward about her treatment on the set.

The federal lawsuit was filed in New York just hours after Baldoni and many of the other defendants in Lively's suit sued The New York Times for libel for its story on her allegations, saying the newspaper and the star were the ones conducting a coordinated smear campaign.

The lawsuits are major developments in a story emerging from the surprise hit film that has already made major waves in Hollywood and led to discussions of the treatment of female actors both on sets and in media.

Lively's suit said that Baldoni, the film's production company Wayfarer Studios and others engaged in "a carefully crafted, coordinated, and resourced retaliatory scheme to silence her, and others, from speaking out."

She accuses Baldoni and the studio of embarking on a "multi-tiered plan" to damage her reputation following a meeting in which she and her husband, actor Ryan Reynolds, addressed "repeated sexual harassment and other disturbing behavior" by Baldoni and a producer Jamey Heath, who is also named in both lawsuits.

The plan, the suit said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.

The alleged mistreatment on set included comments from Baldoni on the bodies of Lively and other women on the set.

Baldoni's attorney Bryan Freedman did not immediately respond to a request for comment on Lively's lawsuit. But he previously called the same allegations "completely false, outrageous and intentionally salacious."

Lively's lawsuit comes the same day as the libel lawsuit filed in Los Angeles Superior Court by Baldoni and others against the Times seeking at least $250 million. The Times stood by its reporting and said it plans to "vigorously defend" against the lawsuit.

Others who are defendants in Lively's suit and plaintiffs in the libel suit include Wayfarer and crisis communications expert Melissa Nathan, whose text message was quoted in the headline of the Dec. 21 Times story: "‘We Can Bury Anyone’: Inside a Hollywood Smear Machine."

Written by Megan Twohey, Mike McIntire and Julie Tate, the story was published just after Lively filed a legal complaint with the California Civil Rights Department, a predecessor to her new lawsuit.

The libel lawsuit says the newspaper "relied almost entirely on Lively’s unverified and self-serving narrative, lifting it nearly verbatim while disregarding an abundance of evidence that contradicted her claims and exposed her true motives. But the Times did not care."

A spokesperson for the Times, Danielle Rhoades, said in a statement that "our story was meticulously and responsibly reported."

"It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article. To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error," the statement said.

But Baldoni's lawsuit says that "If the Times truly reviewed the thousands of private communications it claimed to have obtained, its reporters would have seen incontrovertible evidence that it was Lively, not Plaintiffs, who engaged in a calculated smear campaign."

Lively is not a defendant in the libel lawsuit. Her lawyers said in a statement that "Nothing in this lawsuit changes anything about the claims advanced in Ms. Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today."

The romantic drama "It Ends With Us," an adaptation of Colleen Hoover’s bestselling 2016 novel, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni. Baldoni took a backseat in promoting the film while Lively took centerstage along with Reynolds, who was on the press circuit for "Deadpool & Wolverine" at the same time.

Lively came to fame through the 2005 film "The Sisterhood of the Traveling Pants," and bolstered her stardom on the TV series "Gossip Girl" from 2007 to 2012. She has since starred in films including "The Town" and "The Shallows."

Baldoni starred in the TV comedy "Jane the Virgin," directed the 2019 film "Five Feet Apart" and wrote "Man Enough," a book pushing back against traditional notions of masculinity. He responded to concerns that "It Ends With Us" romanticized domestic violence, telling the AP at the time that critics were "absolutely entitled to that opinion."

He was dropped by his agency, WME, immediately after Lively filed her complaint and the Times published its story. The agency represents both Lively and Reynolds.

Baldoni's attorney, Freedman, said in a statement on the libel suit that "the New York Times cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites."

"In doing so, they pre-determined the outcome of their story, and aided and abetted their own devastating PR smear campaign designed to revitalize Lively’s self-induced floundering public image and counter the organic groundswell of criticism amongst the online public," he added. "The irony is rich."