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Toronto Film Festival Unveils a Starry Lineup — and Hopes the Strike Ends by September 

Kate Winslet. (AP)
Kate Winslet. (AP)
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Toronto Film Festival Unveils a Starry Lineup — and Hopes the Strike Ends by September 

Kate Winslet. (AP)
Kate Winslet. (AP)

The Toronto International Film Festival unveiled a starry lineup to its 48th edition on Monday, even if remains unclear if stars will be there to walk red carpets due to the ongoing actors and writers strikes.

Among the films making their world premieres at TIFF this year are Craig Gillespie's GameStop drama "Dumb Money," with Paul Dano and Pete Davidson; Ellen Kuras' "Lee," starring Kate Winslet at war photographer Lee Miller and Tony Goldwyn's "Ezra," with Robert De Niro and Rose Byrne.

Also headed to Toronto are Michael Keaton's "Knox Goes Away," starring Al Pacino and James Marsden; Kristen Scott Thomas' "North Star," featuring Scarlett Johansson and Sienna Miller; David Yates' Netflix drama "Pain Hustlers," starring Emily Blunt and Chris Evans; and Maggie Betts' "The Burial," with Jamie Foxx and Tommy Lee Jones.

Those films, and many more including directorial debuts by Anna Kendrick ("Woman of the Hour") and Chris Pine ("Poolman"), will make up some of the gala premieres at TIFF, the largest film festival in North America.

The festival is a key platform for Hollywood to debut its fall fare and awards hopefuls. But like the Venice Film Festival, which begins about a week before TIFF launches on Sept. 7, Toronto organizers are anxiously following the SAG-AFTRA and WGA strikes.

While those strikes continue, actors and writers are prohibited by their unions from promoting their films. TIFF will go forward, regardless, but an ongoing strike would sap the festival of A-listers and surely lessen the usual cacophony of buzz emanating from Toronto.

The strike has already led to one of Venice's top titles — Luca Guadagnino's "Challengers," starring Zendaya — pulling out as the festival's opening night selection and postponing its release to April.

Other major titles coming to TIFF include Alexander Payne's "The Holdovers," starring Paul Giamatti as a boarding school professor; Richard Linklater’s "Hit Man," an action comedy starring Glen Powell and Adria Arjona; Elizabeth Chai Vasarhelyi and Jimmy Chin’s "Nyad," starring Annette Bening as long-distance swimmer Diana Nyad; Mahalia Belo's "The We End Start From," starring Jodie Comer as a mother fleeing a flooded London; and Ethan Hawke's "Wildcat," featuring his daughter, Maya Hawke, as author Flannery O'Connor.

TIFF previously announced that Taika Waititi’s soccer comedy " Next Goal Wins " will open this year's festival, which runs through Sept. 17.

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‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles

‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles
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‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles

‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles

“Venom: The Last Dance” enjoyed another weekend at the top of the box office. The Sony release starring Tom Hardy added $26.1 million in ticket sales, according to studio estimates Sunday.
It was a relatively quiet weekend for North American movie theaters leading up to the presidential election. Charts were dominated by big studio holdovers, like “Venom 3,” “The Wild Robot” and “Smile 2,” while audiences roundly rejected the Tom Hanks, Robin Wright and Robert Zemeckis reunion “Here.” Thirty years after “Forrest Gump,” “Here” opened to only $5 million from 2,647 locations.
“Venom 3” only fell 49% in its second weekend, which is a notably small drop for a superhero film, though it didn’t exactly open like one either. In two weeks, the movie has made over $90 million domestically; The first two opened to over $80 million. Globally, the picture is brighter given that it has already crossed the $300 million threshold.
Meanwhile, Universal and Illumination’s “The Wild Robot” continues to attract moviegoers even six weeks in (and when it’s available by video on demand), placing second with $7.6 million. That's up 11% from last weekend. The animated charmer has made over $121 million in North America and $269 million worldwide, The Associated Press reported.
"'The Wild Robot' has quietly been this absolute juggernaut for the fall season," said Paul Dergarabedian, the senior media analyst for Comscore. “For that film to see an increase after six weeks is astounding.”
“Smile 2” landed in third place with $6.8 million, helping to push its worldwide total to $109.7 million.
The time-hopping “Here,” a graphic novel that was adapted by “Forrest Gump” screenwriter Eric Roth, was financed by Miramax and distributed by Sony’s TriStar. With a fixed position camera, it takes audiences through the years in one living room. Critics were not on board: In aggregate it has a lousy 36% on Rotten Tomatoes.
“It was a slow weekend anyway, but it didn’t resonate in a way that many thought it might," Dergarabedian said. "There are a lot of films out there for the audience that ‘Here’ was chasing."
Despite playing in almost 1,000 more locations, “Here” came in behind Focus Features' papal thriller “Conclave,” which earned $5.3 million. Playing in 1,796 theaters, “Conclave” dropped only 20% from its debut last weekend and has made $15.2 million so far. Two Indian films also cracked the top 10 in their debuts, “Bhool Bhulaiyaa 3” and “Singham Again.”
Overall box office continues to lag behind 2023 by almost 12%. But holiday moviegoing will likely give the industry an end-of-year boost with titles like “Gladiator II” and “Wicked” on the way.
“In a couple of weeks, it’ll get a lot more competitive,” Dergarabedian said.
Jesse Eisenberg’s film “A Real Pain,” a comedic drama about cousins on a Holocaust tour in Poland, launched in four theaters this weekend in New York and Los Angeles. It made an estimated $240,000, or $60,000 per screen, which is among the top three highest per theater averages of the year. Searchlight Pictures will be expanding the well-reviewed film nationwide in the coming weeks, going wide on Nov. 15 to over 800 theaters.
Box office charts don’t always paint a full picture of the moviegoing landscape, however. This weekend several relatively high-profile films playing in theaters did not report full grosses for various reasons, including the Clint Eastwood film “Juror #2,” Steve McQueen’s WWII film “Blitz” and the Cannes darling “Emilia Pérez.” Netflix, which is handling “Emilia Pérez,” never reports box office. Apple Original Films is following suit with “Blitz,” a likely awards contender, which is in theaters before hitting Apple TV+ on Nov. 22.
“Juror No. 2” is a Warner Bros. release, and a well-reviewed one at that. The film directed by Eastwood stars Nicholas Hoult as a juror on a murder case who faces a big moral dilemma. Domestic ticket sales were withheld. The studio did say that it earned $5 million from international showings, where it played on 1,348 screens.
Even major studios withhold box office numbers occasionally. Earlier this year, Disney did not report on the Daisy Ridley movie “Young Woman and the Sea.” Results were most notably withheld during the COVID-19 pandemic.
"It’s really up to the distributors," Dergarabedian said. “Often times the reason that certain movies may not be reported is that there’s a chance that the quality of the movie will be conflated with the box office number.”