Seaside Screen Brings Magic of Movies to Gaza Years after Cinemas Closed

Palestinian children watch a movie at a pop-up open-air cinema at the beach in Gaza City on July 28, 2023; there are no movie theaters in the Gaza Strip. (Photo by Mohammed ABED / AFP)
Palestinian children watch a movie at a pop-up open-air cinema at the beach in Gaza City on July 28, 2023; there are no movie theaters in the Gaza Strip. (Photo by Mohammed ABED / AFP)
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Seaside Screen Brings Magic of Movies to Gaza Years after Cinemas Closed

Palestinian children watch a movie at a pop-up open-air cinema at the beach in Gaza City on July 28, 2023; there are no movie theaters in the Gaza Strip. (Photo by Mohammed ABED / AFP)
Palestinian children watch a movie at a pop-up open-air cinema at the beach in Gaza City on July 28, 2023; there are no movie theaters in the Gaza Strip. (Photo by Mohammed ABED / AFP)

With car tyres, rocks and mounds of sand as seats, Palestinians of all ages have been enjoying a rare trip to the movies at a big-screen event on the Gaza beachfront.
The open-air show - with a playlist including the animated children's comedy "Ferdinand" - was for many viewers a first experience of a projected film since the impoverished enclave's last cinema closed more than three decades ago, Reuters said.
Hosted by "The Sea is Ours" cafe, the screenings were designed to promote issues of culture and history approved by the conservative Hamas government.
They left some in the audience longing for more.
"I hope one day there will be a cinema, so I can go to the cinema and eat popcorn," said 13-year-old Mohammad Zidan as other children lolled in the sand, giggling at the cartoon.
Cinema once flourished in Gaza, with Palestinians flocking to see Arab, Western and Asian films, but the movie houses were torched in the First Intifada in 1987 and then burned down again in 1996 during a wave of internal violence.
The last cinema, long abandoned, is now a haven for bats.
While Gazans have been able to go to movie screenings which are held from time to time at theaters and other venues, such a full bill of films, being shown over several weeks at the venue, is a rare treat.
"We can get movies on mobile phones, but this is something new and is nice," said 15-year-old Hadeel Hejji.
Ali Mhana, 35, the cafe owner and local playwright, said he had never been to a regular cinema.
"At the sea, you don't need to look for an audience, the sea has its own. People are here all the time, including children, who get attracted by the sound and image and come to watch the movies," Mhana said.



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.