Movie Review: In ‘Big Fat Greek Wedding 3,’ the Wedding’s in Greece and the Formula Feels Ancient

This image released by Focus Features shows Nia Vardalos, left, and John Corbett in a scene from "My Big Fat Greek Wedding 3." (Focus Features via AP)
This image released by Focus Features shows Nia Vardalos, left, and John Corbett in a scene from "My Big Fat Greek Wedding 3." (Focus Features via AP)
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Movie Review: In ‘Big Fat Greek Wedding 3,’ the Wedding’s in Greece and the Formula Feels Ancient

This image released by Focus Features shows Nia Vardalos, left, and John Corbett in a scene from "My Big Fat Greek Wedding 3." (Focus Features via AP)
This image released by Focus Features shows Nia Vardalos, left, and John Corbett in a scene from "My Big Fat Greek Wedding 3." (Focus Features via AP)

“We’re getting married!” This rather inevitable line crops up early in “My Big Fat Greek Wedding 3,” and if you’re like me, it will inspire mixed reactions.

First: Wait, so soon? We didn’t know anyone was even engaged! And second: Phew, it’s about time! Because, just like there can be no sunrise over the glittering Ionian sea without a sun, there can be no “big fat Greek wedding” movie without ... you know.

Yet the mere fact that a wedding is so crucial to the DNA of this trilogy — which surely will morph into a quadrilogy and then a quintology – raises its own issues. Which Greek philosopher was it who said there’s no problem that can’t be solved with a wedding? Right, that would be Nia Vardalos, the franchise star, writer and now director, too. But is she also saying a wedding is the only possible happy ending?

That would be out of sync with certain obvious efforts in this script — some more swallowable than others — to modernize a formula that worked so well in the beloved, hugely successful 2002 original. It’s a formula that lost luster with that first, deflating sequel in 2016, a whole 14 years later.

And if “My Big Fat Greek Wedding 2” felt like a pale imitation of the buoyant original, “My Big Fat Greek Wedding 3” feels sorta like a pale imitation of that pale imitation. Or, to analogize with a favored franchise food item: like a thrice-warmed piece of baklava.

Then again, even thrice-warmed baklava can be worth the calories. So too this sequel will prove worthwhile for those most eager to reconnect with characters they loved, and willing to overlook clunky pacing and dialogue and sometimes absurd plot machinations. On the plus side: Vardalos and crew are really, really good at staging weddings.

For those who need a refresher: The last film left us at an NYU dorm room, dropping off Paris, teen daughter of Toula (Vardalos, empathetic and appealing as usual) and her wholesomely hunky husband Aidan, oops, Ian (John Corbett, wink wink). Paris’ choice to leave her hometown of Chicago for college provided much of the half-boiled suspense in the first sequel. She got her way, but perhaps also her punishment when the whole extended family — aunts, uncles, cousins — came to drop her off. Ugh!

Because it’s hard to let go of things that worked so well in the original — did we mention it was a ginormous hit? — Vardalos hasn’t, really. The Portokalos family is still loving, boisterous and invasive. We’ve sadly lost patriarch Gus (Michael Constantine, who died in 2021). But wife Maria is still there (Lainie Kazan has only a cameo here) and Toula is still married to hunky Ian. Everyone still uses Windex to clean objects and cure diseases.

And the clan is on the move, led by spunky, oversharing Aunt Voula (Andrea Martin, still by far the the funniest onscreen presence), this time to ... Greece! Yes! The ostensible reason: a family reunion in their lovely ancestral mountain village (shooting was done in Corfu). The plan is to find Gus’ childhood friends and fulfill his wish of giving them a precious journal he kept.

Why that journal shouldn’t stay with Gus’ adoring children is not truly explained — but neither is much else. Subplots are introduced and then largely ignored. A handful of new characters arrive with little backstory — like Victory (Melina Kotselou), the young, mayor of the village — and even less character development.

The same lack of detail plagues the story arcs of returning characters. Toula’s brother Nick (Louis Mandylor) — poor Nick — has been saddled with an ugly habit, namely trimming nose hairs and toenails at the family table. Why? Who knows? As for Ian, he’s still a nice, patient husband, with little else to distinguish him. Toula’s still the glue holding everyone together.

As for their marriage, it’s fine. That’s perhaps a problem. In most rom-com relationships, you don’t get through three movies without some meaty conflict — we need the breakup to have the makeup! Vardalos doesn’t want to go there.

Or maybe she’s just in a rush to get to the altar. That, we can understand. Here in Greece, all roads lead to ... the wedding. The party’s in the quaint village square. The candlelit table is gorgeous, the food sumptuous. And the dancing is a joyous mix of Greek and Syrian tradition — one of the spouses-to-be is a migrant from Syria, a nod to contemporary Greek politics.

But how contemporary are we getting if nothing brings resolution but a wedding? And more importantly, who will be married in the inevitable “Greek Wedding 4?”

Will Paris (Elena Kampouris), whose own turbulent existence is quickly hinted at, marry the cute young Aristotle? (Yes, that’s his name). Will there be a big fat Greek alternative wedding? Who knows, but if there’s a movie, there will be a wedding. “My Big Fat Just-Cohabiting-For-Now” doesn’t quite cut it.



Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
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Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)

Hollywood's video game performers announced they would go on strike Thursday, throwing part of the entertainment industry into another work stoppage after talks for a new contract with major game studios broke down over artificial intelligence protections.

The strike — the second for video game voice actors and motion capture performers under the Screen Actors Guild-American Federation of Television and Radio Artists — will begin at 12:01 a.m. Friday. The move comes after nearly two years of negotiations with gaming giants, including divisions of Activision, Warner Bros. and Walt Disney Co., over a new interactive media agreement.

SAG-AFTRA negotiators say gains have been made over wages and job safety in the video game contract, but that the two sides remained split over the regulation of generative AI. A spokesperson for the video game producers, Audrey Cooling, said the studios offered AI protections, but SAG-AFTRA’s negotiating committee said that the studios’ definition of who constitutes a "performer" is key to understanding the issue of who would be protected.

"The industry has told us point blank that they do not necessarily consider everyone who is rendering movement performance to be a performer that is covered by the collective bargaining agreement," SAG-AFTRA Chief Contracts Officer Ray Rodriguez said at a news conference Thursday afternoon. He said some physical performances are being treated as "data."

Without guardrails, game companies could train AI to replicate an actor’s voice, or create a digital replica of their likeness without consent or fair compensation, the union said.

"We strike as a matter of last resort. We have given this process absolutely as much time as we responsibly can," Rodriguez told reporters. "We have exhausted the other possibilities, and that is why we’re doing it now."

Cooling said the companies' offer "extends meaningful AI protections."

"We are disappointed the union has chosen to walk away when we are so close to a deal, and we remain prepared to resume negotiations," she said.

Andi Norris, an actor and member of the union's negotiating committee, said that those who do stunt work or creature performances would still be at risk under the game companies' offer.

"The performers who bring their body of work to these games create a whole variety of characters, and all of that work must be covered. Their proposal would carve out anything that doesn’t look and sound identical to me as I sit here, when, in truth, on any given week I am a zombie, I am a soldier, I am a zombie soldier," Norris said. "We cannot and will not accept that a stunt or movement performer giving a full performance on stage next to a voice actor isn’t a performer."

The global video game industry generates well over $100 billion dollars in profit annually, according to game market forecaster Newzoo. The people who design and bring those games to life are the driving force behind that success, SAG-AFTRA said.

Members voted overwhelmingly last year to give leadership the authority to strike. Concerns about how movie studios will use AI helped fuel last year’s film and television strikes by the union, which lasted four months.

The last interactive contract, which expired in November 2022, did not provide protections around AI but secured a bonus compensation structure for voice actors and performance capture artists after an 11-month strike that began in October 2016. That work stoppage marked the first major labor action from SAG-AFTRA following the merger of Hollywood’s two largest actors unions in 2012.

The video game agreement covers more than 2,500 "off-camera (voiceover) performers, on-camera (motion capture, stunt) performers, stunt coordinators, singers, dancers, puppeteers, and background performers," according to the union.

Amid the tense interactive negotiations, SAG-AFTRA created a separate contract in February that covered independent and lower-budget video game projects. The tiered-budget independent interactive media agreement contains some of the protections on AI that video game industry titans have rejected. Games signed to an interim interactive media agreement, tiered-budget independent interactive agreement or interim interactive localization agreement are not part of the strike, the union said.