Alexander Payne Brings Oscars Hopeful 'The Holdovers' to Toronto

US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP
US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP
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Alexander Payne Brings Oscars Hopeful 'The Holdovers' to Toronto

US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP
US director Alexander Payne arrives for the premiere of "The Holdovers" at the Toronto International Film Festival -- the movie looks like a sure Oscars contender. VALERIE MACON / AFP

Director Alexander Payne has entered the Oscars hunt with his new film "The Holdovers," a poignant 1970s-set dramedy about a cantankerous prep school teacher and a troubled student that screened Monday at the Toronto film festival.

The film reunites Payne with his "Sideways" star Paul Giamatti, who plays the surly Paul Hunham, who grumbles through his lessons on ancient civilizations and has no qualms about failing students who think their wealth should be able to buy good grades, said AFP.

Hunham is forced to remain at the New England school over the Christmas break to supervise a handful of students who cannot go home. Eventually, he is left with just one 'holdover': Angus (newcomer Dominic Sessa), who is navigating family issues.

The pair -- along with cafeteria manager Mary (Da'Vine Joy Randolph), whose son was killed in Vietnam -- build their own unlikely family over the course of the school holiday.

Payne lamented that his stars and writer David Hemingson could not be at the Toronto screening, which followed the film's world premiere at the Telluride festival 10 days ago in Colorado, because of the ongoing double strike in Hollywood.

"Unlike musicians and stage actors, in film, we don't get to have that immediacy of communication between us and the audience," Payne told spectators at the Princess of Wales theater in Toronto.

"The only place we can kind of get close to that is at a fresh festival audience, and they're sadly being deprived of that."

Payne reserved particular praise for Sessa, who was recruited at Deerfield Academy, one of the boarding schools in Massachusetts where the film was shot.

Though Sessa was the star of the drama club, "he'd never been in front of a camera," Payne told filmgoers in the post-screening question and answer session.

"To go toe-to-toe, head-to-head with Paul Giamatti in his first-ever film is really something to watch."

The Toronto International Film Festival (TIFF) is a key part of the fall festival lineup, along with Venice and Telluride. Movies hoping to build early Oscars momentum typically hold premieres at one or several of the major industry events.

TIFF's annual People's Choice Award has become an increasingly accurate Academy Awards bellwether, predicting eventual best picture winners such as "Nomadland" and "Green Book."

But the festival in Toronto, the biggest in North America, is unfolding against the backdrop of the twin strikes by Hollywood actors and writers, meaning many of them cannot promote their work if it was produced under the auspices of a major studio.

The actors and writers are striking over pay, the threat posed by artificial intelligence and other work conditions.

Awards prediction site Gold Derby lists "The Holdovers" among the early top contenders for best picture, best director and best original screenplay, as well as best actor for Giamatti and best supporting actress for Randolph.

The 62-year-old Payne is a seven-time Oscar nominee, and has won twice -- both times for best adapted screenplay, for "Sideways" and "The Descendants."

"The Holdovers" opens in US theaters in November.

TIFF runs through September 17.



André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
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André 3000's Alt-Jazz, ‘No Bars’ Solo Album Stunned Fans. Now, It’s up for Grammys

André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)
André Benjamin, also known as Andre 3000, arrives at the 30th Film Independent Spirit Awards in Santa Monica, Calif., on Feb. 21, 2015. (AP)

No one was expecting it. Late last year, André 3000 released his debut solo album, "New Blue Sun," 18 years after his legendary rap group Outkast's last studio album, "Idlewild."

But "New Blue Sun" has "no bars," he jokes. It's a divergence from rap because "there was nothing I was liking enough to rap about, or I didn't feel it sounded fresh. I'm not about to serve you un-fresh (expletive.)"

Instead, he offered up a six-track instrumental album of ambient alt-jazz — with special attention paid to the flute.

"The sound, that's how I got into it," he says of the instrument. "The portability, too. You can't tote around a piano and play in Starbucks."

He's also invested in the flute's history — like learning about Mayan flutes made from clay, a design he had re-created in cedarwood. "There’s all kinds of fables and, you know, indigenous stories that go along with playing the flute — playing like the birds or playing your heart like the wind — it kind of met (me) where I was in life," he says.

"Flutes — wind instruments in general — are the closest thing you get to actually hearing a human," he continues. "You're actually hearing the breath of a person."

"New Blue Sun" is a stunning collection, one that has earned André 3000 three new Grammy Award nominations: album of the year, alternative jazz, and instrumental composition. Those arrive exactly 25 years after the 1999 Grammys, where Outkast received their first nomination — for "Rosa Parks," from their third album, "Aquemini" — and 20 years after the group won album of the year for "Speakerboxxx/The Love Below."

"It matters because we all want to be acknowledged or recognized," André 3000 says of his new Grammy nominations. "It's a type of proof of connection, in some type of way ... especially with the Grammys, because it's voted on by a committee of musicians and people in the industry."

He's a bit surprised by the attention, too, given the type of album he created. "We have no singles on the radio, not even singles that are hot in the street," he says. "When you're sitting next to Beyoncé and Taylor Swift, these are highly, hugely popular music artists, I'm satisfied just because of that ... we won just to be a part of the whole conversation."

He theorizes that it may be because popular music listening habits are broadening. "A lot of artists are just trying different things. Even, you know, the album that Beyoncé is nominated for, it’s not her normal thing," he says of her country-and-then-some record, "Cowboy Carter.We’re in this place where things are kind of shifting and moving."

For André 3000, "New Blue Sun" has allowed him to "feel like a whole new artist," but it is also an extension of who he's always been. "Being on the road with Outkast and picking up a bass clarinet at a pawn shop in New York and just sitting on the back of the bus playing with it — these things have been around," he says.

He's also always embraced "newness," as he puts it, experimenting creatively "even if it sounds non-masterful."

"Even producing for Outkast, I was just learning these instruments. If I ... put my hands down and play ‘Ms. Jackson,’ I'm not knowing what I'm playing. But I like it," he says.

As for a new Outkast album, "I never say never," he says. "But I can say that the older I get, I feel like that time has happened."