'Game of Thrones' Creator and Other Authors Sue ChatGPT-maker OpenAI for Copyright Infringement

George R.R. Martin speaks onstage at the “House of the Dragon” panel during 2022 Comic Con International: San Diego at San Diego Convention Center on July 23, 2022 in San Diego, California. Image: Getty Images/Kevin Winter via AFP
George R.R. Martin speaks onstage at the “House of the Dragon” panel during 2022 Comic Con International: San Diego at San Diego Convention Center on July 23, 2022 in San Diego, California. Image: Getty Images/Kevin Winter via AFP
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'Game of Thrones' Creator and Other Authors Sue ChatGPT-maker OpenAI for Copyright Infringement

George R.R. Martin speaks onstage at the “House of the Dragon” panel during 2022 Comic Con International: San Diego at San Diego Convention Center on July 23, 2022 in San Diego, California. Image: Getty Images/Kevin Winter via AFP
George R.R. Martin speaks onstage at the “House of the Dragon” panel during 2022 Comic Con International: San Diego at San Diego Convention Center on July 23, 2022 in San Diego, California. Image: Getty Images/Kevin Winter via AFP

John Grisham, Jodi Picoult and George R.R. Martin are among 17 authors suing OpenAI for “systematic theft on a mass scale,” the latest in a wave of legal action by writers concerned that artificial intelligence programs are using their copyrighted works without permission.
In papers filed Tuesday in federal court in New York, the authors alleged “flagrant and harmful infringements of plaintiffs’ registered copyrights” and called the ChatGPT program a “massive commercial enterprise” that is reliant upon “systematic theft on a mass scale”, The Associated Press said.
The suit was organized by the Authors Guild and also includes David Baldacci, Sylvia Day, Jonathan Franzen and Elin Hilderbrand among others.
“It is imperative that we stop this theft in its tracks or we will destroy our incredible literary culture, which feeds many other creative industries in the US," Authors Guild CEO Mary Rasenberger said in a statement. “Great books are generally written by those who spend their careers and, indeed, their lives, learning and perfecting their crafts. To preserve our literature, authors must have the ability to control if and how their works are used by generative AI.”
The lawsuit cites specific ChatGPT searches for each author, such as one for Martin that alleges the program generated “an infringing, unauthorized, and detailed outline for a prequel" to “A Game of Thrones” that was titled “A Dawn of Direwolves” and used “the same characters from Martin’s existing books in the series “A Song of Ice and Fire.”
In a statement Wednesday, an OpenAI spokesperson said that the company respects “the rights of writers and authors, and believes they should benefit from AI technology.
“We’re having productive conversations with many creators around the world, including the Authors Guild, and have been working cooperatively to understand and discuss their concerns about AI. We’re optimistic we will continue to find mutually beneficial ways to work together to help people utilize new technology in a rich content ecosystem,” the statement reads.
Earlier this month, a handful of authors that included Michael Chabon and David Henry Hwang sued OpenAI in San Francisco for “clear infringement of intellectual property.”
In August, OpenAI asked a federal judge in California to dismiss two similar lawsuits, one involving comedian Sarah Silverman and another from author Paul Tremblay. In a court filing, OpenAI said the claims “misconceive the scope of copyright, failing to take into account the limitations and exceptions (including fair use) that properly leave room for innovations like the large language models now at the forefront of artificial intelligence.”
Author objections to AI have helped lead Amazon.com, the country's largest book retailer, to change its policies on e-books. The online giant is now asking writers who want to publish through its Kindle Direct Program to notify Amazon in advance that they are including AI-generated material. Amazon is also limiting authors to three new self-published books on Kindle Direct per day, an effort to restrict the proliferation of AI texts.



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
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Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.