Sophie Turner Sues to Force Estranged Husband Joe Jonas to Turn Over Children’s Passports 

Joe Jonas and Sophie Turner attend the 2022 Vanity Fair Oscar Party following the 94th Oscars at the The Wallis Annenberg Center for the Performing Arts in Beverly Hills, California on March 27, 2022. (AFP)
Joe Jonas and Sophie Turner attend the 2022 Vanity Fair Oscar Party following the 94th Oscars at the The Wallis Annenberg Center for the Performing Arts in Beverly Hills, California on March 27, 2022. (AFP)
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Sophie Turner Sues to Force Estranged Husband Joe Jonas to Turn Over Children’s Passports 

Joe Jonas and Sophie Turner attend the 2022 Vanity Fair Oscar Party following the 94th Oscars at the The Wallis Annenberg Center for the Performing Arts in Beverly Hills, California on March 27, 2022. (AFP)
Joe Jonas and Sophie Turner attend the 2022 Vanity Fair Oscar Party following the 94th Oscars at the The Wallis Annenberg Center for the Performing Arts in Beverly Hills, California on March 27, 2022. (AFP)

Actor Sophie Turner sued her estranged pop star husband Joe Jonas on Thursday to force him to turn over the passports of the couple’s two young daughters so she can take them to England.

Turner, who was served with divorce papers this month after four years of marriage to Jonas, said in her petition that the couple had planned to raise their daughters in her native England. It also said that the girls, ages 3 and 1, “are both fully involved and integrated in all aspects of daily and cultural life in England.”

Best known for playing Sansa Stark on HBO’s “Game of Thrones,” Turner filed her petition in federal court in New York under the child abduction clauses of the Hague Convention, an international treaty aimed at compelling the return of a child taken from their country of “habitual residence.”

Turner, 27, says that she and Jonas, 34, made a mutual decision to raise their daughters in England and to relocate there in April of this year.

During part of August and September, while Jonas began a tour with his band the Jonas Brothers in the United States, Turner would be working long hours filming a television series in England. So, Turner said she and Jonas had agreed that the children would travel with Jonas and a nanny.

The plan was for Turner to travel to New York after filming wrapped on Sept. 14 to collect the children, but in the meantime “the breakdown of the parties’ marriage happened very suddenly,” Turner said.

According to Turner, Jonas filed for divorce in Florida on Sept. 1 and she learned about it through the media on Sept. 5. The pair issued a joint statement on their Instagram accounts on Sept. 6 saying they had mutually decided to amicably end the marriage.

Turner says she and Jonas saw each other on Sept. 17 — and she asked him for the children’s passports so she could take them back to England, but Jonas refused to turn over the passports of the girls, who were born in the United States, and have dual US and British citizenship.

The court filing says the girls are temporarily living with Turner in a Manhattan hotel. The Jonas Brothers were scheduled to perform in Philadelphia on Thursday and in Baltimore on Friday.

Jonas said in a statement that he is “seeking shared parenting with the kids so that they are raised by both their mother and father” and that he is “okay with the kids being raised both in the US and the UK.”

“This is an unfortunate legal disagreement about a marriage that is sadly ending,” he added. “When language like ‘abduction’ is used, it is misleading at best, and a serious abuse of the legal system at worst.”

Jonas said he did not surprise Turner with divorce papers but rather filed for divorce after what he said were “multiple conversations with Sophie.”

Jonas has been a pop idol since he and his brothers Nick and Kevin formed the Jonas Brothers in 2005. He and Turner met in 2016 and married in 2019.



Movie Review: The Villains Steal the Show in ‘The Fantastic Four: First Steps’

 From left, Pedro Pascal, Ebon Moss-Bachrach and Joseph Quinn arrive at the premiere of "The Fantastic Four: First Steps" on Monday, July 21, 2025, at Dorothy Chandler Pavilion in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
From left, Pedro Pascal, Ebon Moss-Bachrach and Joseph Quinn arrive at the premiere of "The Fantastic Four: First Steps" on Monday, July 21, 2025, at Dorothy Chandler Pavilion in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
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Movie Review: The Villains Steal the Show in ‘The Fantastic Four: First Steps’

 From left, Pedro Pascal, Ebon Moss-Bachrach and Joseph Quinn arrive at the premiere of "The Fantastic Four: First Steps" on Monday, July 21, 2025, at Dorothy Chandler Pavilion in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
From left, Pedro Pascal, Ebon Moss-Bachrach and Joseph Quinn arrive at the premiere of "The Fantastic Four: First Steps" on Monday, July 21, 2025, at Dorothy Chandler Pavilion in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

More than six decades after Jack Kirby and Stan Lee created a superhero team to rival the Justice League, the Fantastic Four finally get a worthy big-screen adaption in a spiffy ’60s-era romp, bathed in retrofuturism and bygone American optimism.

Though the Fantastic Four go to the very origins of Marvel Comics, their movie forays have been marked by missteps and disappointments. The first try was a Roger Corman-produced, low-budget 1994 film that was never even released.

But, after some failed reboots and a little rights maneuvering, Matt Shakman’s “The Fantastic Four: First Steps” is the first Fantastic Four movie released by Marvel Studios. And a sense of returning to Marvel roots permeates this one, an endearingly earnest superhero drama about family and heroism, filled with modernist “Jetsons” designs that hark back to a time when the future held only promise.

“First Steps,” with a title that nods to Neil Armstrong, quickly reminds that before the Fantastic Four were superheroes, they were astronauts. Reed Richards (Pedro Pascal), Sue Storm (Vanessa Kirby), Johnny Storm (Joseph Quinn) and Ben Grimm (a soulful Ebon Moss-Bachrach) flew into space but return altered by cosmic rays. “We came back with anomalies,” explains Reed, sounding like me after a family road trip.

They are now, respectively, the bendy Mister Fantastic, the fast-disappearing Invisible Woman, the fiery Human Torch and the Thing, a craggy CGI boulder of a man. In the glimpses of them as astronauts, the images are styled after NASA footage of Apollo 11, like those seen in the great documentaries “For All Mankind” and “Apollo 11.”

But part of the fun of the Fantastic Four has always been that while the foursome might have the right stuff, they also bicker and joke and argue like any other family. The chemistry here never feels intimate enough in “First Steps” to quite capture that interplay, but the cast is good, particularly Kirby.

In the first moments of “First Steps,” Sue sets down a positive pregnancy test before a surprised Reed. That night at dinner — Moss-Bachrach, now an uncle rather than a cousin, is again at work in the kitchen — Ben and Johnny immediately guess what’s up. The rest of the world is also eager to find out what, if any, powers the baby will have.

We aren’t quite in our world, but a very similar parallel one called Earth-828. New York looks about the same, and world leaders gather in a version of the United Nations named the Future Foundation. The Thing wears a Brooklyn Dodgers cap. Someone sounding a lot like Walter Cronkite reads the news.

And there’s a lot to read when the Silver Surfer (Julia Garner) suddenly hovers over the city, announcing: “I herald your end. I herald Galactus.” The TV blares, as it could on so many days: “Earth in Peril. Developing Story.”

Yes, the Earth (or some Earth) might be in danger, but did you get a look at that Silver Surfer? That’s Johnny Storm’s response, and perhaps ours, too. She's all chrome, like a smelted Chrysler Building, with slicked-back hair and melancholy eyes. He’s immediately taken by her, but she shoots off into space. In a rousing, NASA-like launch (the original Kirby and Lee comic came eight years before the moon landing), the Fantastic Four blast off into the unknown to meet this Galactus.

But if the Silver Surfer made an impression, Galactus (voiced by Ralph Ineson) does even more so. Fantastic Four movies have always before gone straight for Doctor Doom as a villain, but his entrance, this time, is being held up for “Avengers: Doomsday.” Still, Galactus, a planet-eating tyrant, is no slouch. A mechanical colossus and evident fan of Fritz Lang’s “Metropolis,” he sits on an enormous throne in space. Sensing enormous power in Sue’s unborn child, he offers to spare Earth for the baby.

What follows casts motherhood — its empowerments and sacrifices — onto a cosmic plane. There’s a nifty chase sequence in space that plays out during contractions. The two “Incredibles” movies covered some similar ground, in both retro design and stretchy parent and superhuman baby, with notably more zip and comic verve than “The Fantastic Four.” That's part of the trouble of not getting a proper movie for so long: Better films have already come along inspired by the '60s comic.

But as good as Vanessa Kirby is in “First Steps,” the movie is never better than when the Silver Surfer or Galactus are around. Shakman, a former child actor who’s directed mostly in television (most relevantly, “WandaVision”), proves especially adept at capturing the enormous scale of Galactus. “First Steps” may be, at heart, a kaiju movie.

What it certainly is, though, is a very solid comic book movie. It’s a little surface over substance, and the time capsule feeling is pervasive. This is an earnest-enough superhero movie where even the angry mob protesting the superheroes turns quiet and pensive. I was more likely to be moved by a really handsome chalkboard than I was by its vision of motherhood.

But, especially for a superhero team that’s never before quite taken flight on screen, “First Steps” is a sturdy beginning, with impeccable production design by Kasra Farahani and a rousing score by Michael Giacchino. Even if the unifying space-age spirit of Kirby and Lee's comic feels very long ago, indeed.