Sophie Turner Sues to Force Estranged Husband Joe Jonas to Turn Over Children’s Passports 

Joe Jonas and Sophie Turner attend the 2022 Vanity Fair Oscar Party following the 94th Oscars at the The Wallis Annenberg Center for the Performing Arts in Beverly Hills, California on March 27, 2022. (AFP)
Joe Jonas and Sophie Turner attend the 2022 Vanity Fair Oscar Party following the 94th Oscars at the The Wallis Annenberg Center for the Performing Arts in Beverly Hills, California on March 27, 2022. (AFP)
TT

Sophie Turner Sues to Force Estranged Husband Joe Jonas to Turn Over Children’s Passports 

Joe Jonas and Sophie Turner attend the 2022 Vanity Fair Oscar Party following the 94th Oscars at the The Wallis Annenberg Center for the Performing Arts in Beverly Hills, California on March 27, 2022. (AFP)
Joe Jonas and Sophie Turner attend the 2022 Vanity Fair Oscar Party following the 94th Oscars at the The Wallis Annenberg Center for the Performing Arts in Beverly Hills, California on March 27, 2022. (AFP)

Actor Sophie Turner sued her estranged pop star husband Joe Jonas on Thursday to force him to turn over the passports of the couple’s two young daughters so she can take them to England.

Turner, who was served with divorce papers this month after four years of marriage to Jonas, said in her petition that the couple had planned to raise their daughters in her native England. It also said that the girls, ages 3 and 1, “are both fully involved and integrated in all aspects of daily and cultural life in England.”

Best known for playing Sansa Stark on HBO’s “Game of Thrones,” Turner filed her petition in federal court in New York under the child abduction clauses of the Hague Convention, an international treaty aimed at compelling the return of a child taken from their country of “habitual residence.”

Turner, 27, says that she and Jonas, 34, made a mutual decision to raise their daughters in England and to relocate there in April of this year.

During part of August and September, while Jonas began a tour with his band the Jonas Brothers in the United States, Turner would be working long hours filming a television series in England. So, Turner said she and Jonas had agreed that the children would travel with Jonas and a nanny.

The plan was for Turner to travel to New York after filming wrapped on Sept. 14 to collect the children, but in the meantime “the breakdown of the parties’ marriage happened very suddenly,” Turner said.

According to Turner, Jonas filed for divorce in Florida on Sept. 1 and she learned about it through the media on Sept. 5. The pair issued a joint statement on their Instagram accounts on Sept. 6 saying they had mutually decided to amicably end the marriage.

Turner says she and Jonas saw each other on Sept. 17 — and she asked him for the children’s passports so she could take them back to England, but Jonas refused to turn over the passports of the girls, who were born in the United States, and have dual US and British citizenship.

The court filing says the girls are temporarily living with Turner in a Manhattan hotel. The Jonas Brothers were scheduled to perform in Philadelphia on Thursday and in Baltimore on Friday.

Jonas said in a statement that he is “seeking shared parenting with the kids so that they are raised by both their mother and father” and that he is “okay with the kids being raised both in the US and the UK.”

“This is an unfortunate legal disagreement about a marriage that is sadly ending,” he added. “When language like ‘abduction’ is used, it is misleading at best, and a serious abuse of the legal system at worst.”

Jonas said he did not surprise Turner with divorce papers but rather filed for divorce after what he said were “multiple conversations with Sophie.”

Jonas has been a pop idol since he and his brothers Nick and Kevin formed the Jonas Brothers in 2005. He and Turner met in 2016 and married in 2019.



Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
TT

Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."