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No Deal Yet as Hollywood Writers, Studios Talk for Third Straight Day

SAG-AFTRA actors and Writers Guild of America (WGA) writers walk the picket line outside Disney Studios in Burbank, California, US, July 25, 2023. REUTERS/Mike Blake/File Photo
SAG-AFTRA actors and Writers Guild of America (WGA) writers walk the picket line outside Disney Studios in Burbank, California, US, July 25, 2023. REUTERS/Mike Blake/File Photo
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No Deal Yet as Hollywood Writers, Studios Talk for Third Straight Day

SAG-AFTRA actors and Writers Guild of America (WGA) writers walk the picket line outside Disney Studios in Burbank, California, US, July 25, 2023. REUTERS/Mike Blake/File Photo
SAG-AFTRA actors and Writers Guild of America (WGA) writers walk the picket line outside Disney Studios in Burbank, California, US, July 25, 2023. REUTERS/Mike Blake/File Photo

Striking Hollywood writers and top studio executives met for a third straight day on Friday, ending with a decision to continue talks on Saturday as they try to end a work stoppage that has shut down film and TV production for months.
While workers across the entertainment industry waited for word of the outcome, no agreement was announced as the strike reached its 144th day.
The WGA said in a statement early on Saturday that the two sides would meet again on Saturday, Reuters reported.
Walt Disney CEO Bob Iger, Netflix Co-CEO Ted Sarandos, Warner Bros Discovery CEO David Zaslav and Donna Langley, chairman of Comcast's NBCUniversal Studio Group, took part in the talks with the Writers Guild of America (WGA) for a third day.
Representatives for the Alliance of Motion Picture and Television Producers, which represents the studios, had no comment.
While the two sides met, union members turned out in large numbers in response to an appeal from WGA negotiators on Thursday to flood picket lines outside the studios.
In the crowd outside Netflix on Friday was "Mad Men" creator and writer Matthew Weiner, who like others voiced optimism that the recent talks signaled progress was being made.
"I'm hopeful," Weiner said of the possibility that the strike could be coming to an end. "I would like to go back to work and I would like to start mending these relationships."
Roughly 11,500 WGA members walked off the job in May, demanding higher pay and residuals in the streaming TV era plus limits around the use of artificial intelligence.
Producer and WGA member Al Septien, also picketing outside Netflix on Friday, said he wanted to get back to work, but only under the right terms.
"We've been out here a long time. We don't want to fold for a less-than-fair and good contract for the writers,” he said.
The SAG-AFTRA actors union also is on strike after walking off the job in July.

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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.