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Egypt, Germany Bag Most Awards at Inaugural Hurghada Youth Film Festival

Winners at the festival pose with their awards. (Hurghada Youth Film Festival)
Winners at the festival pose with their awards. (Hurghada Youth Film Festival)
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Egypt, Germany Bag Most Awards at Inaugural Hurghada Youth Film Festival

Winners at the festival pose with their awards. (Hurghada Youth Film Festival)
Winners at the festival pose with their awards. (Hurghada Youth Film Festival)

Egypt and Germany have bagged most of the awards at the inaugural Hurghada Youth Film Festival, which concluded on Monday in a ceremony that was attended by a number of Arabic and Egyptian artists, including Hani Salama, Sulaf Fawakherji, and filmmaker Mohammed Abdelaziz.

German film “Night Guard” won the Golden Award for Best Feature Film, while the Silver Award for Best Feature Film went to French film “Sons of Ramses”, which will represent France in the Best Foreign Film category at the Oscars 2024. Egyptian film “The Abbasid History” won the Bronze Award for Best Feature Film, and Croatian filmmaker Neven Hitrec won the Best Director Award for his film “The Diary of Paulina”.

In the short film category, Egyptian film “Letter from Unknown” won the Golden award, Syrian film “Photograph” won the silver award, while the Portuguese film “Anna Morphos” won the bronze award.

The concluding ceremony celebrated the 93rd National Day of Saudi Arabia and honored the Saudi delegation that included novelist Abeer Samkari and producer Abdullah Badib.

Festival President, scriptwriter Mohamed el Bassosy said he was delighted with the success the Hurghada Youth Film Festival. “Everything I dreamed of for the first edition has been accomplished, and I hope for more in the forthcoming edition. A few months ago, no one had imagined a youth film festival in Hurghada, but today, we did it,” he told Asharq Al-Awsat.

He revealed that preparations are underway for the 2024 edition, saying the organizers were seeking broader participation and increasing the number of guests.

Bassosy thanked actor Hussein Fahmi, president of the Cairo International Film Festival, for signing a collaboration protocol with the Hurghada Youth Film Festival.

“It was an amazing surprise, and we must thank the ministry of culture for signing an agreement with an emerging festival. According to the protocol, we will be sending a number of the Hurghada festival young participants to train at the Cairo Cinema Center, while the Cairo Festival will provide us with prominent guests and foreign films,” he said.

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‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
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‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)

Demi Moore's Golden Globe best actress win for "The Substance" has, almost overnight, transformed the 1990s megastar into a seemingly unlikely favorite for the Oscars.

In her acceptance speech Sunday, the 62-year-old -- who once generated headlines as much for her love life as for her hit films -- said she had long been dismissed as a "popcorn actress," and had never "won anything as an actor."

But for Coralie Fargeat, the French director who also wrote Moore's new, blood-drenched body horror film, there is nothing surprising about the late-career reappraisal her leading lady is now enjoying.

"It was so moving to see Demi on that stage," Fargeat told AFP, the morning after Moore's big win.

The movie allowed audiences "to see who she is as an actress, and not project any more the stereotype that if you're beautiful, you can't be a good actress."

"It is being called a comeback. But she has always been here," Fargeat added.

Society's obsession with pigeonholing and pinning expiration dates on women is the core premise of "The Substance."

In the film, globally distributed by MUBI, Moore's character Elisabeth is a fading movie star, who is abruptly fired from her hit TV fitness show as she turns 50.

Out of desperation, she injects herself with a mysterious serum which allows her to live in a younger version of her body -- as long as she returns to her older form every week.

Inevitably, the allure of remaining young proves too strong, especially after Elisabeth's stunningly youthful alter ego is catapulted to fame by creepy male executives.

- 'Dream' -

Fargeat had long been a fan of Moore's acting work, which included hits like "Indecent Proposal" and "Ghost," as well as more divisive fare like "G.I. Jane."

"I could like or not like the movies, but I think she always delivered pretty great performances," said the director.

But Moore's real-life career also incarnated "this iconic star" represented by her character in "The Substance."

"Someone who has been totally valued for this dream, this fake promise that if you're young, beautiful, you're going to be happy and successful," said Fargeat.

"And when this goes away, it's like all your life is going away."

Even so, Moore's pitch-perfect casting as Elisabeth nearly did not happen.

Fargeat at first assumed Moore would not be interested in a role requiring countless, grotesque scenes of gore and decay.

But the director picked up a copy of Moore's 2019 memoir "Inside Out," which laid bare the actor's battles with ageism and misogyny, as well as addiction, abuse and very public divorces.

"When I read her book, I really saw that she was ready to take the level of risk that the movie requested," said Fargeat.

"The film is really about women's bodies. I wanted to tell my stories [in] the flesh," recalled Fargeat.

Fargeat also admits she was a demanding and meticulous director on set, requiring "a lot of takes."

Moore has spoken about losing 20 pounds (nine kilos) and contracting shingles due to the intense strain of filming, while co-star Margaret Qualley described being in the movie's prosthetic suits as "torture" that triggered panic attacks.

"If the lead performance isn't ready to go that far, the whole movie falls apart," said Fargeat.

Moore "took the risk to follow the vision of the movie... that's very, very brave and courageous," she said.

- Oscars race -

With the Globes win, more attention will come to "The Substance" -- both from wider audiences, and Oscars voters, who are picking their final nominees on ballots due this week.

Fargeat herself could earn nods for best director and best original screenplay, and "The Substance" is tipped by many pundits to make the best picture list.

But few would now bet against Moore for best actress.

"From the beginning, I believed that this can happen," said Fargeat. "That's what cinema is about -- creating things that people are not expecting."

"I'm just immensely proud to have created this part."