New Film on Historical Native American Murders Reflects Universal Themes, Says Scorsese 

(L-R) Osage Nation Princess Gianna "Gigi" Sieke, Osage Nation Princess Lawren "Lulu" Goodfox, Chad Renfro, Scott George, Julie O'Keefe, Brandy Lemon, film director Martin Scorsese, Osage Nation Principal Chief Geoffrey Standing Bear, Julie Standing Bear, Christopher Cote, and Addie Roanhorse attend the premiere of Apple Original Films' "Killers of the Flower Moon" at Alice Tully Hall at Lincoln Center in New York on September 27, 2023. (AFP)
(L-R) Osage Nation Princess Gianna "Gigi" Sieke, Osage Nation Princess Lawren "Lulu" Goodfox, Chad Renfro, Scott George, Julie O'Keefe, Brandy Lemon, film director Martin Scorsese, Osage Nation Principal Chief Geoffrey Standing Bear, Julie Standing Bear, Christopher Cote, and Addie Roanhorse attend the premiere of Apple Original Films' "Killers of the Flower Moon" at Alice Tully Hall at Lincoln Center in New York on September 27, 2023. (AFP)
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New Film on Historical Native American Murders Reflects Universal Themes, Says Scorsese 

(L-R) Osage Nation Princess Gianna "Gigi" Sieke, Osage Nation Princess Lawren "Lulu" Goodfox, Chad Renfro, Scott George, Julie O'Keefe, Brandy Lemon, film director Martin Scorsese, Osage Nation Principal Chief Geoffrey Standing Bear, Julie Standing Bear, Christopher Cote, and Addie Roanhorse attend the premiere of Apple Original Films' "Killers of the Flower Moon" at Alice Tully Hall at Lincoln Center in New York on September 27, 2023. (AFP)
(L-R) Osage Nation Princess Gianna "Gigi" Sieke, Osage Nation Princess Lawren "Lulu" Goodfox, Chad Renfro, Scott George, Julie O'Keefe, Brandy Lemon, film director Martin Scorsese, Osage Nation Principal Chief Geoffrey Standing Bear, Julie Standing Bear, Christopher Cote, and Addie Roanhorse attend the premiere of Apple Original Films' "Killers of the Flower Moon" at Alice Tully Hall at Lincoln Center in New York on September 27, 2023. (AFP)

Martin Scorsese, best known for his action-packed thrillers and gangster epics, now depicts an investigation into the murders of Native Americans in his latest film, "Killers of the Flower Moon", which previewed in New York on Wednesday.

Adapted from a nonfiction book of the same name, "Killers of the Flower Moon" tells the true story of the 1920s murders and disappearances of members of Osage Nation on oil-rich lands in the central US state of Oklahoma.

At a red carpet event at Manhattan's Lincoln Center, Scorsese told AFP his film about the 100-year-old crimes touched on broad themes.

"It's about a clash of cultures, misunderstanding each other, the sense of entitlement -- and it could be (about) not only Americans," Scorsese told AFP about the film, which he shot on Oklahoma's prairies with around 40 Osage Native Americans included in the cast.

The $200-million film stars Leonardo DiCaprio as Ernest Burkhart, a man in love with a Native American woman (played by Lily Gladstone) who finds himself embroiled in a plot hatched by oil-hungry cattle magnate William Hale, played by Robert De Niro. An FBI agent, Jesse Plemons, is assigned to solve the murders.

"Killers of the Flower Moon" will be released in North American cinemas on October 20, before being made available on Apple TV+.

The violence and crimes depicted in the film "could be in any part of the world," Scorsese said. "It just so happens to be a story that actually reflects through the millennia."

"It's good to tell this kind of story now because people are trying to shy away from this stuff. Show it, talk about it," the "Gangs of New York" and "Taxi Driver" director added.

American writer David Grann, whose book the film was based on, told AFP that the story covers "one of the most monstrous crimes and racial injustices committed by white settlers against Native Americans for their oil money."

"What it is fundamentally about is what happens when greed is fused together with the dehumanization of other people," the New Yorker journalist said. "And what that led to were these genocidal crimes."

Grann believes that the history of the Osage Tribe, and of many Native Americans across the United States, has been "largely erased from our conscious".

"It was not taught in any of my schoolbooks. I never learned about it," he said.

In 2021, President Joe Biden became the first US president to issue a proclamation for Indigenous Peoples' Day, which coincides with the increasingly controversial national holiday celebrating explorer Christopher Columbus.

Principal Chief of the Osage Nation Geoffrey Standing Bear also appeared at the red carpet event.

"It's not just the Osage people -- all of the Native peoples have had their hard times for 500 years," the North American leader said. "And this movie shows us it still goes on.

"It wasn't that long ago. It was my grandparents' generation when this movie, the facts in it, occurred."



Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
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Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)

Actor Blake Lively sued "It Ends With Us" director Justin Baldoni and several others tied to the romantic drama on Tuesday, alleging harassment and a coordinated campaign to attack her reputation for coming forward about her treatment on the set.

The federal lawsuit was filed in New York just hours after Baldoni and many of the other defendants in Lively's suit sued The New York Times for libel for its story on her allegations, saying the newspaper and the star were the ones conducting a coordinated smear campaign.

The lawsuits are major developments in a story emerging from the surprise hit film that has already made major waves in Hollywood and led to discussions of the treatment of female actors both on sets and in media.

Lively's suit said that Baldoni, the film's production company Wayfarer Studios and others engaged in "a carefully crafted, coordinated, and resourced retaliatory scheme to silence her, and others, from speaking out."

She accuses Baldoni and the studio of embarking on a "multi-tiered plan" to damage her reputation following a meeting in which she and her husband, actor Ryan Reynolds, addressed "repeated sexual harassment and other disturbing behavior" by Baldoni and a producer Jamey Heath, who is also named in both lawsuits.

The plan, the suit said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.

The alleged mistreatment on set included comments from Baldoni on the bodies of Lively and other women on the set.

Baldoni's attorney Bryan Freedman did not immediately respond to a request for comment on Lively's lawsuit. But he previously called the same allegations "completely false, outrageous and intentionally salacious."

Lively's lawsuit comes the same day as the libel lawsuit filed in Los Angeles Superior Court by Baldoni and others against the Times seeking at least $250 million. The Times stood by its reporting and said it plans to "vigorously defend" against the lawsuit.

Others who are defendants in Lively's suit and plaintiffs in the libel suit include Wayfarer and crisis communications expert Melissa Nathan, whose text message was quoted in the headline of the Dec. 21 Times story: "‘We Can Bury Anyone’: Inside a Hollywood Smear Machine."

Written by Megan Twohey, Mike McIntire and Julie Tate, the story was published just after Lively filed a legal complaint with the California Civil Rights Department, a predecessor to her new lawsuit.

The libel lawsuit says the newspaper "relied almost entirely on Lively’s unverified and self-serving narrative, lifting it nearly verbatim while disregarding an abundance of evidence that contradicted her claims and exposed her true motives. But the Times did not care."

A spokesperson for the Times, Danielle Rhoades, said in a statement that "our story was meticulously and responsibly reported."

"It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article. To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error," the statement said.

But Baldoni's lawsuit says that "If the Times truly reviewed the thousands of private communications it claimed to have obtained, its reporters would have seen incontrovertible evidence that it was Lively, not Plaintiffs, who engaged in a calculated smear campaign."

Lively is not a defendant in the libel lawsuit. Her lawyers said in a statement that "Nothing in this lawsuit changes anything about the claims advanced in Ms. Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today."

The romantic drama "It Ends With Us," an adaptation of Colleen Hoover’s bestselling 2016 novel, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni. Baldoni took a backseat in promoting the film while Lively took centerstage along with Reynolds, who was on the press circuit for "Deadpool & Wolverine" at the same time.

Lively came to fame through the 2005 film "The Sisterhood of the Traveling Pants," and bolstered her stardom on the TV series "Gossip Girl" from 2007 to 2012. She has since starred in films including "The Town" and "The Shallows."

Baldoni starred in the TV comedy "Jane the Virgin," directed the 2019 film "Five Feet Apart" and wrote "Man Enough," a book pushing back against traditional notions of masculinity. He responded to concerns that "It Ends With Us" romanticized domestic violence, telling the AP at the time that critics were "absolutely entitled to that opinion."

He was dropped by his agency, WME, immediately after Lively filed her complaint and the Times published its story. The agency represents both Lively and Reynolds.

Baldoni's attorney, Freedman, said in a statement on the libel suit that "the New York Times cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites."

"In doing so, they pre-determined the outcome of their story, and aided and abetted their own devastating PR smear campaign designed to revitalize Lively’s self-induced floundering public image and counter the organic groundswell of criticism amongst the online public," he added. "The irony is rich."