U2 Concert Uses Stunning Visuals to Open Massive Sphere Venue in Las Vegas

 General view of the opening night of Sphere ahead of Irish rock band U2's show at The Venetian Resort in Las Vegas, Nevada, on September 29, 2023. (AFP)
General view of the opening night of Sphere ahead of Irish rock band U2's show at The Venetian Resort in Las Vegas, Nevada, on September 29, 2023. (AFP)
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U2 Concert Uses Stunning Visuals to Open Massive Sphere Venue in Las Vegas

 General view of the opening night of Sphere ahead of Irish rock band U2's show at The Venetian Resort in Las Vegas, Nevada, on September 29, 2023. (AFP)
General view of the opening night of Sphere ahead of Irish rock band U2's show at The Venetian Resort in Las Vegas, Nevada, on September 29, 2023. (AFP)

It looked like a typical U2 outdoor concert: Two helicopters zoomed through the starlit sky before producing spotlights over a Las Vegas desert and frontman Bono, who kneeled to the ground while singing the band's 2004 hit "Vertigo."

This scene may seem customary, but the visuals were created by floor-to-ceiling graphics inside the immersive Sphere. It was one of the several impressive moments during U2’s "UV Achtung Baby" residency launch show at the high-tech, globe-shaped venue, which opened for the first time Friday night.

The legendary rock band, which has won 22 Grammys, performed for two hours inside the massive, state-of-the-art spherical venue with crystal-clear audio. Throughout the night, there were a plethora of attractive visuals — including kaleidoscope images, a burning flag and Las Vegas’ skyline, taking the more than 18,000 attendees on U2’s epic musical journey.

"What a fancy pad," said Bono, who was accompanied onstage with guitarists The Edge and Adam Clayton along with drummer Bram van den Berg. He then stared at the high-resolution LED screen that projected a larger version of himself along with a few praying hands and bells.

Bono then paid homage to the late Elvis Presley, who was a Las Vegas entertainment staple. The band has rocked in the city as far back as 1987 when they filmed the music video for "I Still Haven't Found What I'm Looking For" on the Strip during a tour in 1987.

"Look at all this stuff. ... Elvis has definitely not left this building," he continued. "It’s an Elvis chapel. It’s an Elvis cathedral. Tonight, the entry into this cathedral is a password: flirtation."

U2 made their presence felt at the $2.3 billion Sphere, which stands 366-feet (111 meters) high and 516-feet (157 meters) wide. With superb visual effects, the band’s 25-show residency opened with a splash performing a slew of hits including "Mysterious Ways," "Zoo Station," "All I Want is You," "Desire" and new single "Atomic City."

On many occasions, the U2 band members were so large on screen that it felt like Bono intimately sang to the audience on one side while The Edge strummed his guitar to others on a different side.

The crowd included many entertainers and athletes: Oprah, LeBron James, Matt Damon, Andre Agassi, Ava DuVernay, Josh Duhamel, Jason Bateman, Jon Hamm, Bryan Cranston, Aaron Paul, Oscar de la Hoya, Henrik Lundqvist, Flava Flav, Diplo, Dakota Fanning, Orlando Bloom and Mario Lopez.

After wrapping up The Beatles’ jam "Love Me Do," Bono recognized Paul McCartney, who was in attendance, saying "Macca is in the house tonight." He acknowledged Sphere owner James Dolan’s efforts for spearheading a venue that’s pushing forward the live concert audio landscape with 160,000 high-quality speakers and 260 million video pixels.

The Sphere is the brainchild of Dolan, the executive chair of Madison Square Garden and owner of the New York Knicks and Rangers. He sketched the first drawing of the venue on notebook paper.

"I’m thinking that the Sphere may have come into existence because of Jim Dolan trying to solve the problem that The Beatles started when they played Shea Stadium," Bono said. "Nobody could hear you. You couldn’t hear yourselves. Well, the Sphere’s here. ... Can you hear us?"

The U2 frontman pointed into the crowd and shouted out Dr. Dre, Snoop Dogg and Jimmy Iovine. At one point he became emotional when he dedicated a song to the late Jimmy Buffett’s family, who were also in attendance.

Afterward Bono spoke about performing onstage for the first time without drummer Larry Mullen Jr., who is recovering from back surgery. He acknowledged Dutch drummer Bram van den Berg’s birthday and him filling in for Mullen.

"I would like to introduce you to the only man who could stand, well, sit in his shoes," said Bono, who walked toward Berg as some in the crowd began to sing "Happy Birthday." He handed the microphone to Berg, who offered a few words.

"Let there be no mistake, there is only one Larry Mullen Jr.," Berg said.

As U2 wrapped up the show, a bright light shined from the ceiling and the massive screen began to fill with images of birds, insects and reptiles above a lake. The band closed its first Sphere concert with "Beautiful Day," which won three Grammys in 2001.



‘Sinners’ Surges Past ‘Minecraft’ to Lead Box Office

 Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)
Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)
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‘Sinners’ Surges Past ‘Minecraft’ to Lead Box Office

 Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)
Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)

Brand names, not filmmakers or stars, are said to rule the box office these days. But Ryan Coogler’s “Sinners,” led by twin Michael B. Jordans, proved a bloody exception to modern movie rules, launching with $45.6 million in ticket sales in US and Canadian theaters, according to studio estimates Sunday.

“Sinners,” a Warner Bros. release that cost about $90 million to produce, was a bold gamble on originality — albeit with genre elements — and one of the most bankable American directors in Coogler. The “Creed” and “Black Panther” director wrote and produced “Sinners,” a 1932-set vampire movie about bootlegging brothers (both played by Jordan) who open a juke joint in their Mississippi hometown.

“A Minecraft Movie,” the year’s biggest Hollywood hit, followed close behind in second, collecting $41.3 million in its third week of release. That gave Warner Bros., after a handful of disappointments, an enviable one-two punch at the box office with one original, director-driven movie and one IP-based property.

“A Minecraft Movie,” which Warner Bros. co-produced with Legendary Pictures, has amassed $720.8 million worldwide in three weeks of release.

Pam Abdy and Mike De Luca, co-chairs of Warner Bros. Motion Picture Group, celebrated the two films’ resonance with moviegoers. The studio accounted for a remarkable 64% of the domestic box office for the Easter weekend.

“Movies have the power to transport us to worlds only seen on the big screen, and Warner Bros. Pictures remains committed to bringing singular in-theater experiences to audiences looking for bold movies, both original and those based on beloved existing properties,” Abdy and De Luca said in a statement Sunday.

But all eyes were on the performance on “Sinners,” which Warner Bros. went to extreme lengths to secure. Abdy and De Luca agreed to give Coogler not just a cut of gross ticket sales but ownership of the film after 25 years — a virtually unheard of concession.

But Coogler and Jordan, whose collaborations stretch back to “Fruitvale Station,” make up one of the industry’s most potent director-actor duos. Reviews (98% “fresh” on Rotten Tomatoes) were stellar for “Sinners” and audiences, too, were enthralled by its supernatural twists. The film earned an “A” CinemaScore from moviegoers.

Overseas, “Sinners” faced a more uphill battle. It collected $15.4 million in 71 international markets. Domestically, “Sinners” attracted a diverse audience: 38% Black, 35% white, 18% Hispanic and 5% Asian.

Before “Sinners,” dual roles had been rough business for Warner Bros. The studio saw flops in both “The Alto Knights” (a period gangster film featuring a doubled Robert De Niro) and “Mickey 17” (a sci-fi movie with two Robert Pattinsons).

But the strong opening for “Sinners,” which should be sustained in the coming weeks given the strong word of mouth, cements Coogler’s place as one of a handful of filmmakers whose name draws big audiences. Another would be Jordan Peele, whose “Nope” (2022) debuted similarly with $44.3 million.

Angel Studios’ “The King of Kings,” an animated tale of Jesus’ life aimed at Christian audiences, capitalized on the Easter weekend, grossing $17.2 million in its second week of release. That was nearly equal to its opening weekend ($19.1 million), and brought “The King of Kings” to a domestic total of $45.3 million.

Bleecker Street’s “The Wedding Banquet,” Andrew Ahn’s reimagining of Ang Lee’s 1993 comedy of errors, opened on 1,142 North American screens with $922,906 in ticket sales. “The Wedding Banquet,” a hit at the Sundance Film Festival, stars Lily Gladstone, Bowen Yang, Kelly Marie Tran and newcomer Han Gi-chan.