Arrest in Tupac Shakur Killing Stemmed from Biggie Smalls Death Investigation

 A portion of a mural by artist sloe_motions depicting Tupac Shakur is seen on the side of Speedy Auto Tint on Friday, Sept. 29, 2023, in Bellflower, Calif. (AP)
A portion of a mural by artist sloe_motions depicting Tupac Shakur is seen on the side of Speedy Auto Tint on Friday, Sept. 29, 2023, in Bellflower, Calif. (AP)
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Arrest in Tupac Shakur Killing Stemmed from Biggie Smalls Death Investigation

 A portion of a mural by artist sloe_motions depicting Tupac Shakur is seen on the side of Speedy Auto Tint on Friday, Sept. 29, 2023, in Bellflower, Calif. (AP)
A portion of a mural by artist sloe_motions depicting Tupac Shakur is seen on the side of Speedy Auto Tint on Friday, Sept. 29, 2023, in Bellflower, Calif. (AP)

The first arrest in the 1996 slaying of Tupac Shakur had its roots in the investigation of the killing of Biggie Smalls.

The shooting deaths of the two hip-hop luminaries and rivals — Shakur in Las Vegas and Smalls in Los Angeles six months later — have always been culturally inseparable, and one man, Duane Keffe D. Davis, found himself involved in both investigations.

On Friday, Davis was arrested and charged with murder, with prosecutors saying he ordered and masterminded the Shakur killing.

Now retired Los Angeles police detective Greg Kading was assigned to investigate the slaying of Smalls — whose legal name was Christopher Wallace — and in 2009 interviewed Davis as a person of interest in the case. Davis had had been at the party at the Peterson Automotive Museum that Wallace had just left when he was shot.

Kading had helped build a federal drug case against Davis to get leverage to compel him to talk to Los Angeles police, who to date have made no arrests in the Wallace case.

“He confesses to his involvement in the Tupac Shakur case, he gives all the details of how he and his co-conspirators killed Tupac,” Kading recalled in an interview Friday with The Associated Press.

Davis, who had immunity for what he said in his police interview but not what he said outside it, went on to divulge many of the same details in documentaries, on podcasts and in a tell-all 2019 memoir that would give new life to the Las Vegas police probe and help lead to his grand jury indictment.

“He has essentially talked himself right into jail,” Kading said.

Davis had long been known to investigators as one of four suspects identified early in the investigation. He isn’t the accused gunman but was described as the group’s ringleader by authorities at a news conference and in court. In Nevada a defendant can be charged with a crime, including murder, if you help someone commit the crime.

Davis, now 60, said in his memoir, “Compton Street Legend,” that he provided the gun used in the drive-by shooting.

Davis was arrested early Friday while on a walk near his home on the outskirts of Las Vegas, hours before prosecutors announced in court that a Nevada grand jury had indicted the self-described “gangster” on one count of murder with a deadly weapon. He is due in court next week.

The grand jury also voted to add a sentencing enhancement to the murder charge for gang activity that could add up to 20 additional years if he’s convicted.

Hundreds of pages of transcripts released Friday provide a view into the first month of grand jury proceedings, which began in late July with testimony from former associates of Davis, friends of Shakur and a slate of retired police officers involved in the case early on. Their testimony painted a picture for the jurors of a deep, escalating rift between Shakur’s music label Death Row Records and Bad Boy Records, which had ties to Davis and represented Wallace.

“It started the whole West Coast/East Coast” rivalry that primarily defined the hip-hop scene during the mid-1990s, one of Davis’ former associates testified.

Davis denied an interview request Friday from jail, and court records don’t list an attorney who can comment on his behalf. Phone and text messages to Davis and his wife on Friday and in the months raided their home in the nearby city of Henderson on July 17 were not returned.

In a statement Friday, Sekyiwa “Set” Shakur, the rapper’s sister, described the arrest as a victory, but in a measured tone.

“This is no doubt a pivotal moment. The silence of the past 27 years surrounding this case has spoken loudly in our community,” she said. “It’s important to me that the world, the country, the justice system, and our people acknowledge the gravity of the passing of this man, my brother, my mother’s son, my father’s son.”

She gave no praise to the authorities who have worked the case.

“I know there’s been many people who did not believe that the murder of Tupac Shakur was important to this police department,” Sheriff Kevin McMahill said at a news conference Friday. “I’m here to tell you, that was simply not the case. It was not the case back then, and it is not the case today.”

He added, “every single victim, every life that is lost is important and remains a priority to this police department.

On the night of Sept. 7, 1996, Tupac Shakur and Death Row Records founder Marion “Suge” Knight were in Las Vegas to watch a Mike Tyson heavyweight title match. Outside the fight just after it ended, the men were involved in a brawl with Davis and his nephew, Orlando “Baby Lane” Anderson, with whom Shakur had feuded previously.

Later that night, Shakur was sitting in a BMW that Knight was driving when a Cadillac pulled up next to them and gunfire erupted.

Shakur was shot multiple times and died a week later at the age of 25.

Davis, in his memoir, said he was in the front passenger seat of the Cadillac and had slipped a gun into the back seat, from where he said the shots were fired.

He implicated Anderson, saying he was one of two people in the backseat.

Anderson died two years later. He denied any involvement in Shakur’s death.

The rapper’s death came as his fourth solo album, “All Eyez on Me,” remained on the charts, with some 5 million copies sold. Nominated six times for a Grammy Award, Shakur is still largely considered one of the most influential and versatile rappers of all time.



‘Deadpool & Wolverine’ Smashes R-rated Record with $205 Million Debut

FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
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‘Deadpool & Wolverine’ Smashes R-rated Record with $205 Million Debut

FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo

Marvel is back on top with “Deadpool & Wolverine.” The comic-book movie made a staggering $205 million in its first weekend in North American theaters, according to studio estimates Sunday. It shattered the opening record for R-rated films previously held by the first “Deadpool” ($132 million) and notched a spot in the top 10 openings of all time.
Including international showings, where it’s racked up an addition $233.3 million from 52 markets, “Deadpool & Wolverine” is looking at a global opening of over $438.3 million, The Associated Press reported.
Fittingly for both characters’ introduction to the Marvel Cinematic Universe, “Deadpool & Wolverine” played less like earlier X-Men or Deadpool movies and more like an Avengers pic. In the top domestic opening weekends ever, “Deadpool & Wolverine” is seated in 8th place between “The Avengers” ($207.4 million) and “Black Panther" ($202 million), bumping “Avengers: Age of Ultron” ($191.3 million) out of the top 10.
It’s by far biggest opening of the year, unseating Disney’s “ Inside Out 2 ” ($154.2 million) and the most tickets a movie has sold in its debut weekend since “Barbie” ($162 million) stormed theaters last July. Playing in 4,210 locations, “Deadpool & Wolverine” also surpassed 2019’s “The Lion King” ($191.8 million) to become the biggest July opening ever, and is the 34th consecutive MCU movie to debut in first place. And these are numbers previously thought impossible for an R-rated film.
The Walt Disney Studios release arrived at a pivotal time for an industry grappling with box office returns that continue to run at a double-digit deficit from last year. The success is also an important moment for Marvel Studios, which has had several high-profile disappointments lately; Most notably in “ The Marvels ” which opened to an MCU low of $47 million last November.
Superheroes have been struggling even more elsewhere: Sony, which reached a high point with “Spider-Man: No Way Home” ($1.9 billion worldwide) had a new low with “Madame Web,” which barely crossed $100 million. Warner Bros. Discovery, after a string of disappointments with “The Flash” and “Blue Beetle,” is currently working on restarting their DC universe under the supervision of James Gunn.
Marvel's savior came in the form of two characters who got their start outside of the MCU, and carried a Motion Picture Association rating that seemed to have an earnings cap.
Both Deadpool and Wolverine, played by Ryan Reynolds and Hugh Jackman, existed previously under the 21st Century Fox banner which for two decades had the rights to Marvel characters like the “X-Men” and “Fantastic Four.” That changed when Disney acquired the studio’s film and TV assets in early 2019 and plans started to take shape of how all these characters would fit into Kevin Feige’s MCU. In some cases, as with “Fantastic Four,” Marvel Studios is starting fresh. With “Deadpool & Wolverine,” the stars were as crucial as their characters.
Going into the weekend, $200 million domestic seemed like a pipe dream. Analysts were more conservative with predictions in the $160 million range. But from the start of the 3 p.m. Thursday preview screenings it was clear that “Deadpool & Wolverine” was more powerful. By the end of Friday, it had already made $96 million and received a coveted A CinemaScore from audiences. Critics, too, have been mostly positive. Premium screens, including IMAX and other large formats, accounted for 18% of the total box office.
The top domestic opening of all time still firmly belongs to “Avengers: Endgame” with $357.1 million. It’s followed by “Spider-Man: No Way Home” ($260.1 million), “Avengers: Infinity War” ($257.6 million), “Star Wars: The Force Awakens” ($247.9 million) and “Star Wars: The Last Jedi” ($220 million).
Second place went to Universal's “Twisters,” now in its second weekend with $35.3 million. The standalone sequel to “Twister” has now earned $154.9 million in North America. Universal also claimed third place with “Despicable Me 4,” which added $14.2 million in its fourth weekend, bringing its domestic total to nearly $291 million.
“Inside Out 2” landed in fourth place with $8.3 million. The Disney and Pixar release this week became the biggest animated release ever with $613.4 million domestically (surpassing “Incredibles 2”) and $1.5 billion globally. It also passed “Top Gun: Maverick” to become the 12th highest-earning global release of all time.
It all adds up to one of the top 10 domestic grossing weekends of all time, with around $280 million, according to Comscore. That puts it ahead of this weekend last year, when “Barbie” and “Oppenheimer” helped propel the box office to over $216.9 million in their second weekends.