David Beckham Reflects on Highs and Lows in ‘Beckham’ Doc

Inter Miami co-owner David Beckham looks on prior to the match against the Houston Dynamo during the 2023 US Open Cup Final at DRV PNK Stadium on September 27, 2023 in Fort Lauderdale, Florida. (Getty Images/AFP)
Inter Miami co-owner David Beckham looks on prior to the match against the Houston Dynamo during the 2023 US Open Cup Final at DRV PNK Stadium on September 27, 2023 in Fort Lauderdale, Florida. (Getty Images/AFP)
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David Beckham Reflects on Highs and Lows in ‘Beckham’ Doc

Inter Miami co-owner David Beckham looks on prior to the match against the Houston Dynamo during the 2023 US Open Cup Final at DRV PNK Stadium on September 27, 2023 in Fort Lauderdale, Florida. (Getty Images/AFP)
Inter Miami co-owner David Beckham looks on prior to the match against the Houston Dynamo during the 2023 US Open Cup Final at DRV PNK Stadium on September 27, 2023 in Fort Lauderdale, Florida. (Getty Images/AFP)

David Beckham delves back into the hateful treatment he received following his infamous 1998 World Cup red card — and its impact on him — in a new Netflix documentary series pegged to the 10th anniversary of his retirement.

“This whole process has been like an emotional rollercoaster,” Beckham said of the “Beckham” series in an exclusive video interview with The Associated Press. “I’ve never talked about these certain moments in my career and in my life.”

The intimate four-part series explores Beckham’s upbringing, his courtship with his wife and his triumphs on the field, but perhaps the most difficult part was revisiting his painful sending off during England’s World Cup match against Argentina.

“I hadn’t actually watched it and I hadn’t actually watched the interviews and what people said about me after,” he said, adding that it left him “shocked and emotional.”

Beckham was red carded for deliberately kicking the back of Diego Simeone’s leg. He lashed out after the Argentina captain pushed him to the ground. England’s World Cup hopes were crushed, and Beckham instantly went from hero to villain.

“Beckham” includes footage of the hatred the soccer star received — condemnation in British tabloids and constant fan abuse, including one who hung his effigy from a noose outside a London pub.

“I knew it was bad at the time, but going over that whole that whole thing was quite a tough one,” he told the AP.

The backlash continued throughout the next season.

“It wasn’t just stepping onto a football pitch, it was every time that I went out in my car and people stopped me and spat at my window and you know, all of those things, and then walking into a restaurant knowing that everybody in there hates you.”

Best friend David Gardner recalls how Beckham even had to be accompanied by friends in the bathroom for his safety, yet never retaliated.

Despite the full support of Manchester United fans and club manager Sir Alex Ferguson, Beckham said there wasn’t the same knowledge or concern about mental health that exists now.

“Back then there wasn’t anyone turning round to me and saying, ‘Are you OK? Are you sure you’re OK? Let’s talk about it.’”

Even his own family struggled to understand. “Twenty-five years ago, if I’d have turned around to my dad and said that I don’t feel great, he would have said, ‘Boy, just get on with it’. So that’s how I grew up and that’s how I knew how to kind of handle a situation like that,” he said.

“I became, I wouldn’t say a cold person, but I was able to block things out that were challenging and difficult for me at the time,” he added, saying it helped him grow as a player and as a person.

“I’m not a person that sits and reflects on past achievements and things like that,” Beckham said, explaining that he learned from an early age that you can win a trophy and celebrate that evening, “but then the next day you’re on to the next season and you’re on to something else.”

The first episode, which debuts Oct. 4, explores young David’s upbringing in Chingford, Essex, and his relationship with his father.

“He was a very disciplined dad from a very early age. And when I didn’t play well, he told me and when I did play well, he kind of told me that I did play well, but not too much,” Beckham said with a smile.

It had always been his father’s dream that his son play in the premiership for Manchester United and it soon became their shared dream, turned reality. After being spotted by a scout playing on London’s Hackney Marshes, Beckham moved to Manchester at 15. The tough love continued under Ferguson. Their partnership helped Beckham win six Premier League titles, two FA Cups and one Champions League.

“Without a doubt, me getting out of London at that time and becoming a Manchester United player, in the north, surrounded by unbelievable people -- that for me without doubt helped me have the success and have the career that I had had and have,” he said. “Having the discipline of Sir Alex Ferguson possibly was one of the biggest reasons why I was able to succeed.”

But the discipline didn’t rub off when it comes to his own four children Brooklyn, Romeo, Cruz and Harper Seven, who all appear in the documentary. Beckham admits his wife is “pretty strict” and he finds it hard to lay down the law.

“I always thought growing up, if I was to become a young dad, I would be like my dad. I would support my kids with going into football and be hard with them. But I was nowhere near like my dad was. I’m a bit of a softie.”

Meeting Spice Girl Victoria Adams was a pivotal moment in Beckham’s life. She was already a global superstar as “Posh Spice” and he was a rising talent with Manchester United.

“It wasn’t something that normally happens, you know, a footballer and a pop star coming together and the pressures of that but also her being on the world tour, me really wanting to see her. But obviously I couldn’t travel. So, we used to sneak around.”

He said they managed to keep their relationship secret for the first few months and then “the explosion happened.”

Beckham’s teammate and close friend Gary Neville jokes on “Beckham” about the pair’s long phone calls into the early hours before a game and says Beckham would drive for four hours just to spend 20 minutes with her.

Part three and four of the series were not available for review prior to Beckham’s interview, but those episodes explore his explosive fallout with Ferguson, his sale to Real Madrid and tabloid allegations of Beckham’s extra-marital affairs.

“There are pressures, but you work hard,” Beckham said of his marriage. And despite press speculation, the couple recently celebrated their 24th wedding anniversary and remain a united force.

“I suppose that’s one of the reasons why we’re so, so strong as a couple, because, yes, we have amazing kids, we have amazing careers, but we ... make time for each other as well.”

Beckham’s career spread far beyond his success as a player to cultural icon and entrepreneur. He was a trailblazer for collaborations with brands like Adidas, Armani, Breitling and more. While players weren’t really doing similar deals at the time, he said it felt like a natural progression enabled by his success on the football pitch.

He knew early on that “Brand Beckham” would broaden and lengthen his career if he could achieve a good balance.

“I always made sure that whatever I was doing off the field never affected what I was doing on the field because that was what I loved and what was important to me.”

His business savvy culminated in ownership of his own soccer team, Inter Miami.

“I had the opportunity to play in different countries, move to America, obviously have my own franchise and my own team, become an owner,” he said. “So then once I finished playing, I knew that the moment I finished playing, I could then jump into the business. But we were working on that a long time before that.”

Looking back on his career’s highs and lows, it’s natural to wonder: Does Beckham have regrets?

“Do I wish things hadn’t happened? Absolutely. Do I wish ’98 hadn’t happened? Absolutely.”

But he said he realized it all happened for a reason.

“It made me stronger as a person, as a player, as a human being, and as a father, as a husband,” he said. “And if that hadn’t have happened, I maybe I wouldn’t have had the career that I had.”



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.