'Frasier' Returns to TV but You Don't Need to Be a Superfan of the Original to Laugh at its Jokes 

This image released by Paramount+ shows Jack Cutmore-Scott as Freddy Crane, left, and Kelsey Grammer as Frasier Crane in a scene from "Frasier." (Paramount+ via AP)
This image released by Paramount+ shows Jack Cutmore-Scott as Freddy Crane, left, and Kelsey Grammer as Frasier Crane in a scene from "Frasier." (Paramount+ via AP)
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'Frasier' Returns to TV but You Don't Need to Be a Superfan of the Original to Laugh at its Jokes 

This image released by Paramount+ shows Jack Cutmore-Scott as Freddy Crane, left, and Kelsey Grammer as Frasier Crane in a scene from "Frasier." (Paramount+ via AP)
This image released by Paramount+ shows Jack Cutmore-Scott as Freddy Crane, left, and Kelsey Grammer as Frasier Crane in a scene from "Frasier." (Paramount+ via AP)

You could say Joe Cristalli tweeted his role as an executive producer and co-showrunner on the new "Frasier" sitcom into existence.

About 10 years ago as a fledgling TV writer and "Frasier" superfan, Cristalli started a Twitter account with "random jokes" about the show and character made famous by Kelsey Grammer in the sitcoms "Cheers" and "Frasier."

"It was stupid and nobody cared about it. I think I had maybe 3,000 followers at its height," he recalled in a recent interview.

At this point, "Frasier" had been off the air for 10 years, but Cristalli used it as "an outlet to practice writing because I was such a superfan and I just loved the style of joke-telling, so I would work on it."

A few years later, Cristalli read that Grammer was interested in reviving the character. He had his agent send a sample script and examples from his "Frasier"-centric Twitter feed to Grammer's team. He was eventually hired alongside "How I Met Your Mother" writer Chris Harris to be co-showrunners of a new "Frasier" series, debuting Oct. 12 on Paramount+.

This "Frasier" stars Grammer in the title role of the high-brow psychiatrist, as he moves back to Boston. His son Freddy is now grown, working as a firefighter, and Frasier realizes he needs to prioritize their relationship (much in the way the character set out to connect with his retired police officer father, played by John Mahoney, in the original). He also begins a new career as a professor at Harvard.

Writing for the character is a fun challenge, said Harris, because "when you think of Frasier Crane speaking, you think of flowery language." Because of time constraints, every line can't be in Frasier-speak. "We save those moments for certain times," said Harris.

They also reference the original series sparingly and smartly — which is an act of restraint that Cristalli said Harris helped him to understand.

"I put in a very specific reference to something in ('Frasier') season four, and I remember Chris very gently saying, 'Do you think maybe we should do jokes that everyone will laugh at?'"

"There are analogies and callbacks to the old show, but we try not to do any of them shamelessly," Cristalli said. "We're not going to just throw a recliner or a Jack Russell in, like we're trying to do them subtly and elegantly. So if you catch them, great, but we're not hanging everything on those jokes. I love (the references) ... but Chris makes a very good point. We want other people to like this show besides me."

The show is a throwback in that it's a multi-cam comedy taped in front of a live audience. Most comedies these days are single-cam and filmed without an audience.

Harris hopes the show is a success and provides a much-needed boost for the multi-cam format.

"I will say that nothing feels as much like showbiz as a tape night," said Harris. "There's a working-without-a-net kind of feeling and you really are putting all your work and all your creativity out there for people to judge. You don't know something works until you get that immediate response, but that immediate response is awesome."

Famed sitcom director James Burrows ("Taxi," "Friends," "Will & Grace"), who worked with Grammer on both "Cheers" and "Frasier," signed on to direct two episodes.

"It's such a comfort because he didn't have to do the show," said Cristalli. "He didn't have to help out. But he read the scripts, he was in the auditioning process, he was pitching jokes and genuinely laughing and enjoying himself. It just made everybody more relaxed because it's a lot of pressure to bring back something this iconic."

Burrows shared his advice to the new actors on "Frasier" (including Jack Cutmore-Scott as Freddy and Anders Keith as David, Frasier's nephew and the son of Niles and Daphne).

"What I tell them is, 'When we rehearse, Kelsey is at 50%. When he's in front of an audience, he's at 100% and you better be on that level otherwise you'll get blown away.' That's what I used to tell guest stars on 'Cheers.' ... 'They're marking time in rehearsal. When they get on a stage and the laughter comes, if you don't play up on their level, you're going to disappear.'"

Cristalli said Grammer slowly morphs into the character.

"In the first rehearsal day, he'll be in like, a T-shirt and shorts and it's like, 'Hold on. That's not. Who's that? That's not Frasier.' The next day he's got, you know, longer pants and the next day it's a blazer. and then all of a sudden it's like, 'Oh, wait a second, I see him now,'" Cristalli said. "There's a very clear distinction between Frasier and Kelsey Grammer, but he slips into those shoes real comfortably and it's very seamless."

For the show's theme, composers and father-son duo Bruce and Jason Miller were brought in to update the original "Tossed Salads & Scrambled Eggs" song. Bruce Miller composed the original "Frasier" theme. Grammer also sings this version.

The composers first did a "hipper" version "that had movement to it, and energy," Bruce Miller said. Grammer listened and suggested the sound reflect how the character is older now, and looking for calmness at this stage in his life. They went back and used a small band, which is the version that viewers will hear.



Eurovision Brings Pop and Politics to Asia

A woman walks past a monitor displaying an advert for the inaugural Eurovision Song Contest Asia 2026, outside the One Bangkok Forum venue in Bangkok on November 7, 2026. (AFP)
A woman walks past a monitor displaying an advert for the inaugural Eurovision Song Contest Asia 2026, outside the One Bangkok Forum venue in Bangkok on November 7, 2026. (AFP)
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Eurovision Brings Pop and Politics to Asia

A woman walks past a monitor displaying an advert for the inaugural Eurovision Song Contest Asia 2026, outside the One Bangkok Forum venue in Bangkok on November 7, 2026. (AFP)
A woman walks past a monitor displaying an advert for the inaugural Eurovision Song Contest Asia 2026, outside the One Bangkok Forum venue in Bangkok on November 7, 2026. (AFP)

Boasting K-pop and Bangladeshi beatboxing, Eurovision stages its first Asia edition this Saturday, bringing the European song contest's unique brand of kitsch and geopolitics to the world's most populous region.

From Laos to Mongolia and the Philippines, 11 countries are competing in the inaugural Eurovision Song Contest Asia in Bangkok on November 14.

It will be broadcast live on television in participating countries and on YouTube -- but a question remains over whether anyone will be watching.

Eurovision is the world's biggest televised live music event, drawing 131 million viewers in 2026, and over the past 70 years has launched the careers of artists such as ABBA and Celine Dion.

The Asia edition is its first multinational expansion, although a US version was held in 2022 -- and was not repeated.

India, Japan and China are absent from the Bangkok event, while ticket sales have been sluggish.

"Eurovision is very big in Europe and it's very new in Asia," acknowledged executive producer Assaf Blecher.

But he said three years of preparations had fostered a public appetite for the show.

"Suddenly they understood the spirit of Eurovision," he said of those involved, hailing "the music, the extravagance".

"It's a window to other countries, to music, to people, to costumes," he told AFP, adding that he hoped it would be the first of many.

- Some provocation -

The finalists have been chosen through national competitions, some of them established stars such as Vietnam's Toc Tien, a favorite to win with her pop-dance track.

South Korea will be represented by K-pop star Junhee, Bangladesh is sending an all-male a cappella beatbox collective, Beatmosphere, while Pratik Himal Rai is rocking it out for Nepal.

The Asia edition comes as Eurovision marks its 70th birthday under a cloud, 2026 viewing figures down 35 million on the year after a boycott by five countries over Israel's participation.

But the contest has always been marked by controversy, from protests in the 1960s over the participation of Franco-ruled Spain to Russia's exclusion over the 2022 invasion of Ukraine.

The show was first held in 1956 as an experiment by national public broadcasters and became a cultural phenomenon, known for its over-the-top staging and kitsch and eclectic music.

It grew as Europe became more integrated -- although its reach exceeds the continent's borders, with Canada joining next year -- and became as much about the politics as the music.

Votes are gathered by participating country, half from a jury and half from viewers, and no nation can vote for itself -- meaning ballots are often cast based on national relationships.

In the Asia contest, this could see viewers from Cambodia and Thailand, who clashed over their border last year, voting against each other, Blecher noted.

But the entries to Eurovision Asia -- which unlike the original is organized by commercial broadcasters -- are mostly love songs, lamented Dean Vuletic, an author and expert on Eurovision.

He noted as an exception Philippines pop singer Carmelle, whose "Sobra-Sobra" (Too Much) is an upbeat call to female empowerment.

The show is "lacking some provocation or some meaningful messaging that can resonate with international audiences", Vuletic told AFP.

"This is what makes Eurovision in Europe special from other song contests."

- Budget cuts -

The show has been hit by production issues, including a reported budget cut of one million dollars, forcing organizers to issue a statement last month insisting it was going ahead.

"There are always issues with budgets," Blecher insisted.

"This is the first year and we're working with some limitations," he said, adding that it would be a "beautiful production".

The performers were due to arrive this weekend in Bangkok ahead of rehearsals for the final show.

Some will sing in their native language, others in English, a choice made by Malaysian star Aina Abdul to reach a wider audience.

For Bhutan's Nyendra, who is performing his folk-pop love song in traditional dress, the show offers a platform well beyond his country of 800,000 inhabitants.

And he could do well, as Eurovision viewers have a habit of supporting the smallest countries, the underdogs.

Blecher says he already has 16 or 17 places interested in a 2027 edition, if all goes well this week.

He cites China, Hong Kong and Taiwan among those interested -- a selection that would certainly put the contest on the geopolitical map.


Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
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Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)

Israa was 11 years ‌old and selling cigarettes with her father on a street corner in Türkiye when filmmakers Jack MacInnes and Itab Azzam met the Syrian refugee in 2015.

They were charmed by the bubbly young girl and wanted to tell her story as her family, who had fled war-ravaged Aleppo, journeyed across eight countries to settle in Germany.

"We were with them the whole time ... we slept with them ... in the street, in the rain. We were, like, in freezing conditions in Serbia and Croatia ... And ‌by the time ‌we arrived in Germany, it was like ‌we ⁠became like a ⁠family and we really bonded," Azzam told Reuters.

That was when the idea came about for "One in a Million," the couple's documentary filmed over 10 years following Israa to adulthood.

The intimate coming-of-age story shows Israa and her family crossing borders and adapting in Germany, where new-found freedoms jar with old traditions.

Viewers follow Israa ⁠into adolescence, marriage and motherhood as she seeks ‌to find herself amid fracturing ‌shifts at home. A married Israa eventually returns to visit Syria with her ‌husband after the 2024 overthrow of Bashar al-Assad.

“Migration ...(has) become ‌such a sort of political football that has so much to do with the way we feel about each other and the way we feel about our own country and has so little ‌to do with what it's actually like to be a refugee," MacInnes said.

"And what we ⁠hope is ⁠that you can watch this film and walk for an hour and a half in a refugee's shoes and understand the complexity of it."

"One in a Million", which opens in UK cinemas on Friday, premiered at January's Sundance Film Festival where it won the Audience Award.

“We... brought Israa out as a surprise, and the place just went wild," MacInnes said.

"It was so emotional for us to see this girl... who we'd met 11 years previously ... selling cigarettes on a street corner, being beaten up by police, no one gave a damn about her. And ... suddenly here she is getting her moment."


Dolly Parton’s Manager Drops Lawsuit Against Nephew

Dolly Parton. (Getty Images)
Dolly Parton. (Getty Images)
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Dolly Parton’s Manager Drops Lawsuit Against Nephew

Dolly Parton. (Getty Images)
Dolly Parton. (Getty Images)

The manager of US country music legend Dolly Parton dropped a civil lawsuit against the singer's nephew on Thursday, US media reported, after a row enveloped the late musician's estate.

The lawsuit filed in September by Parton's longtime manager Danny Nozell accused her nephew, Bryan Seaver, of attempting to extort money from the estate, which includes an amusement park, a hotel and a soon-to-be-opened museum.

Seaver, who broke the news of the singer's death at age 80 in an emotional video in August, had provided security for Parton for years but was abruptly fired, according to TMZ.

Court filings alleged that Seaver sent threats including a text message warning he would become "the hand of retribution for my entire family," The New York Times reported.

A judge had issued a temporary restraining order against Seaver as part of the proceedings, which were voluntarily dismissed Thursday in a Nashville court, multiple US media said.

Parton rose from grinding poverty to become a rhinestone-studded legend with hits like "Jolene" and "I Will Always Love You."

She also starred in multiple films and donated millions of dollars to charities as she built a vast business empire that includes her popular Dollywood theme park in Tennessee, cosmetics, pet apparel, baking mixes and even a truck stop.