Britney Spears’ Book ‘The Woman in Me’ Makes Private Details Public, Public Events Personal 

Justin Timberlake and Britney Spears appear at the 2002 NBA All-Star game in Philadelphia on Feb. 10, 2002. (AP)
Justin Timberlake and Britney Spears appear at the 2002 NBA All-Star game in Philadelphia on Feb. 10, 2002. (AP)
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Britney Spears’ Book ‘The Woman in Me’ Makes Private Details Public, Public Events Personal 

Justin Timberlake and Britney Spears appear at the 2002 NBA All-Star game in Philadelphia on Feb. 10, 2002. (AP)
Justin Timberlake and Britney Spears appear at the 2002 NBA All-Star game in Philadelphia on Feb. 10, 2002. (AP)

Britney Spears’ highly anticipated memoir “The Woman in Me” will be released Tuesday, revealing the pop superstar’s personal take on events that have played out publicly in her decades as one of the most scrutinized figures in American life, along with private moments that she previously kept under wraps.

The book, which The Associated Press obtained a copy of Thursday, details her childhood and rise to stardom, along with her marriages, her nearly-14-year court conservatorship and even a brief mention of a July incident where she was hit in the face by security for NBA player Victor Wembanyama.

Much of “The Woman in Me” focuses on the father and sons, the husbands and boyfriends, who have dominated her life, for better and for worse. Several chapters are devoted to her relationship with Justin Timberlake, including deeply personal details about a pregnancy, abortion and painful breakup. In others she chronicles her custody fight with ex-husband Kevin Federline, and how it fueled what was viewed as a public meltdown.

Spears speaks much less of recent events, making no mention of her pending divorce from Sam Asghari, whom she describes as holding her hand while she addressed a judge during a key hearing that freed her from court control in 2021.

In the opening dedication, she writes simply, “For my boys, who are the loves of my life.”

Here are some of the details revealed in “The Woman in Me”:

THE TIMBERLAKE YEARS

For a period at the turn of the millennium, Spears and Timberlake were America’s it couple. As Spears writes, they were in love — but purity was a facade. “There were a couple of times during our relationship when I knew Justin had cheated on me. Especially because I was so infatuated and so in love, I let it go, even though the tabloids seemed determined to rub my face in it,” she writes.

Although Spears was painted in the press as the unfaithful one, she says she only stepped out on the relationship once, to kiss choreographer Wade Robson, confirming a long-speculated rumor.

She also writes of her pregnancy and Timberlake’s dismay, first reported in excerpts published by People earlier this week.

“I’m sure people will hate me for this, but I agreed not to have the baby. Abortion was something I never could have imagined choosing for myself, but given the circumstances, that is what we did,” she writes.

They decided she would not go to a doctor or hospital: “It was important that no one find out about the pregnancy or the abortion, which meant doing everything at home,” she writes, adding that they didn’t tell her family.

She describes the physical pain of the medication abortion as “excruciating.”

“I kept crying and sobbing until it was all over,” she writes. “It took hours, and I don’t remember how it ended, but I do, twenty years later, remember the pain of it, and the fear.”

MAGICAL MUSICAL MOMENTS

The song that launched Spears’ solo career, “...Baby One More Time” was directly inspired by Soft Cell’s “Tainted Love.” Spears was listening to it the night before she was going in to record with famed Swedish producer Max Martin (who Spears describes simply as “magic.”) She wanted to mimic the English synthpop duo’s sound, so she stayed up late, giving her voice the fried, raspy tone that would become iconic.

The concept for the music video, too, was her idea. Jive Records wanted her to “play a futuristic astronaut,” she writes. “I told the executives at the label that I thought people would want to see my friends and me sitting at school, bored, and then as soon as the bell rang, boom—we’d start dancing.”

HEARTBREAK

She says Timberlake broke up with her via text message while making his 2002 solo debut album, “Justified.”

“He started being very standoffish with me. I think that was because he’d decided to use me as ammunition for his record, and so it made it awkward for him to be around me staring at him with all that affection and devotion,” she writes.

In the period following the breakup, Spears became isolated, writing that she experienced “serious social anxiety.”

She found herself living in an apartment alone in New York for a few months, rarely leaving. Not long after, Spears felt pressured by her father to do what would become an infamous interview with Diane Sawyer, in which the host pushed her to explain what she did to Justin Timberlake to cause him “so much pain.”

“I felt like I had been exploited,” she writes, “set up in front of the whole world.”

Representatives for Timberlake did not respond to messages seeking comment.

MOTHERHOOD AND MENTAL HEALTH STRUGGLES

In 2004, Spears married dancer Kevin Federline and they had two sons together. After the children were born, she says she suffered from perinatal depression, displaying symptoms of sadness, anxiety and fatigue.

“Being a new mom is challenge enough without trying to do everything under a microscope,” she writes. “With Kevin away so much, no one was around to see me spiral—except every paparazzo in America.”

The couple divorced in 2007.

A CUSTODY STANDOFF

Spears describes what she calls a “SWAT team” bursting into a bathroom where she was holding 16-month-old son Jayden, instead of returning him to Federline as required. The moment in January 2008 led to her being hospitalized on a 72-hour psychiatric hold and was a major factor in the establishment of a court conservatorship that took over her life.

She said that amid a custody battle, she felt that Federline and his lawyers were keeping her kids from her for longer and longer stretches. She had already put 2-year-old Sean Preston in the car of a security guard who had come to get him when she became “terrified that I wouldn’t get the kids again if I gave them back.”

That’s when she fled to the bathroom.

“I just couldn’t let him go. I didn’t want anyone taking my baby,” she writes. “Before I knew what was happening, a SWAT team in black suits burst through the bathroom door as if I’d hurt someone.”

An attorney for Federline did not immediately respond to an email seeking comment.

THE SHAVED HEAD

Other moments in her slide toward the conservatorship became anything but private, and Spears gives her take with a degree of emotion previously kept in check by those surrounding her.

She says she shaved her own head at a Los Angeles salon as an act of rebellion against the media, the paparazzi, and her family, who expected her to behave like a pretty and proper pop star even though she was “out of my mind with grief” over the custody battle.

“Shaving my head was a way of saying to the world: F—- you,” she writes.”

A few days later at a gas station, she attacked the car of a photographer with an umbrella.

She writes the man would not stop taunting her and asking her “terrible” questions, including how it felt not seeing her kids, as he smirked, at “one of the worst moments in my whole life.” She says he was clearly trying to provoke a reaction, and to her regret she gave him one.

“You can’t even do any damage with an umbrella,” she says. “It was a desperate move by a desperate person.”

HER FATHER TAKES CONTROL

When the court established the conservatorship in February of 2008, Spears said her father, with the power of law behind him, established absolute control over her life decisions and finances, at one point even telling her, “I’m Britney Spears now.”

Spears says he forced her to break up with the photographer he had been dating, and subjected anyone else she wanted to date to extensive background checks. She said he persistently told her she looked fat, and put the staff that surrounded her on strict instructions not to allow her any unapproved food.

But she said she felt that from the start the arrangement existed so that he could pay himself handsomely, while her allowance left her hardly able to buy dinner for her dancers.

“He’s always been all about the money,” she writes.

An attorney for Spears’s father declined comment. But James Spears has said in multiple court filings that he only ever acted in her best interest.



Paramount Wins Warner Bros Takeover After Settling States, Union Lawsuits

The Paramount logo is shown on one of the studio's structures at the Paramount studio lot in Hollywood, Los Angeles, California, US, February 26, 2026. (Reuters)
The Paramount logo is shown on one of the studio's structures at the Paramount studio lot in Hollywood, Los Angeles, California, US, February 26, 2026. (Reuters)
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Paramount Wins Warner Bros Takeover After Settling States, Union Lawsuits

The Paramount logo is shown on one of the studio's structures at the Paramount studio lot in Hollywood, Los Angeles, California, US, February 26, 2026. (Reuters)
The Paramount logo is shown on one of the studio's structures at the Paramount studio lot in Hollywood, Los Angeles, California, US, February 26, 2026. (Reuters)

Paramount Skydance emerged victorious on Monday from a legal battle over its $110 billion acquisition of Warner Bros Discovery after settling with a California-led group of US states and a Hollywood writers union, paving the way for one of the largest media mergers in history.

The settlement marks a major win for Paramount CEO David Ellison, who battled the states for months to finalize a deal that would dramatically concentrate power across Hollywood's film, TV, streaming and news businesses.

Paramount agreed to abide by temporary film quotas and a news oversight committee, avoiding a forced sale of cable assets such as CNN or any of its lucrative film franchises.

The settlement delighted Warner Bros shareholders, but drew criticism from opponents of the merger who say it will hurt Hollywood jobs. Shares ‌of Paramount pared ‌back earlier gains on Monday, while Warner Bros Discovery surged more than 10%.

The Writers ‌Guild ⁠of America settled ⁠its parallel case against Paramount, while saying it still believes the deal will damage the industry. The states' settlement forced the union to "contend with the reality of forging ahead alone, with no backing from government enforcers" in a complex case that would have cost millions of dollars.

California Attorney General Rob Bonta called the settlement "a strong antitrust outcome."

"More production, more choice, and guardrails that keep this industry competitive. I don't think these two companies should merge, but that's not something that we are focused on with our resolution here," he said at a press conference in Los Angeles.

Paramount ⁠promised in the state settlement to bring more film production to the US — ‌spending at least $300 million more each year in domestic production — and adhere ‌to US theatrical release quotas for five years.

The company will produce 30 movies in each of the first two years ‌of the deal, and 32 movies in each of the following three years, Bonta said. Each year, ‌at least four of those films must be independent films and at least 20% must be blockbusters. If it falls below that threshold, it will pay $30 million per film, most of it into funds to support workers.

Paramount also promised not to raise rates on theater operators for three years.

Under the settlement terms, Paramount will establish a news editorial independence board to ensure independence ‌at the CBS and CNN networks.

Reuters first reported on Friday that Paramount and the states could settle as soon as the weekend.

Ellison thanked the states and ⁠California Governor Gavin Newsom for ⁠his support throughout the process.

"Our goal has always been to build a stronger Hollywood — one with more stories told, greater choice for consumers and stronger competition," he said in a statement.

While Trump administration regulators cleared the deal, a coalition of 12 state attorneys general, led by California's Bonta, sued in July to block the merger, arguing it would reduce competition and create a media behemoth with the power to raise prices in movies and television.

The Writers Guild also sued to stop the deal, arguing it would decrease pay and worsen working conditions for film and TV writers.

The companies said earlier this year the merger will mean $6 billion in savings, through moves including cost cuts that would likely affect jobs across Hollywood as well as in the CNN and CBS newsrooms. The combined company is expected to hold $80 billion in debt.

The settlement helps Paramount avoid a $7 million-a-day "ticking fee" it would have owed Warner shareholders for each day the deal does not close past September 30.

Antitrust regulators in other jurisdictions globally, including the European Union and Britain, have already cleared the deal.


'Resident Evil' Tops Box Office with Franchise Best Debut of $60 Million

Cast member Milla Jovovich speaks during a panel for "Resident Evil: Retribution" during the Comic Con International convention in San Diego, California July 13, 2012. REUTERS/Mario Anzuoni/Files
Cast member Milla Jovovich speaks during a panel for "Resident Evil: Retribution" during the Comic Con International convention in San Diego, California July 13, 2012. REUTERS/Mario Anzuoni/Files
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'Resident Evil' Tops Box Office with Franchise Best Debut of $60 Million

Cast member Milla Jovovich speaks during a panel for "Resident Evil: Retribution" during the Comic Con International convention in San Diego, California July 13, 2012. REUTERS/Mario Anzuoni/Files
Cast member Milla Jovovich speaks during a panel for "Resident Evil: Retribution" during the Comic Con International convention in San Diego, California July 13, 2012. REUTERS/Mario Anzuoni/Files

Zach Cregger’s “Resident Evil” gave the North American box office a shot in the arm in its first weekend in theaters. The Sony Pictures release earned $60 million in ticket sales from 3,684 locations in the US and Canada, according to studio estimates Sunday.

That’s a best for the video game inspired franchise, of which there have been seven prior movies dating back to 2002, and for the filmmaker behind “Weapons” and “Barbarian.”

It’s also more than most of the previous films made in their entire domestic runs. The only exception is “Resident Evil: Afterlife,” which was released in 2010 and netted out with $60.1 million, not accounting for inflation.

Cregger’s “Resident Evil” stars Austin Abrams (who also played a pivotal role in “Weapons”) as a medical courier whose last job of the night finds him battling infected creatures in Raccoon City. Reviews were overwhelmingly positive; it currently boasts a 95% on Rotten Tomatoes.

The audience was primarily male (66%) and under 35 (75%), according to PostTrak exit polls, and gave it a B+ CinemaScore. Cregger’s previous films have defied a lot of box office logic when it comes to horror movies, whose earnings tend to be front-loaded and drop sharply after the first weekend.

“Barbarian” grossed over $46 million on a budget under $5 million. “Weapons” made $270 million on a $38 million budget.

“Zach Cregger is a household name in the world of horror,” said Paul Dergarabedian, the head of marketplace trends for Rentrak. “There are certain directors who become the star of the movie.”

“Resident Evil” cost a reported $75 million to produce, which does not include marketing and promotion expenses. Internationally, it earned $48.3 million, bringing its global launch to $108.3 million.

“Zach Cregger plus big franchise equals big bucks,” The Associated Press quoted Dergarabedian as saying. “And he made it feel fresh and new.”

According to Rentrak, horror movies this year, including hits like “Obsession” and “Backrooms,” have generated over $1.1 billion at the domestic box office.

Second place went to “Practical Magic 2,” which fell about 59% from its lackluster opening weekend with $12.2 million from 4,163 theaters in North America. An additional $7 million from international showings brings its running global total to $76.8 million.

“Spider-Man: Brand New Day” landed in third place with $6.5 million in its eighth weekend, pushing its domestic total to $944.5 million. “The Odyssey,” in its 10th weekend in theaters, added another $4.9 million to take fourth place. “Coyote vs. Acme” rounded out the top five with $4.5 million.

One notable limited release was “The History of Concrete,” a documentary from comedian John Wilson, which earned $90,000 from one screen (the IFC Center in New York). The only film to make more in a single weekend at that venue was “Parasite,” which made $119,407.


For Palestinian Aid Groups, Macklemore’s $1M Pledge Brings Relief and Attention to Ongoing Suffering

A mural by Palestinian artists depicts US rapper Macklemore on the ruins of homes in Gaza City, 19 September 2026. (EPA)
A mural by Palestinian artists depicts US rapper Macklemore on the ruins of homes in Gaza City, 19 September 2026. (EPA)
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For Palestinian Aid Groups, Macklemore’s $1M Pledge Brings Relief and Attention to Ongoing Suffering

A mural by Palestinian artists depicts US rapper Macklemore on the ruins of homes in Gaza City, 19 September 2026. (EPA)
A mural by Palestinian artists depicts US rapper Macklemore on the ruins of homes in Gaza City, 19 September 2026. (EPA)

For the Palestinian relief nonprofits behind a $1 million pledge from rapper Macklemore, the Grammy winner's latest contributions offer more than just money.

Macklemore committed to donate his net earnings from Ed Sheeran's Loop Tour after he was dropped for making pro-Palestinian comments onstage at New Jersey's MetLife Stadium. The goal, he wrote in a Wednesday post on social media, was to “bring the conversation back to where it belongs” — the Palestinian people — after a 48-hour period that saw four supporting acts quit in solidarity and confusion over who held responsibility for the decision.

The six donation recipients included Medical Aid for Palestinians, Palestine Children’s Relief Fund and the UN agency for Palestinian refugees, UNRWA. In addition to the funding windfall, their leaders welcomed the renewed public awareness of the perilous living conditions faced by the Palestinian people they treat regularly.

“Even if you don’t see bombs falling every night, the rubble is still there,” said Alicia Phillips Mandaville, the acting CEO of Anera, another beneficiary. “And the traumatized children are still traumatized.”

Attention on continued pleas for help

Tareq Hailat, the director of strategic engagement at Palestine Children's Relief Fund, said his phone rings “all the time” with calls from people in Gaza “bleeding and asking for help.”

“There’s this notion that there’s a ceasefire. But it’s not true. There are children dying every single day. There’s our team that is constantly in danger on the ground every single day. There’s people we have to feed," he said. "So to have this attention on it is incredible.”

Israeli operations have killed more than 1,000 Palestinians since a fragile ceasefire took effect last October. Hundreds of thousands of Palestinians struggle to get healthcare in the West Bank. Palestinians say water shortages persist. The world’s leading authority on food insecurity warned in July that most Gaza families still weren't getting nearly enough to eat even as Israel allowed more aid.

The Palestinian Children's Relief Fund medically evacuates children who can’t get the care they need because of crumbling healthcare infrastructure and flies outside physicians in to treat others inside Gaza.

The nonprofit will put its share of Macklemore's gift into an unrestricted fund, according to Hailat. The donation allows leaders to more fluidly direct money based on the evolving circumstances inside Gaza.

Anera — a humanitarian aid group working in Palestine, Lebanon and Jordan — noted its donation also came with no requirements for how to use the money. Mandaville said that flexibility is important when “the way people live” and “the rules we work inside" change on a monthly basis.

“If there’s flooding again this year like there was last year, we can deal with that. If there is an acute hunger crisis again, like there has been in the past, we can meet that,” she said. “We can buy more blankets because people want their grandparents to be warm at night.”

Macklemore has long supported Palestinians

This week's gift wasn't the first time Macklemore has donated to some of the recipients.

The rapper has long advocated for the plight of Palestinians. He previously pledged the proceeds and streaming royalties from his protest anthems “Hind's Hall” and “Hind's Hall 2" to UNRWA.

More than $509,000 in support has come through those royalties, according to UNRWA USA CEO Mara Kronenfeld.

“He has been contributing to saving probably hundreds of thousands of lives in Gaza through his contributions already," she said.

This latest donation is already catalyzing more gifts. Ms. Rachel, a YouTube star and music teacher, announced Thursday that she would donate $1 million to the Palestinian Children’s Relief Fund and called on others to match the gift.

New England Patriots owner Robert Kraft — whose Kraft Group also owns Gillette Stadium, where Sheeran is scheduled to perform later this month — said in a Wednesday Instagram post that he would match Sheeran's own $2 million donation for aid “in the region.” The post did not specify the gift’s recipients.

Macklemore has said his removal was the result of an effort led by Kraft. Kraft said in a statement Monday that the decision to cancel Macklemore was a result of the rapper’s recent comments “and a broader history of antisemitic rhetoric and imagery.” Macklemore has asserted that criticism of the Israeli government should not be conflated with antisemitism.

Others inspired to donate

Everyday donors appear to be joining efforts like Ms. Rachel's. Online progressive influencers have helped raise more than $72,000 more for the Palestinian Children’s Relief Fund.

Anera reported that the donations it received Wednesday through social media platforms were more than triple this month's daily average. The nonprofit has also gained more than 8,000 followers since Macklemore tagged its account in his post. Mandaville hopes that exposure will introduce new, younger audiences to the nonprofit's work.

“I would guess that our traditional donor does not know the lyrics to ‘Thrift Shop,’” she said, referencing Macklemore's breakout 2012 hit.

UNRWA USA's Kronenfeld said the spike reflects an existing trend. Her organization has gained 203,000 donors since October 2023, she said, allowing them to send more than $117 million.

“The contributions keep coming in because Americans care," she said. "It will increase that much more with Macklemore’s extremely humane gesture.”