‘Hunger Games’ Prequel Reveals Villainous Leader’s Origin Story 

Actors Rachel Zegler, Tom Blyth and Josh Andres Rivera appear during a promotional event for the movie "Hunger Games: The Ballad of Songbirds and Snakes", in Times Square in New York City, US, November 1, 2023. (Reuters)
Actors Rachel Zegler, Tom Blyth and Josh Andres Rivera appear during a promotional event for the movie "Hunger Games: The Ballad of Songbirds and Snakes", in Times Square in New York City, US, November 1, 2023. (Reuters)
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‘Hunger Games’ Prequel Reveals Villainous Leader’s Origin Story 

Actors Rachel Zegler, Tom Blyth and Josh Andres Rivera appear during a promotional event for the movie "Hunger Games: The Ballad of Songbirds and Snakes", in Times Square in New York City, US, November 1, 2023. (Reuters)
Actors Rachel Zegler, Tom Blyth and Josh Andres Rivera appear during a promotional event for the movie "Hunger Games: The Ballad of Songbirds and Snakes", in Times Square in New York City, US, November 1, 2023. (Reuters)

It wasn't easy for director Francis Lawrence to transform "Hunger Games" franchise villain Coriolanus Snow into a compelling protagonist for a prequel film taking place 64 years before the hit films starring Jennifer Lawrence.

"We had to figure out a way to get an audience emotionally invested in him, to be behind him, to be rooting for him, to empathize with him," Lawrence told Reuters.

"The Hunger Games: The Ballad of Songbirds & Snakes" arrives in theaters on Nov. 17 and delves into the origin stories of some characters from the four previous films. In particular, it explores President Snow's journey to overseeing the brutal games in which young people must fight to the death in an arena for an event called "The Hunger Games."

Like the other films, the Lionsgate prequel is based on a novel by Suzanne Collins, released in 2020.

"Once we felt like we had the audience behind him, we still had to seed in layers of his ambition and layers of his greed and layers of the darkness and layers of his sort of hunger for power so that when he does turn, it feels honest, it feels truthful and believable," Lawrence added.

The older version of Snow from the original films was portrayed by Canadian actor Donald Sutherland and the younger version in the prequel is played by English actor Tom Blyth.

The cast also includes noteworthy actors Viola Davis as Dr. Volumnia, Hunter Schafer as Tigris Snow and Peter Dinklage as Casca Highbottom.

Snow will do anything to succeed, including agreeing to mentor one of the contestants in The Hunger Games, songstress Lucy Gray Baird, played by Rachel Zegler.

What starts as coaching Baird in hopes of bolstering his academic achievements transforms into a sequence of events that take Snow down a menacing path of betrayal.



When Did Disney Villains Stop Being So Villainous? New Show Suggests They May Just Be Misunderstood

An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
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When Did Disney Villains Stop Being So Villainous? New Show Suggests They May Just Be Misunderstood

An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)

Cruella de Vil wanted to turn Dalmatian puppies into fur coats, Captain Hook tried to bomb Peter Pan and Maleficent issued a curse of early death for Aurora.

But wait, maybe these Disney villains were just misunderstood? That's the premise of a new musical show at Walt Disney World that has some people wondering: When did Disney's villains stop wanting to be so ... villainous?

The live show, "Disney Villains: Unfairly Ever After," debuts May 27 at Disney's Hollywood Studios park at the Orlando, Florida, resort. In the show, the three baddies of old-school Disney movies plead their cases before an audience that they are the most misunderstood villains of them all.

"We wanted to tell a story that's a little different than what's been told before: Which one of them has been treated the most unfairly ever after?" Mark Renfrow, a creative director of the show, said in a promotional video.

That hook - the narrative kind, not the captain - is scratching some Disney observers the wrong way.

"I think it's wonderful when you still have stories where villains are purely villainous," said Benjamin Murphy, a professor of philosophy and religious studies at Florida State University's campus in Panama. "When you have villains reveling in their evil, it can be amusing and satisfying."

Disney has some precedent for putting villains in a sympathetic light, or at least explaining how they got to be so evil. The 2021 film, "Cruella," for instance, presents a backstory for the dog-hater played by actor Emma Stone that blames her villainy on her birth mother never wanting her.

Other veins of pop culture have rethought villains too, perhaps none more famously than the book, theatrical musical and movie versions of "Wicked," the reinterpretation of the Wicked Witch of the West character from "The Wonderful Wizard of Oz."

The blockbuster success of "Wicked, " which was based on the 1995 novel "Wicked: The Life and Times of the Wicked Witch of the West," sparked the trend of rethinking villains in popular entertainment, Murphy said.

"With trends like that, the formula is repeated and repeated until it's very predictable: Take a villain and make them sympathetic," he said.

The centuries-old fairy tales upon which several Disney movies are based historically were meant to teach children a lesson, whether it was not to get close to wolves (Little Red Riding Hood, The Three Little Pigs) or trust strange, old women in the woods (Hansel and Gretel, Rapunzel).

But they often made marginalized people into villains - older women, people of color or those on the lower socioeconomic scale, said Rebecca Rowe, an assistant professor of children's literature at Texas A&M University-Commerce.

The trend toward making villains more sympathetic started in the late 1980s and 1990s as children's media took off. There was a desire to present villains in a manner that was more complicated and less black and white, as there was an overall cultural push toward emphasizing acceptance, she said.

"The problem is everyone has swung so hard into that message, that we have kind of lost the villainous villains," Rowe said. "There is value in the villainous villains. There are people who just do evil things. Sometimes there is a reason for it, but sometimes not. Just because there is a reason doesn't mean it negates the harm."

Whether it's good for children to identify with villains is complicated. There is a chance they adopt the villains' traits if it's what they identify with, but then some scholars believe it's not a bad thing for children to empathize with characters who often are part of marginalized communities, Rowe said.

The Disney villains also tend to appeal to adults more than children. They also appreciate the villains' campiness, with some "Disney princesses" gladly graduating into "evil queens."

Erik Paul, an Orlando resident who has had a year-round pass to Disney World for the past decade, isn't particularly fond of the villains, but understands why Disney would want to frame them in a more sympathetic light in a show dedicated just to them.

"I know friends who go to Hollywood Studios mainly to see the villain-related activities," Paul said. "Maybe that's why people like the villains because they feel misunderstood as well, and they feel a kinship to the villains."