‘Past Lives,’ Lily Gladstone Win at Gotham Awards 

Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)
Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)
TT

‘Past Lives,’ Lily Gladstone Win at Gotham Awards 

Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)
Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)

Celine Song’s wistful romance "Past Lives" earned top honors at the Gotham Awards on Monday evening at an award-season kickoff where the night's biggest drama came in a political speech by Robert De Niro that the actor claimed had been edited without his permission.

"Past Lives," a breakout at the Sundance Film Festival in January and an arthouse hit in June for A24, may be poised to be an Oscar sleeper this year after winning best feature film at the Gothams. Affection is strong for Song’s directorial debut, starring Greta Lee as a woman born in Seoul who, after marrying an American (John Magaro), reconnects with a childhood friend from South Korea (Teo Yoo).

"This is the first film I've ever made and a very personal film about an extraordinary feeling I had in an ordinary bar in the East Village, not too many blocks away from here," said Song, accepting the award. "As this film has been shared with the world, it has taught me — and taught us — that you're never alone in that extraordinary feeling."

"Past Lives" was expected to win, but the ceremony went off-script when De Niro, co-star in Martin Scorsese's "Killers of the Flower Moon," took the podium to present a tribute award to the film. While giving his remarks, De Niro noticed a section had been omitted on the teleprompter. After attempting to scroll back through, he completed his speech before returning to read from his phone.

"The beginning of my speech was edited, cut out," De Niro said. "I didn’t know about it."

De Niro, known for his fiery rhetoric against former President Donald Trump, then expanded on what he called America's "post-truth society" and chided Hollywood — specifically John Wayne — for earlier depictions of Native Americans.

"The former president lied to us more than 30,000 times during his four years in office, and he’s keeping up the pace with his current campaign of retribution," De Niro said. "With all of his lies, he can’t hide his soul. He attacks the weak, destroys the gifts of nature and shows his disrespect for example using Pocahontas as a slur."

De Niro seemed to blame Apple, which produced "Killers of the Flower Moon," for the changes to his speech.

"So, I’m going to say these things — to Apple and thank them, all that. Gothams. Blah blah blah. Apple. But I don’t really feel like thanking them at all for what they did," said De Niro. "How dare they do that, actually."

Apple didn't immediately respond to requests for comment late Monday evening.

It was still a big night for Scorsese's epic, about the Osage murders in the early 20th century, even though Scorsese unexpectedly wasn't in attendance. Lily Gladstone, who stars in the film opposite Leonardo DiCaprio, won for best lead performance — though not for that performance.

Gladstone won for a lesser-known film released earlier in 2023: "The Unknown Country," in which stars as a woman embarking on a road trip though the Midwest. In each of her speeches — for "Killers of the Flower Moon" and "The Unknown Country" — Gladstone praised the filmmakers for prioritizing Native perspectives.

"I challenge everybody in this room who makes films: Invest. When you have a budget, invest it in the people," said Gladstone. "Invest in the people that you’re telling your story about. Your film will be better for it. Your lives will be better for it."

The Gotham Awards, now in their 33rd year, leapfrog most of the major ceremonies that lead up to the Academy Awards. But over time, they’ve established themselves as the first big party of the season, and an early hint at some of the favorites.

Put on by the Gotham Film & Media Institute and held annually at Cipriani Wall Street, the Gothams have some quirks that make them different than other awards. Prizes are chosen by small committees of film professionals, critics and journalists. Their acting categories are also gender neutral, with 10 actors nominated for lead performance, and another 10 up for supporting performances.

This year, one of the most competitive categories was best international film. There, Justine Triet's Palme d'Or winning courtroom drama "Anatomy of a Fall" triumphed over the likes of "Poor Things,All of Us Strangers" and "The Zone of Interest." Triet's film also won for best screenplay.

Andrew Haigh’s tender metaphysical drama "All of Us Strangers," starring Andrew Scott and Paul Mescal, had come into the Gothams as the lead nominee with four nods, but went home without a trophy.

The Gothams this year removed a $35 million budget cap for nominees, but many big-budget films still opted not to submit themselves. The monthslong Screen Actors Guild strike meant awards season got off to a slower start, but one of the early questions is if anything can rival those diametrically opposed summer sensations of "Barbie" and "Oppenheimer."

Greta Gerwig and Margot Robbie of "Barbie" were among the numerous tribute awards. In their joint speech, Gerwig said her partner, Noah Baumbach, found out he was co-writing the movie with her from a Variety article that cited them both. He sent the article to Gerwig with just a question mark, she said.

"Then he wrote back: ‘It’s OK, we'll make each other laugh,’" added Gerwig.

Best supporting performance went to Charles Melton of Todd Haynes' "May December." He plays a young father who first began his relationship with his wife (Julianne Moore) when he was a minor.

A.V. Rockwell, whose directorial debut "A Thousand and One" stars Teyana Taylor as a single mother, won for breakthrough director. She noted all of her fellow nominees were women. "It's a fight just to get here," she said.

"Just to be frank, it is very hard to tell a culturally specific story when you look like this," said Rockwell.

Best documentary went to Kaouther Ben Hania’s Tunisian film "Four Daughters," a true story about a Tunisian women with two daughters who became radicalized. The film reconstructs their disappearance.

In the TV categories, the Netflix series "Beef," starring Steven Yeun and Ali Wong as a pair locked in a feud after a road rage incident, won for both breakthrough series under 40 minutes and for Wong's performance.

"If you haven't seen ‘Beef’ yet, I swear it’s more than me and Steven crying," Wong said.

Tribute awards ensured that some star power hit the Gothams stage. They were given to: Bradley Cooper, the director, star and co-writer of "Maestro"; Ben Affleck, the director and co-star of "Air"; George C. Wolfe, the director of "Rustin"; and Michael Mann, the director of "Ferrari."

Affleck, however, wasn't in attendance. The film's screenwriter, Alex Convery, instead accepted the award.

"Well, you thought you were getting Ben Affleck," said Convery. "Sorry."

The Gothams have a checkered history of forecasting future awards glory. Last year, it was the first win in what became a runaway Oscar campaign for "Everything Everywhere All at Once," and where Ke Huy Quan’s supporting-actor bid got its start. The year before that, Gotham winner "The Lost Daughter" faded on the campaign trail, but 2020-winner "Nomadland" went the distance to the Academy Awards.



Hollywood Studios and Actors’ Union Find Common Ground on AI

 SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)
SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)
TT

Hollywood Studios and Actors’ Union Find Common Ground on AI

 SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)
SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)

As Hollywood's performers cast their ballots to approve the latest negotiated contract, union leaders say they have made some progress in conversations with studio bosses since the massive strike in 2023, especially when it comes to concerns about artificial intelligence.

SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements in this round of negotiations to a new mindset, "because the studios and streamers came to the table with a different perspective."

With 160,000 members working in film, television and video games, SAG-AFTRA is the largest and most influential union of its kind globally.

Members of the actors' union are voting on a newly negotiated agreement that was approved by the national board earlier this month, ahead of the current contract's expiration at the end of June.

"The tone of the negotiation was much more collaborative and a lot more creativity was brought by both sides, so I really believe that the 2023 strikes -- while they were very difficult for all of us -- did help effectuate a reset in the relationship between the studios and the unions in general," Crabtree-Ireland told AFP.

Approval would mean avoiding a repeat of disastrous 2023 strikes that shuttered productions, costing studios billions of dollars, while actors stood their ground against AI and other issues.

- AI's evolutions -

The strike by the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) lasted 118 days, with star-studded picket lines outside major studios in Los Angeles and New York, marking the longest such revolt in Hollywood history.

AI technology was a sticking point for many, and that tension persists, Crabtree-Ireland said.

"They do feel more secure than they did in 2023 but there's still a very, very strong concern about AI -- and especially because the generative AI tools have advanced so much in the last three years," he said.

The latest agreement does not close the door on AI, but it does introduce new protections.

Under the new contract, digital replicas -- which use AI or any technology to replicate an actual living or deceased performer -- must "have informed consent and fair compensation," Crabtree-Ireland said.

The contract allows for limited use of synthetics, under "unusual circumstances," when a generative AI system can be used to create a character who is not based on any actual person in the world.

"There's now process in place which would require the companies to come to the union if they want to use a synthetic in a project, they have to demonstrate to us that this synthetic brings a significant additional value to the production," Crabtree-Ireland said.

"While this doesn't rise quite to the level of a complete prohibition, it's a very strong disincentive."

Voting on the latest contract closes June 4.


Oscar-Winning ‘Star Wars’ Editor Marcia Lucas Dies at 80

Marcia Lucas, wife of director George Lucas, right, carries her Oscar statuette as they arrive at a post Academy Awards party at the Beverly Hilton Hotel in Los Angeles, April 4, 1978. (AP)
Marcia Lucas, wife of director George Lucas, right, carries her Oscar statuette as they arrive at a post Academy Awards party at the Beverly Hilton Hotel in Los Angeles, April 4, 1978. (AP)
TT

Oscar-Winning ‘Star Wars’ Editor Marcia Lucas Dies at 80

Marcia Lucas, wife of director George Lucas, right, carries her Oscar statuette as they arrive at a post Academy Awards party at the Beverly Hilton Hotel in Los Angeles, April 4, 1978. (AP)
Marcia Lucas, wife of director George Lucas, right, carries her Oscar statuette as they arrive at a post Academy Awards party at the Beverly Hilton Hotel in Los Angeles, April 4, 1978. (AP)

Marcia Lucas, who won an Oscar as editor of the original 1977 “Star Wars" and was part of a group of women whose editing was essential to film's New Hollywood era, has died, a lawyer for her family said Friday. She was 80.

Lucas, who was married to “Star Wars” creator George Lucas from 1969 to 1983, died Wednesday from metastatic cancer, attorney Deidre Von Rock said in an email to The Associated Press. She died in Rancho Mirage, California, surrounded by loved ones, Von Rock said.

Marcia Lucas was the editor on 1983's “Return of the Jedi” and the pre-“Star Wars” George Lucas-directed films “THX 1138” and “American Graffiti.”

She was also part of the editing team for director Martin Scorsese's 1970s films “Taxi Driver,” “Alice Doesn't Live Here Anymore” and “New York, New York.”

Editor was a rare senior creative position where a woman could find a foothold in Hollywood. Marcia Lucas became one of several women whose work in the editing chair made sense of the work of the overwhelmingly male directors of the New Hollywood of the late 1960s through the early 1980s, including Dede Allen, editor of “Bonnie and Clyde” and “Dog Day Afternoon”; Verna Fields, editor of “Paper Moon” and “Jaws"; and Thelma Schoonmaker, editor of most of Scorsese's films starting with 1980's “Raging Bull.”

Lucas was often called the unsung hero of “Star Wars,” the original film that after sequels, prequels and spinoffs has come to be known by its subtitle, “A New Hope.”

She convinced her then-husband that he should have Obi-Wan Kenobi, played by Alec Guinness, die in his lightsaber battle with Darth Vader and become a spirit guide to Mark Hamill's Luke Skywalker.

And she had to make sense of raw footage that could have been a mess in the wrong hands, including the climactic rebel attack on the Death Star.

“It was extremely complex and we had 40,000 feet of dialogue footage of pilots saying this and that. And she had to cull through all that, and put in all the fighting as well,” George Lucas told Rolling Stone in an interview a few months after the film came out. “Nobody really has ever tried to interweave an actual plot story into a dogfight, and we were trying to do that."

Lucas was born Marcia Griffin in Modesto, California shortly after the end of World War II. She moved to Los Angeles with her mother after her parents divorced when she was a small child.

She began working as a film librarian and moved into working as an editor on commercials, trailers and promotional films. She was an assistant editor on the documentary “Journey to the Pacific” for Fields, who also hired George Lucas, then a film student at the University of Southern California.

The couple became engaged soon after. Their marriage would essentially end in 1982, but they kept their divorce under wraps until after the release of “Return of the Jedi” in 1983. Marcia Lucas was then married to Tom Rodrigues, a production manager at the Skywalker Ranch production center, from 1983 to 1993.

She is survived by her daughters, Amanda Lucas and Amy Soper, and grandchildren Felix Hallikainen, Aeliana Hallikainen and Knox Soper.

"Her influence on film is indelible, but those who knew her best will remember the way she made life feel more vivid, more beautiful, more fun, and more full of love,” a family statement said. “Her work was known for its emotional intelligence, rhythm, and humanity — a rare ability to find the truth of a scene and bring heart, momentum, and clarity to the screen.”


The Golden Trailer Awards: Hollywood’s ‘Oscars’ for Movie Previews

The gala started in 1999 when co-founders Monica Brady and Evelyn Watters were looking for a team to produce a trailer. (Getty Images/AFP)
The gala started in 1999 when co-founders Monica Brady and Evelyn Watters were looking for a team to produce a trailer. (Getty Images/AFP)
TT

The Golden Trailer Awards: Hollywood’s ‘Oscars’ for Movie Previews

The gala started in 1999 when co-founders Monica Brady and Evelyn Watters were looking for a team to produce a trailer. (Getty Images/AFP)
The gala started in 1999 when co-founders Monica Brady and Evelyn Watters were looking for a team to produce a trailer. (Getty Images/AFP)

The Golden Trailer Awards, which recognize the people behind Hollywood's best-made movie previews, returned for its 26th edition Thursday.

The gala started in 1999 when co-founders Monica Brady and Evelyn Watters were looking for a team to produce a trailer, only to find that those who worked in the field were practically anonymous.

"Trailer editors, the people creating some of the most memorable moments of the moviegoing experience, were completely unrecognized," Brady told AFP.

"They weren't credited on trailers, they weren't credited in films, and there wasn't even a directory to find them."

The pair, who remain as executive producers on the award show, oversaw 19 prizes given out during the inaugural ceremony in New York.

The ceremony was held in Los Angeles and recognized achievements in more than 100 categories.

The night's most coveted statuette for Best of Show went to the trailer for sci-fi movie "Project Hail Mary", starring Ryan Gosling, which was created by Wild Card Creative Group.

But what makes one movie trailer stand out from the rest?

"What makes a great trailer, first and foremost, is a great hook," Watters said.

- 'A tempting appetizer' -

An honoree will likely have "a fresh storyline, compelling characters, an emotional moment, and something audiences haven't seen before," she explained ahead of the ceremony.

"A winning trailer is a tempting appetizer, it is not the whole meal."

Taylor Engel, a creative director at Create Advertising Group -- which received 16 nominations this year for the company's work on trailers for "Sinners,Tron: Ares" and "Only Murders in the Building" -- said editing a trailer is like putting together pieces of a puzzle.

"We get materials at the beginning of the project, and it could be anything. Sometimes you get the movie, sometimes you get just dailies, you know, just the scenes that they shot," Engel said.

The challenge lies in combining the audio, video and editing effects to "tell maybe a different story or showcase the movie in some way."

Like film editing, movie trailers have evolved over the decades in Hollywood, and the crowded marketplace for attention has led to fierce competition.

Sometimes, the trailer ends up being better than the movie itself -- something that has become its own category in the Golden Trailer Awards.

Dubbed the "Golden Fleece," this year's nominees include trailers for the horror film "Shell" starring Elisabeth Moss and "The Strangers: Chapter 3."

- No AI used -

Despite the intense competition and demand, Engel said that the work in making movie trailers is not under the same pressure to utilize artificial intelligence as other sectors of Hollywood.

"Every cut is very specific in why you pair a shot with a certain piece of music," Engel said.

AI tools "may get better at recreating what's been done in the past, but what's exciting about trailers is when you see something that you've never seen before, you see it done in a different way," the creative director said.