‘Past Lives,’ Lily Gladstone Win at Gotham Awards 

Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)
Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)
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‘Past Lives,’ Lily Gladstone Win at Gotham Awards 

Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)
Janae Collins, Cara Jade Myers, Tantoo Cardinal, Yancey Red Corn, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, William Belleau, Jillian Dion and Talee Redcorn pose with awards at the 33rd annual Gotham Film Awards in New York City, U.S., November 27, 2023. (Reuters)

Celine Song’s wistful romance "Past Lives" earned top honors at the Gotham Awards on Monday evening at an award-season kickoff where the night's biggest drama came in a political speech by Robert De Niro that the actor claimed had been edited without his permission.

"Past Lives," a breakout at the Sundance Film Festival in January and an arthouse hit in June for A24, may be poised to be an Oscar sleeper this year after winning best feature film at the Gothams. Affection is strong for Song’s directorial debut, starring Greta Lee as a woman born in Seoul who, after marrying an American (John Magaro), reconnects with a childhood friend from South Korea (Teo Yoo).

"This is the first film I've ever made and a very personal film about an extraordinary feeling I had in an ordinary bar in the East Village, not too many blocks away from here," said Song, accepting the award. "As this film has been shared with the world, it has taught me — and taught us — that you're never alone in that extraordinary feeling."

"Past Lives" was expected to win, but the ceremony went off-script when De Niro, co-star in Martin Scorsese's "Killers of the Flower Moon," took the podium to present a tribute award to the film. While giving his remarks, De Niro noticed a section had been omitted on the teleprompter. After attempting to scroll back through, he completed his speech before returning to read from his phone.

"The beginning of my speech was edited, cut out," De Niro said. "I didn’t know about it."

De Niro, known for his fiery rhetoric against former President Donald Trump, then expanded on what he called America's "post-truth society" and chided Hollywood — specifically John Wayne — for earlier depictions of Native Americans.

"The former president lied to us more than 30,000 times during his four years in office, and he’s keeping up the pace with his current campaign of retribution," De Niro said. "With all of his lies, he can’t hide his soul. He attacks the weak, destroys the gifts of nature and shows his disrespect for example using Pocahontas as a slur."

De Niro seemed to blame Apple, which produced "Killers of the Flower Moon," for the changes to his speech.

"So, I’m going to say these things — to Apple and thank them, all that. Gothams. Blah blah blah. Apple. But I don’t really feel like thanking them at all for what they did," said De Niro. "How dare they do that, actually."

Apple didn't immediately respond to requests for comment late Monday evening.

It was still a big night for Scorsese's epic, about the Osage murders in the early 20th century, even though Scorsese unexpectedly wasn't in attendance. Lily Gladstone, who stars in the film opposite Leonardo DiCaprio, won for best lead performance — though not for that performance.

Gladstone won for a lesser-known film released earlier in 2023: "The Unknown Country," in which stars as a woman embarking on a road trip though the Midwest. In each of her speeches — for "Killers of the Flower Moon" and "The Unknown Country" — Gladstone praised the filmmakers for prioritizing Native perspectives.

"I challenge everybody in this room who makes films: Invest. When you have a budget, invest it in the people," said Gladstone. "Invest in the people that you’re telling your story about. Your film will be better for it. Your lives will be better for it."

The Gotham Awards, now in their 33rd year, leapfrog most of the major ceremonies that lead up to the Academy Awards. But over time, they’ve established themselves as the first big party of the season, and an early hint at some of the favorites.

Put on by the Gotham Film & Media Institute and held annually at Cipriani Wall Street, the Gothams have some quirks that make them different than other awards. Prizes are chosen by small committees of film professionals, critics and journalists. Their acting categories are also gender neutral, with 10 actors nominated for lead performance, and another 10 up for supporting performances.

This year, one of the most competitive categories was best international film. There, Justine Triet's Palme d'Or winning courtroom drama "Anatomy of a Fall" triumphed over the likes of "Poor Things,All of Us Strangers" and "The Zone of Interest." Triet's film also won for best screenplay.

Andrew Haigh’s tender metaphysical drama "All of Us Strangers," starring Andrew Scott and Paul Mescal, had come into the Gothams as the lead nominee with four nods, but went home without a trophy.

The Gothams this year removed a $35 million budget cap for nominees, but many big-budget films still opted not to submit themselves. The monthslong Screen Actors Guild strike meant awards season got off to a slower start, but one of the early questions is if anything can rival those diametrically opposed summer sensations of "Barbie" and "Oppenheimer."

Greta Gerwig and Margot Robbie of "Barbie" were among the numerous tribute awards. In their joint speech, Gerwig said her partner, Noah Baumbach, found out he was co-writing the movie with her from a Variety article that cited them both. He sent the article to Gerwig with just a question mark, she said.

"Then he wrote back: ‘It’s OK, we'll make each other laugh,’" added Gerwig.

Best supporting performance went to Charles Melton of Todd Haynes' "May December." He plays a young father who first began his relationship with his wife (Julianne Moore) when he was a minor.

A.V. Rockwell, whose directorial debut "A Thousand and One" stars Teyana Taylor as a single mother, won for breakthrough director. She noted all of her fellow nominees were women. "It's a fight just to get here," she said.

"Just to be frank, it is very hard to tell a culturally specific story when you look like this," said Rockwell.

Best documentary went to Kaouther Ben Hania’s Tunisian film "Four Daughters," a true story about a Tunisian women with two daughters who became radicalized. The film reconstructs their disappearance.

In the TV categories, the Netflix series "Beef," starring Steven Yeun and Ali Wong as a pair locked in a feud after a road rage incident, won for both breakthrough series under 40 minutes and for Wong's performance.

"If you haven't seen ‘Beef’ yet, I swear it’s more than me and Steven crying," Wong said.

Tribute awards ensured that some star power hit the Gothams stage. They were given to: Bradley Cooper, the director, star and co-writer of "Maestro"; Ben Affleck, the director and co-star of "Air"; George C. Wolfe, the director of "Rustin"; and Michael Mann, the director of "Ferrari."

Affleck, however, wasn't in attendance. The film's screenwriter, Alex Convery, instead accepted the award.

"Well, you thought you were getting Ben Affleck," said Convery. "Sorry."

The Gothams have a checkered history of forecasting future awards glory. Last year, it was the first win in what became a runaway Oscar campaign for "Everything Everywhere All at Once," and where Ke Huy Quan’s supporting-actor bid got its start. The year before that, Gotham winner "The Lost Daughter" faded on the campaign trail, but 2020-winner "Nomadland" went the distance to the Academy Awards.



‘Godzilla Minus Zero’ Stomps to a Record-Setting $31.6 Debut

 This image released by GKIDS shows Min Tanaka in a scene from "Godzilla Minus Zero." (GKIDS via AP)
This image released by GKIDS shows Min Tanaka in a scene from "Godzilla Minus Zero." (GKIDS via AP)
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‘Godzilla Minus Zero’ Stomps to a Record-Setting $31.6 Debut

 This image released by GKIDS shows Min Tanaka in a scene from "Godzilla Minus Zero." (GKIDS via AP)
This image released by GKIDS shows Min Tanaka in a scene from "Godzilla Minus Zero." (GKIDS via AP)

“Godzilla Minus Zero” stomped into movie theaters with a chart-topping $31.6 million over the weekend, scoring a record debut for a foreign-language film at the North American box office.

Takashi Yamazaki‘s sequel to 2023’s Oscar-winning “Godzilla Minus One” easily thrashed Warner Bros.' animated “The Cat in the Hat” movie. That film, featuring the voice of Bill Hader, opened with $20.5 million, according to studio estimates Sunday, plus $10 million overseas.

While Godzilla recently celebrated his 72nd birthday, Yamazaki has revived one of the longest running franchises in movies by bringing the series back to its Japanese roots. The film, produced by Toho and distributed in North America by GKids, is set in post-WWII Japan.

No live-action foreign language film has had a bigger opening weekend, unless you count 2004’s “Passion of the Christ,” which opened with $83.8 million despite its largely Aramaic dialogue. Last year, the anime “Demon Slayer: Infinity Castle” debuted with $70.6 million.

But “Godzilla Minus Zero” bested the mark for live-action previously held by 2004’s “Hero” (a $17.9 million launch) and added to the trend of international, non-English productions drawing American audiences to cinemas.

Japanese and Indian films score in North America

The weekend also saw the widest North American release for an Indian film. “Ramayana: Rise of a Legend, is a Hindi-language epic of Indian mythology that, as part one of two, is the most expensive Indian film ever made. Distributed by Sony Pictures in North America, it launched with $8.7 million domestically and $32 million in India.

“Godzilla Minus Zero” and “Ramayana” were both given global releases, debuting in their home countries at the same time as they reached American audiences. In Japan, “Godzilla Minus Zero” grossed about $17 million over the weekend.

“This historic opening shows how deeply audiences around the world connect with Godzilla and with Takashi Yamazaki’s vision,” said Koji Ueda, president of Toho Global, in a statement. “Our first near-simultaneous global release was built on that belief.”

“Godzilla Minus One,” which won the Oscar for best visual effects, was the highest-grossing Japanese live-action film ever in US and Canada despite a modest budget under $15 million.

“Godzilla Minus Zero,” carrying a budget of less than $20 million, is sure to blow past its predecessor’s record haul of $57.1 million. Since first premiering last month at the New York Film Festival, the film has scored well with critics (90% fresh on Rotten Tomatoes) and audiences (an “A” CinemaScore).

“Godzilla” and “Ramayana” were each filmed for IMAX, with Yamazaki’s film receiving an early IMAX-only release on Tuesday. Both benefited greatly from large-format screens. “Godzilla Minus Zero” generated $21.3 million globally, or 34% of its box-office take, from IMAX.

The big result for “Godzilla Minus Zero” will either whet audiences' appetites or pose an awkward comparison for the next Hollywood, English-language Godzilla movie. In March, Warner Bros. and Legendary will release “Godzilla x Kong: Supernova.”

‘The Cat in the Hat’ disappoints, ‘Drummer Boy’ overperforms

“The Cat in the Hat” was the latest attempt to revive the Dr. Seuss classic on the big screen, following the Mike Myers-led 2003 live-action film. But the animated “Cat in the Hat,” made for $86 million, drummed up only modest interest from moviegoers. Reviews (44% fresh on Rotten Tomatoes) were bad.

Not helping “The Cat in the Hat”: Laika’s acclaimed stop motion animated fantasy “Wildwood” has held well with audiences, even briefly leading all films at the box office early in the week.

“Wildwood” dipped just 22% in its third weekend, with $7 million. With a cumulative total of $39.8 million domestically, it’s fared well, even if Travis Knight’s pricey passion project, with a budget of at least $100 million, is all but certain to lose tens of millions.

Third place went to Angel Studios’ “Drummer Boy,” with $9.3 million on its opening weekend. The Revolutionary War-set musical also saw its music top the iTunes chart.


Eurovision Brings Pop and Politics to Asia

A woman walks past a monitor displaying an advert for the inaugural Eurovision Song Contest Asia 2026, outside the One Bangkok Forum venue in Bangkok on November 7, 2026. (AFP)
A woman walks past a monitor displaying an advert for the inaugural Eurovision Song Contest Asia 2026, outside the One Bangkok Forum venue in Bangkok on November 7, 2026. (AFP)
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Eurovision Brings Pop and Politics to Asia

A woman walks past a monitor displaying an advert for the inaugural Eurovision Song Contest Asia 2026, outside the One Bangkok Forum venue in Bangkok on November 7, 2026. (AFP)
A woman walks past a monitor displaying an advert for the inaugural Eurovision Song Contest Asia 2026, outside the One Bangkok Forum venue in Bangkok on November 7, 2026. (AFP)

Boasting K-pop and Bangladeshi beatboxing, Eurovision stages its first Asia edition this Saturday, bringing the European song contest's unique brand of kitsch and geopolitics to the world's most populous region.

From Laos to Mongolia and the Philippines, 11 countries are competing in the inaugural Eurovision Song Contest Asia in Bangkok on November 14.

It will be broadcast live on television in participating countries and on YouTube -- but a question remains over whether anyone will be watching.

Eurovision is the world's biggest televised live music event, drawing 131 million viewers in 2026, and over the past 70 years has launched the careers of artists such as ABBA and Celine Dion.

The Asia edition is its first multinational expansion, although a US version was held in 2022 -- and was not repeated.

India, Japan and China are absent from the Bangkok event, while ticket sales have been sluggish.

"Eurovision is very big in Europe and it's very new in Asia," acknowledged executive producer Assaf Blecher.

But he said three years of preparations had fostered a public appetite for the show.

"Suddenly they understood the spirit of Eurovision," he said of those involved, hailing "the music, the extravagance".

"It's a window to other countries, to music, to people, to costumes," he told AFP, adding that he hoped it would be the first of many.

- Some provocation -

The finalists have been chosen through national competitions, some of them established stars such as Vietnam's Toc Tien, a favorite to win with her pop-dance track.

South Korea will be represented by K-pop star Junhee, Bangladesh is sending an all-male a cappella beatbox collective, Beatmosphere, while Pratik Himal Rai is rocking it out for Nepal.

The Asia edition comes as Eurovision marks its 70th birthday under a cloud, 2026 viewing figures down 35 million on the year after a boycott by five countries over Israel's participation.

But the contest has always been marked by controversy, from protests in the 1960s over the participation of Franco-ruled Spain to Russia's exclusion over the 2022 invasion of Ukraine.

The show was first held in 1956 as an experiment by national public broadcasters and became a cultural phenomenon, known for its over-the-top staging and kitsch and eclectic music.

It grew as Europe became more integrated -- although its reach exceeds the continent's borders, with Canada joining next year -- and became as much about the politics as the music.

Votes are gathered by participating country, half from a jury and half from viewers, and no nation can vote for itself -- meaning ballots are often cast based on national relationships.

In the Asia contest, this could see viewers from Cambodia and Thailand, who clashed over their border last year, voting against each other, Blecher noted.

But the entries to Eurovision Asia -- which unlike the original is organized by commercial broadcasters -- are mostly love songs, lamented Dean Vuletic, an author and expert on Eurovision.

He noted as an exception Philippines pop singer Carmelle, whose "Sobra-Sobra" (Too Much) is an upbeat call to female empowerment.

The show is "lacking some provocation or some meaningful messaging that can resonate with international audiences", Vuletic told AFP.

"This is what makes Eurovision in Europe special from other song contests."

- Budget cuts -

The show has been hit by production issues, including a reported budget cut of one million dollars, forcing organizers to issue a statement last month insisting it was going ahead.

"There are always issues with budgets," Blecher insisted.

"This is the first year and we're working with some limitations," he said, adding that it would be a "beautiful production".

The performers were due to arrive this weekend in Bangkok ahead of rehearsals for the final show.

Some will sing in their native language, others in English, a choice made by Malaysian star Aina Abdul to reach a wider audience.

For Bhutan's Nyendra, who is performing his folk-pop love song in traditional dress, the show offers a platform well beyond his country of 800,000 inhabitants.

And he could do well, as Eurovision viewers have a habit of supporting the smallest countries, the underdogs.

Blecher says he already has 16 or 17 places interested in a 2027 edition, if all goes well this week.

He cites China, Hong Kong and Taiwan among those interested -- a selection that would certainly put the contest on the geopolitical map.


Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
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Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)

Israa was 11 years ‌old and selling cigarettes with her father on a street corner in Türkiye when filmmakers Jack MacInnes and Itab Azzam met the Syrian refugee in 2015.

They were charmed by the bubbly young girl and wanted to tell her story as her family, who had fled war-ravaged Aleppo, journeyed across eight countries to settle in Germany.

"We were with them the whole time ... we slept with them ... in the street, in the rain. We were, like, in freezing conditions in Serbia and Croatia ... And ‌by the time ‌we arrived in Germany, it was like ‌we ⁠became like a ⁠family and we really bonded," Azzam told Reuters.

That was when the idea came about for "One in a Million," the couple's documentary filmed over 10 years following Israa to adulthood.

The intimate coming-of-age story shows Israa and her family crossing borders and adapting in Germany, where new-found freedoms jar with old traditions.

Viewers follow Israa ⁠into adolescence, marriage and motherhood as she seeks ‌to find herself amid fracturing ‌shifts at home. A married Israa eventually returns to visit Syria with her ‌husband after the 2024 overthrow of Bashar al-Assad.

“Migration ...(has) become ‌such a sort of political football that has so much to do with the way we feel about each other and the way we feel about our own country and has so little ‌to do with what it's actually like to be a refugee," MacInnes said.

"And what we ⁠hope is ⁠that you can watch this film and walk for an hour and a half in a refugee's shoes and understand the complexity of it."

"One in a Million", which opens in UK cinemas on Friday, premiered at January's Sundance Film Festival where it won the Audience Award.

“We... brought Israa out as a surprise, and the place just went wild," MacInnes said.

"It was so emotional for us to see this girl... who we'd met 11 years previously ... selling cigarettes on a street corner, being beaten up by police, no one gave a damn about her. And ... suddenly here she is getting her moment."