Beyoncé’s ‘Renaissance’ is No. 1 at Box Office with $21 Million Debut

Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
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Beyoncé’s ‘Renaissance’ is No. 1 at Box Office with $21 Million Debut

Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo

Beyoncé ruled the box office this weekend.
Her concert picture, “ Renaissance: A Film by Beyoncé,” opened in first place with $21 million in North American ticket sales, according to estimates from AMC Theatres Sunday.
The post-Thanksgiving, early December box office is notoriously slow, but “Renaissance" defied the odds. Not accounting for inflation, it's the first time a film has opened over $20 million on this weekend in 20 years (since “The Last Samurai”).
Beyoncé wrote, directed and produced “Renaissance,” which is focused on the tour for her Grammy-winning album. It debuted in 2,539 theaters in the US and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters, The Associated Press reported.
“On behalf of AMC Theatres Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theatres executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director."
Though “Renaissance” did not come close to matching the $92.8 million debut of “Taylor Swift: The Eras Tour” in October, it’s still a very good start for a concert film. No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.
The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.
Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift's $20.78, according to data firm EntTelligence.
Critics and audiences gave "Renaissance" glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift's.
Lionsgate's “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.
“Godzilla Minus One " is expected to take third place on the North American charts. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan. Toho's 33rd Godzilla film is set in the aftermath of World War II, stars Ryunosuke Kamiki and was directed by Takashi Yamazaki.



Timothee Chalamet Channels Young Bob Dylan in 'A Complete Unknown'

FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo
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Timothee Chalamet Channels Young Bob Dylan in 'A Complete Unknown'

FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Timothee Chalamet attends a premiere of the film "A Complete Unknown" at Dolby theater in Los Angeles, California, US December 10, 2024. REUTERS/Mario Anzuoni/File Photo

Timothee Chalamet likened his journey to playing music legend Bob Dylan to an athletic feat. It turned into a marathon that stretched longer than the actor had expected.
Chalamet signed up to play Dylan in 2019. Then came a global pandemic and labor strikes in Hollywood, forcing two extended delays to filming.
"A Complete Unknown," the movie about Dylan's quick rise to stardom in the early 1960s, will finally be released in theaters on Wednesday, Christmas Day, by Walt Disney's Searchlight Pictures.
The disruptions gave the "Dune" actor more time to work out how to translate the towering figure to the big screen. Chalamet learned to play guitar and harmonica and worked with a vocal coach to evolve from his smooth "Wonka" singing to Dylan's distinctive, nasal voice, Reuters reported.
"It was the most I've ever taken on," Chalamet said in an interview, comparing the preparation to "the climbing of a steep hill."
"A Complete Unknown" chronicles Dylan's arrival in New York in 1961 at age 19, his rapid ascent in folk music circles with songs such as "Blowin' in the Wind," and his divisive turn to electric rock music in 1965. The movie's title is taken from a line in the Dylan hit "Like a Rolling Stone."
Chalamet said he immersed himself in whatever video he could find of Dylan in the early '60s, a time of political and social upheaval in the United States.
"There's a finite amount of material available, especially in this period," Chalamet said. "At some point you can turn every page over. Not to say that I have, but if I haven't I've come damn close to it."
In the summer of 2023, Chalamet said, "I felt like I hit a runner's high" in the preparation.
"I felt like my muscles were strong and I was well prepared, and that every day was sort of just chipping away slowly at this bigger thing," he said.
Just as Chalamet was ready, Hollywood actors went on strike, and he worried that funding or casting might fall apart. The final go-ahead to start filming came in March 2024.
DYLAN WEIGHS IN
The real-life Dylan provided input on the script to director James Mangold but never met or spoke with Chalamet, though he recently described the star as "a brilliant actor."
"I'm sure he's going to be completely believable as me. Or a younger me. Or some other me," Dylan wrote on social media platform X.
Chalamet's performance has earned praise from critics and predictions that he could garner his second Oscar nomination. He and co-star Edward Norton were nominated for Golden Globes.
Other co-stars include Elle Fanning, who plays girlfriend Suze Rotolo who appeared on the cover of the album "The Freewheelin' Bob Dylan" but goes by the name Sylvie Russo in the film.
Monica Barbaro portrays singer Joan Baez, who had already landed on the cover of Time magazine when her career intersected with Dylan's. At the time, Baez was trying to figure out how to use her platform as an activist.
"Bob came in and was kind of a mess of a boy, but also an absolute poet and brilliant lyricist, and was putting words to all of these things that she felt," Barbaro said. "On top of his charisma, I think, she just was sort of magnetized to him."
Norton plays Pete Seeger, a banjo player and prominent singer of protest music who mentored Dylan.
"I think a lot of people have lost sight of who these people actually were and what they did and what they sounded like," Norton said. "If we can get some people tuning in again, that's probably worth the whole enterprise."
Chalamet agreed.
Dylan is "one of these names that is iconic to my generation," the 28-year-old said. "You know the name, but because he's such an elusive figure and a reclusive figure ... a lot of people my age don't know the music."
"This felt like an opportunity to be a bridge in some way and bring life to this amazing period," he added.