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Beyoncé’s ‘Renaissance’ is No. 1 at Box Office with $21 Million Debut

Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
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Beyoncé’s ‘Renaissance’ is No. 1 at Box Office with $21 Million Debut

Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo
Beyonce accepts the award for Best Dance/Electronic Music Album for "Renaissance" during the 65th Annual Grammy Awards in Los Angeles, California, US, February 5, 2023. REUTERS/Mario Anzuoni/File Photo

Beyoncé ruled the box office this weekend.
Her concert picture, “ Renaissance: A Film by Beyoncé,” opened in first place with $21 million in North American ticket sales, according to estimates from AMC Theatres Sunday.
The post-Thanksgiving, early December box office is notoriously slow, but “Renaissance" defied the odds. Not accounting for inflation, it's the first time a film has opened over $20 million on this weekend in 20 years (since “The Last Samurai”).
Beyoncé wrote, directed and produced “Renaissance,” which is focused on the tour for her Grammy-winning album. It debuted in 2,539 theaters in the US and Canada, as well as 94 international territories, where it earned $6.4 million from 2,621 theaters, The Associated Press reported.
“On behalf of AMC Theatres Distribution and the entire theatrical industry, we thank Beyoncé for bringing this incredible film directly to her fans,” said Elizabeth Frank, AMC Theatres executive vice president of worldwide programming, in a statement. “To see it resonate with fans and with film critics on a weekend that many in the industry typically neglect is a testament to her immense talent, not just as a performer, but as a producer and director."
Though “Renaissance” did not come close to matching the $92.8 million debut of “Taylor Swift: The Eras Tour” in October, it’s still a very good start for a concert film. No one expected “Renaissance” to match “The Eras Tour,” which is wrapping up its theatrical run soon with over $250 million globally. Prior to Swift, the biggest concert film debuts (titles held by Miley Cyrus and Justin Bieber for their 2008 and 2011 films) had not surpassed the unadjusted sum of $32 million.
The 39-city, 56-show “Renaissance” tour, which kicked off in Stockholm, Sweden in May and ended in Kansas City, Missouri in the fall, made over $500 million and attracted over 2.7 million concertgoers. Swift’s ongoing “Eras Tour,” with 151 dates, is expected to gross some $1.4 billion.
Both Beyoncé and Swift chose to partner with AMC Theatres to distribute their films, as opposed to a traditional studio. Both superstars have been supportive of one another, making splashy appearances at the other’s premieres. Both had previously released films on Netflix (“Miss Americana” and “Homecoming”). And both are reported to be receiving at least 50% of ticket sales.
Movie tickets to the show were more expensive than average, around $23.32 versus Swift's $20.78, according to data firm EntTelligence.
Critics and audiences gave "Renaissance" glowing reviews – it’s sitting at 100% on Rotten Tomatoes and got a coveted A+ CinemaScore from opening weekend audiences who were polled. EntTelligence also estimates that the audience, around 900,000 strong, skewed a little older than Swift's.
Lionsgate's “ The Hunger Games: The Ballad of Songbirds & Snakes ” fell to second place in its third weekend with an estimated $14.5 million. The prequel has now earned over $121 million domestically.
“Godzilla Minus One " is expected to take third place on the North American charts. The well-reviewed Japanese blockbuster distributed by Toho International cost only $15 million to produce and has already earned $23 million in Japan. Toho's 33rd Godzilla film is set in the aftermath of World War II, stars Ryunosuke Kamiki and was directed by Takashi Yamazaki.

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‘The Brutalist’ Cast Beams over Breadth of Film’s Story

This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
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‘The Brutalist’ Cast Beams over Breadth of Film’s Story

This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)
This image released by A24 shows Adrien Brody in a scene from "The Brutalist." (Lol Crawley/A24 via AP)

The cast of the film “The Brutalist” is giving their director Brady Corbet all the credit when it comes to the strong acclaim for the movie.

“He's a special filmmaker because he focuses on psychology and behavior and those things that we as actors are genuinely interested in,” said Guy Pearce, who plays wealthy industrialist Harrison Lee Van Buren.

“So, it was a real treat from start to finish,” he added.

The movie is an epic tale of a Hungarian immigrant who flees the horrors of World War Two to rebuild his life in the United States, and stars Oscar-winner Adrien Brody in the leading role of the architect Laszlo Toth.

"The Brutalist", which has a three-hour and 35-minute runtime and comes with a 15-minute intermission, was co-written by Corbet's wife, Mona Fastvold.

It was successful at the Venice International Film Festival earlier this year, with Corbet winning the best director prize.

The film, distributed by A24, arrives in movie theaters on Dec. 20 in the United States.

Brody, who had read the script nearly six years ago, expressed his deep connection to the story and his character through both his Hungarian-born mother and grandfather.

“Her [his mother’s] journey as an artist, her pursuits as an artist are deeply profound and linked to this,” he said.

For Brody, the role connected him with his mother’s yearning to leave something of great meaning behind, which was enhanced when contrasted with an understanding of hardship.

He also thought of his own grandfather's struggles with language and assimilation as a foreigner without work opportunities or respect.

“That (respect) was lost and taken from him,” Brody added.

His grandfather, fleeing from home due to the war, largely shaped the actor’s perspective of his role.

For “The Theory of Everything” actress Felicity Jones, who portrays Toth’s wife in the film, Erzsebet Toth, some of the most compelling aspects of the film are its characters and unique storytelling style.

“These characters, particularly Laszlo and Erzsebet, you know, they're doing everything they can to preserve their integrity and their self-worth,” she said.

Brody was recently nominated for a Golden Globe for best performance for a male actor in a motion picture drama and is receiving Oscar buzz for his role.

For “The Pianist” actor, having a strong team was key to the power of the film.

“In order to do work on this level, you need all of those to conspire with you and not against you,” Brody said.