‘Past Lives,’ ‘May December’ and ‘American Fiction’ Lead Spirit Award Nominations

 US actor Charles Melton arrives for the premiere of "May December" at the Academy Museum of Motion Pictures in Los Angeles, California, on November 16, 2023. (AFP)
US actor Charles Melton arrives for the premiere of "May December" at the Academy Museum of Motion Pictures in Los Angeles, California, on November 16, 2023. (AFP)
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‘Past Lives,’ ‘May December’ and ‘American Fiction’ Lead Spirit Award Nominations

 US actor Charles Melton arrives for the premiere of "May December" at the Academy Museum of Motion Pictures in Los Angeles, California, on November 16, 2023. (AFP)
US actor Charles Melton arrives for the premiere of "May December" at the Academy Museum of Motion Pictures in Los Angeles, California, on November 16, 2023. (AFP)

Celine Song’s "Past Lives," Todd Haynes’ "May December" and Cord Jefferson’s "American Fiction" got a leading five nominations, including best feature, from the Film Independent Spirit Awards. Natalie Morales and Joel Kim Booster announced the nominees Tuesday on a YouTube livestream.

Song’s quietly romantic film, starring Greta Lee and Teo Yoo as childhood friends who reconnect later in life, earned nominations for her direction, script and for both actors. "May December," about an actress preparing to play a Mary Kay Letourneau-like role got nods for Natalie Portman, Charles Melton and screenwriter Samy Burch. MGM’s "American Fiction," featuring Jeffrey Wright as a frustrated novelist, got recognition for Wright, Erika Alexander and Sterling K. Brown. Jefferson was nominated for his script but not for his direction, however.

It was a good morning for A24. In addition to the nominations for "Past Lives," the indie film company received 11 overall for "All Dirt Roads Taste of Salt,Earth Mama" and "The Zone of Interest." Kelly Reichardt’s "Showing Up" was also named winner of the Robert Altman Award, which is given to one film’s director, casting director and ensemble cast. Michelle Williams plays a small-time sculptor in the film, leading an ensemble that includes André Benjamin, Hong Chau, Judd Hirsch and Amanda Plummer.

Alexander Payne's "The Holdovers," about a curmudgeonly teacher played by Paul Giamatti, got four nominations including for cinematography, best screenplay, best supporting performance for Da’Vine Joy Randolph and best breakthrough for newcomer Dominic Sessa. Neither Payne nor Giamatti were nominated.

Directing nominees were: Andrew Haigh ("All of Strangers"); Ira Sachs ("Passages"); William Oldroyd ("Eileen"); and Haynes and Song.

The Spirit Awards limit eligibility to productions with budgets of $30 million or less, meaning films like "Oppenheimer,Maestro" and "Poor Things" did not qualify for nominations.

Lead performance nominees include Wright, Lee, Yoo, Portman, Jessica Chastain ("Memory"), Trace Lysette ("Monica"), Judy Reyes ("Birth/Rebirth"), Andrew Scott ("All of Us Strangers"), Franz Rogowski ("Passages") and Teyana Taylor ("A Thousand and One").

Supporting performance nods went to Noah Galvin ("Theater Camp"), Anne Hathaway ("Eileen"), Glenn Howerton ("BlackBerry"), Marin Ireland ("Eileen"), Catalina Saavedra ("Rotting in the Sun") and Ben Whishaw ("Passages"), in addition to the aforementioned Melton, Randolph, Brown and Alexander.

NFL veteran Marshawn Lynch was also nominated for his breakthrough performance in the wild high school comedy "Bottoms."

Films nominated for best international film include both Sandra Hüller films, Justine Triet’s "Anatomy of a Fall" and Jonathan Glazer’s "The Zone of Interest," from Poland, as well as Denmark/Iceland’s "Godland," Nigeria’s "Mama Wata" and Mexico’s "Tótem."

Last year’s big winner was " Everything Everywhere All At Once," which accepted seven awards including best feature, best director and acting prizes for Michelle Yeoh and Ke Huy Quan – categories in which it would go on to win Oscars.

Josh Welsh, the president of Film Independent, said the spirit awards look for films and shows that, "demonstrate the uniqueness of vision, original, provocative subject matter, economy of means and diversity, both on screen and off."

The Spirit Awards also recognize television series. The nominees include "Jury Duty," for best series and best ensemble cast, "Beef" for series, Steven Yeun and Ali Wong, and "The Last of Us" which got acting nods for Bella Ramsey, Murray Bartlett and Nick Offerman. Billie Eilish was also nominated for "Swarm."

Saturday Night Live’s Aidy Bryant is hosting the show, which will take place on Feb. 25 in Santa Monica, California. The awards will be streamed live on IMDb and Film Independent’s YouTube channels.



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.