‘Wonka’ Waltzes to $39 Million Opening, Propelled by Chalamet’s Starring Role 

Timothée Chalamet arrives at the premiere of "Wonka" on Sunday, Dec. 10, 2023, at Regency Village Theatre in Westwood, Calif. (AP)
Timothée Chalamet arrives at the premiere of "Wonka" on Sunday, Dec. 10, 2023, at Regency Village Theatre in Westwood, Calif. (AP)
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‘Wonka’ Waltzes to $39 Million Opening, Propelled by Chalamet’s Starring Role 

Timothée Chalamet arrives at the premiere of "Wonka" on Sunday, Dec. 10, 2023, at Regency Village Theatre in Westwood, Calif. (AP)
Timothée Chalamet arrives at the premiere of "Wonka" on Sunday, Dec. 10, 2023, at Regency Village Theatre in Westwood, Calif. (AP)

“Wonka” debuted with $39 million in box office sales in US and Canadian theaters over the weekend, according to studio estimates Sunday. That made it a strong start for the Timothée Chalamet -starring Willy Wonka musical that underscored the young star’s draw.

Musicals have been tough sells in theaters in recent years, so much so that Warner Bros. downplayed the song and dance elements of “Wonka” in trailers. Instead, the studio emphasized Chalamet, the 27-year-old actor who, with “Wonka,” notched his second No. 1 movie following 2021’s “Dune.” The earlier film recorded a $41 million opening.

While “Dune” was a sprawling and star-studded sci-fi adventure, “Wonka” relies chiefly on Chalamet’s charisma.

“Wonka,” which cost about $125 million to produce and played at 4,203 locations, was also the first big Hollywood release to launch following the end of the SAG-AFTRA actors’ strike. Chalamet hosted “Saturday Night Live” just days after the strike ended. In his opening monologue, he sang to the tune of “Pure Imagination” about “returning to this magical world where actors can promote their projects.”

“It shows you the power of a star, and it also shows you the power of a star going out and working a movie,” said Jeffrey Goldstein, distribution chief for Warner Bros. “Having him out there after the strikes were over was a win for him and a win for the movie.”

Goldstein expects “Wonka” to be the go-to choice from families over the holidays. Its main competition for kids will be Universal Pictures’ animated “Migration.”

“Wonka,” directed by Paul King of “Paddington” and “Paddington 2,” is a prequel to 1971’s “Willy Wonka and the Chocolate Factory,” with Chalamet starring as a young Wonka trying to open a candy store. Its ensemble cast includes Hugh Grant, Olivia Colman and Keegan-Michael Key.

Warner Bros. last revived Roald Dahl’s classic with the 2005 Tim Burton-directed “Charlie and the Chocolate Factory,” starring Johnny Depp. It debuted with $56.2 million and ultimately grossed $475 million worldwide.

To reach those numbers, “Wonka” will need strong legs through the lucrative holiday moviegoing period. On its side are mostly good reviews (84% “fresh” on Rotten Tomatoes) and positive audience reaction (an “A-” CinemaScore).

Chalamet is also drawing younger ticket-buyers. Moviegoers under the age of 25 accounted for 36% of the audience, which was split evenly between 51% females and 49% males. “Wonka” added $53.6 million in overseas ticket sales.

“Chalamet is a true movie star who’s been developing his craft and his reputation over many years,” says Paul Dergarabedian, senior media analyst for Comscore. “Everybody’s looking for who’s the next big movie star. Is it all about the old-school leading men? Chalamet is definitely that.”

For Warner Bros., it’s the first in a trio of high-profile holiday releases, to be followed by “Aquaman and the Lost Kingdom” on Dec. 22 and another musical, “The Color Purple” on Dec. 25.

The only other new wide release in theaters was “Christmas With the Chosen: Holy Night,” from Christian-theme distributor Angel Studios. It debuted with $2.9 million in sales through 2,094 theaters.

“The Hunger Games: The Ballad of Songbirds and Snakes” again ranked second this week with $5.8 million in its fifth week of release. The Lionsgate “Hunger Games” prequel, now up to $145.2 million domestically and more than $300 million globally, has held strong week after week.

Last week’s top film, Hayao Miyazaki’s “The Boy and the Heron,” dipped to third with $5.1 million in its second week of release. The latest film from the 82-year-old Japanese anime master has already set records for Miyazaki, Studio Ghibli and its North American distributor GKids.

With holdovers making up most of the top 10 movies in theaters, the weekend’s other most notable business was a group of award contenders trying to make their mark following Monday’s Golden Globes nominations.

Yorgos Lanthimos’ “Poor Things,” a surreal Frankenstein-esque fairy tale starring Emma Stone, expanded into 82 theaters and grossed $1.3 million for Searchlight Pictures. The film, which will expand further in the coming weeks, is nominated for seven Golden Globes, including best comedy or musical.

Cord Jefferson’s “American Fiction,” starring Jeffrey Wright as a sardonic novelist, debuted in seven theaters in three cities with a $32,411 per-screen average. MGM’s “American Fiction,” nominated for two Globes, will expand to 40 theaters next week. It won the audience award at the Toronto International Film Festival in September.

Jonathan Glazer’s “The Zone of Interest,” a chilling Holocaust drama about a Nazi commandant and his family living next to Auschwitz, opened in four theaters with a $31,198 per-screen average. Nominated for three Globes, it will play in limited release before expanding in January.



Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
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Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)

Walt Disney Animation Studios' "Zootopia 2" is on track to surpass $1 billion at the global box office, the company said on Friday, as the sequel continues its strong run in international markets.

The film, which revisits the bustling animal metropolis of "Zootopia," features returning characters Judy Hopps, a rabbit police officer voiced by Ginnifer Goodwin, and her fox partner Nick Wilde, voiced by Jason Bateman.

The duo embarks on a new adventure that blends humor and social themes, echoing the formula that made the original a hit.

"Zootopia 2" opened strongly over the US Thanksgiving weekend, giving Hollywood a boost at the start of the critical holiday season.

The film's runaway success has been fueled by an extraordinary reception in China, where "Zootopia 2" dominated the box office during its opening weekend, accounting for roughly 95% of all ticket sales nationwide.

The original "Zootopia" also became China's most popular foreign animated film when it was released in 2016.

The performance offers welcome relief for theater operators hoping for packed cinemas through Christmas, traditionally the second-busiest moviegoing period of the year. Global box office receipts have yet to return to the pre-pandemic levels seen in 2019.


Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
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Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser

Walt Disney is investing $1 billion in OpenAI and will let the startup use characters from Star Wars, Pixar and Marvel franchises in its Sora AI video generator, a crucial deal that could reshape how Hollywood makes content.

The three-year partnership announced on Thursday is a pivotal step in Hollywood's embrace of generative artificial intelligence, side-stepping the industry's concerns over the impact of AI on creative jobs and intellectual property rights.

As part of the licensing deal, Sora and ChatGPT Images will start generating videos using licensed Disney characters such as Mickey Mouse, Cinderella and Mufasa, from early next year. The agreement excludes any talent likenesses or voices.

"Through this collaboration with OpenAI we will thoughtfully and responsibly extend the reach of our storytelling through generative AI, while respecting and protecting creators and their works," Disney CEO Bob Iger said.

OpenAI has been engaging with Disney and others in Hollywood for the past year in its search for partners, a person with knowledge of the discussions said.
The move marks a major shift in Disney's approach to AI - the company had decided to keep out its characters from the Sora app when OpenAI was in talks with companies regarding the tool's copyright policy.

Disney and Comcast's Universal had in June filed a copyright lawsuit against AI photo generation firm Midjourney for its use of the studios' best-known characters.

As part of the agreement with OpenAI, a selection of the videos by users will be made available for streaming on Disney+, allowing the streaming platform to capitalize on the growing appeal for short-form video content.

The media conglomerate will also receive warrants to purchase additional equity in the ChatGPT maker.

The companies will use OpenAI's models to build new products and customer experiences, including for Disney+ subscribers, while Disney will deploy ChatGPT for its employees, Reuters reported.

The partnership comes months after Hollywood's premier talent agency sharply criticized the same technology Disney is now embracing.

Creative Artists Agency, which represents thousands of actors, directors and music artists, said in October OpenAI was exposing artists to "significant risk" through Sora, questioning whether the AI company believed creative professionals "deserve to be compensated and credited for the work they create".


In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
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In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)

The carpet outside the 2025 edition of the Marrakech International Film Festival was unfurled in its usual red, but the stars who walked across it shimmered in every color.

Actors and filmmakers drifted down its length in embroidered velvet robes and delicately cut black lace dresses, amid the sounds of camera shutters and microphones humming.

Some ensembles nodded explicitly to the region: hand-stitched caftans and robes with hems that followed the geometry of North African embroidery, The AP news reported.
Youssra, one of Egypt’s best-known actors, carried a black sequined, pearl-trimmed clutch emblazoned with her name across the front, recognizable to audiences all over the Middle East.

Palestinian filmmaker Annemarie Jacir poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Saturday, Dec. 6, 2025. (AP Photo/Mosa’ab Elshamy)

Others went crisp and relied on an austere palette of black and white to make their statement. And woven through were quiet gestures of political intent. Clutches patterned like keffiyehs, pins worn close to the heart — small but unmistakable signals of solidarity with Palestinians at a festival on the edge of a region in conflict.

This year’s festival — whose guests included jury president Bong Joon Ho, Jafar Panahi and Anya Taylor-Joy — concluded Saturday.

An actress poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa'ab Elshamy)