Jean-Michel Jarre Deploys ‘French Digital Savoir-Faire’ in Versailles Concert

In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
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Jean-Michel Jarre Deploys ‘French Digital Savoir-Faire’ in Versailles Concert

In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)

French electronic music pioneer Jean-Michel Jarre plans a mixed reality show “surrounded by all the elements of French digital savoir-faire”, at the famous Château de Versailles’ Hall of Mirrors, on December 25.

The event celebrates the 400th birthday of the Château de Versailles, which was the favorite hunting staycation of Louis XIII, and then became a symbol of absolute monarchy and an embodiment of classic art during the rule of Louis XIV, in 1623.

“The idea of the concert, which hosts spectators live and virtually on social media, is to surround oneself with the French digital savoir-faire as a tribute to the continuation of creativity,” Jarre told Agence France Press (AFP).

The electronic musician recalled that Versailles was a destination for “the dreamers who created automatons, the ancestors of robots, for example.”

According to Jarre, the concert is planned “in three modes at the same time.” First, the live concert at the Hall of Mirrors for the attending audience. Second, in virtual reality at a gallery reconstructed in collaboration with Vrroom, a French platform and studio specializing in designing immersive shows.

The virtual audience can access the concert on VR headsets, tablets and smartphones. The third mode is the live broadcast on the French TV channels, including (Groupe M6-W9), international TV channels, on radio (RTL) and other platforms.

During the concert, Jarre will be wearing a VR headset fashioned by Lynx, a French startup specializing in mixed reality. “It’s an exceptional headset that allows me to connect with the audience in the hall and on social media,” the musician explained.

The program includes some of his greatest hits, some of which were specially redistributed for this event.

The renowned musician, also known as JMJ, said that what he loves the most about VR is “the ability to invite the audience to live in their dreams.” He also promised to introduce a world that blends Tron, a famous sci-fi movie from the 1980s, with the works of Tim Burton inspired by magic and darkness. The show also recalls the “passing through mirrors” idea, inspired by Jean Cocteau’s Beauty and The Beast.

For his event, JMJ plans on using artificial intelligence for his virtual content. “In this case, when it comes to graphics, AI is the extension of my imagination. It’s a super-collaborator which I keep under control,” he explained.

Jarre, who was the president of the International Confederation of Societies of Authors and Composers (CISAC), acknowledged the AI-related concerns about property rights. A recent fake duo that used the voices of Drake and The Weeknd without their consent, stirred remarkable controversy.

“Every tech innovation has a tech response. When an algorithm is capable of doing something like this, we should develop another algorithm that determines the source of what we are using, like the share of The Weeknd, Gainsbourg or Jarre (laughing), to make sure rights are distributed fairly,” he says.

“We shouldn’t be afraid of regulations. Behind regulations, there is freedom. We invented the driving license that allows us to drive on roads,” he adds.

Jean-Michel Jarre, the immersive performance savvy, performed a VR concert on December 31, 2020. Sponsored by UNESCO and virtually held at the Notre Dame Cathedral, the event was free, accessible around the world and broadcasted on YouTube and Facebook.



Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
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Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File

Singer Rod Stewart, who helped British rock conquer the world with a string of megahits, turns 80 on Friday -- with no plans to slow down.
Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s with hits like "Da Ya Think I'm Sexy?" and "Young Turks", notching up more than 250 million record sales worldwide.
He also made headlines for a prolific love life that included relationships with a string of models and actresses including Britt Ekland.
Despite his landmark birthday, Stewart says he has no plans to retire.
"I love what I do, and I do what I love. I'm fit, have a full head of hair and can run 100 meters (330 feet) in 18 seconds at the jolly old age of 79," he wrote last year.
The star will play the legends slot at the famed Glastonbury music festival this summer.
Although his forthcoming European and North American tour dates will be his last large-scale project, he has said he plans to concentrate on more intimate venues in the future.
He will headline a new residency in Las Vegas from March to June.
A tour is also slated for 2026 for Swing Fever, the album he released last year with pianist and ex-Squeeze band member Jools Holland.
As he has approached his ninth decade, Stewart has also made headlines for quirkier reasons such as his passion for model railways and his battle with potholes that have prevented him from driving his Ferrari near his home in eastern England.
The singer, who was knighted by Queen Elizabeth in 2016, has been married three times and has fathered eight children. His third wife is model and television personality Penny Lancaster.
From London to global star
Stewart's story began in north London on 10 January 1945, when Roderick Stewart was born into a middle-class family.
After a "fantastically happy childhood", he developed a love of music when his father bought him a guitar in 1959, and he formed a skiffle band with school friends a year later.
He joined the band Dimensions in 1963 as a harmonica player, exploring his love of folk, blues and soul music while learning from other artists such as Rolling Stones frontman Mick Jagger in London's blossoming rhythm and blues scene.
Stewart's career took off in 1967 when he joined the renowned guitarist Jeff Beck's eponymous new band, which also included future Rolling Stone Ronnie Wood, allowing him to develop his raw and soulful vocal style and stagecraft while exposing him to a US audience.
He and Wood took up the offer to join mod pioneers Small Faces following the departure of their singer Steve Marriott in 1969 -- the band soon changing its name to The Faces -- shortly before Stewart released his debut solo album.
It was his 1971 third solo release, "Every Picture Tells a Story", that confirmed him as one of the world's most successful artists, reaching number one in Britain, Australia and the United States, where it went platinum.
The album helped define Stewart's rock/folk sound, featuring heartfelt lyrics and heavy use of unusual instruments such as the mandolin, particularly prominent on the album's standout hit "Maggie May".
"I just love stories with a beginning, middle and end," he once said.
'I had the last laugh'
Focusing on his solo career after 1975, Stewart's "Da Ya Think I'm Sexy?" released in 1978 was not to everyone's taste.
"Once the most compassionate presence in music, he has become a bilious self-parody -– and sells more records than ever," Rolling Stone magazine said in 1980.
Never one to be cowed by the critics, Stewart defended this phase, telling an interviewer that audiences "absolutely love it, so I had the last laugh".
Richard Houghton, author of the book "Tell Everyone -- A People's History of the Faces" said that Stewart had "possibly the most distinctive voice in rock music".
The singer had successfully combined writing classic songs of his own such as "Maggie May" or "You Wear It Well" with taking other people's songs -- from Bob Dylan to Tom Waits -- and making them his own .
More recently, there had been four albums of the "classic songs of the 1930s from his Great American Songbook catalogue".
Houghton said audiences could expect to see plenty more of Stewart.
"He's like any entertainer. He loves the spotlight. He's not going to sit at home watching the television when somewhere around the world there's a crowd wanting to hear him sing 'Mandolin Wind' or 'First Cut Is The Deepest' one more time.
"Rod will keep singing until the day he drops," he added.