Jean-Michel Jarre Deploys ‘French Digital Savoir-Faire’ in Versailles Concert

In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
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Jean-Michel Jarre Deploys ‘French Digital Savoir-Faire’ in Versailles Concert

In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)
In this file photo taken on April 24, 2018 French composer Jean-Michel Jarre poses during the opening night of the 2018 COLCOA (City of Lights, City of Angels) French Film Festival, at the Directors Guild of America Theater in Los Angeles, California. (AFP/Valerie Macon)

French electronic music pioneer Jean-Michel Jarre plans a mixed reality show “surrounded by all the elements of French digital savoir-faire”, at the famous Château de Versailles’ Hall of Mirrors, on December 25.

The event celebrates the 400th birthday of the Château de Versailles, which was the favorite hunting staycation of Louis XIII, and then became a symbol of absolute monarchy and an embodiment of classic art during the rule of Louis XIV, in 1623.

“The idea of the concert, which hosts spectators live and virtually on social media, is to surround oneself with the French digital savoir-faire as a tribute to the continuation of creativity,” Jarre told Agence France Press (AFP).

The electronic musician recalled that Versailles was a destination for “the dreamers who created automatons, the ancestors of robots, for example.”

According to Jarre, the concert is planned “in three modes at the same time.” First, the live concert at the Hall of Mirrors for the attending audience. Second, in virtual reality at a gallery reconstructed in collaboration with Vrroom, a French platform and studio specializing in designing immersive shows.

The virtual audience can access the concert on VR headsets, tablets and smartphones. The third mode is the live broadcast on the French TV channels, including (Groupe M6-W9), international TV channels, on radio (RTL) and other platforms.

During the concert, Jarre will be wearing a VR headset fashioned by Lynx, a French startup specializing in mixed reality. “It’s an exceptional headset that allows me to connect with the audience in the hall and on social media,” the musician explained.

The program includes some of his greatest hits, some of which were specially redistributed for this event.

The renowned musician, also known as JMJ, said that what he loves the most about VR is “the ability to invite the audience to live in their dreams.” He also promised to introduce a world that blends Tron, a famous sci-fi movie from the 1980s, with the works of Tim Burton inspired by magic and darkness. The show also recalls the “passing through mirrors” idea, inspired by Jean Cocteau’s Beauty and The Beast.

For his event, JMJ plans on using artificial intelligence for his virtual content. “In this case, when it comes to graphics, AI is the extension of my imagination. It’s a super-collaborator which I keep under control,” he explained.

Jarre, who was the president of the International Confederation of Societies of Authors and Composers (CISAC), acknowledged the AI-related concerns about property rights. A recent fake duo that used the voices of Drake and The Weeknd without their consent, stirred remarkable controversy.

“Every tech innovation has a tech response. When an algorithm is capable of doing something like this, we should develop another algorithm that determines the source of what we are using, like the share of The Weeknd, Gainsbourg or Jarre (laughing), to make sure rights are distributed fairly,” he says.

“We shouldn’t be afraid of regulations. Behind regulations, there is freedom. We invented the driving license that allows us to drive on roads,” he adds.

Jean-Michel Jarre, the immersive performance savvy, performed a VR concert on December 31, 2020. Sponsored by UNESCO and virtually held at the Notre Dame Cathedral, the event was free, accessible around the world and broadcasted on YouTube and Facebook.



Eminem, Alanis Morissette, Sheryl Crow, N.W.A. and Janet Jackson Get Songwriters Hall of Fame Nods

Eminem performs during "Live From Detroit: The Concert at Michigan Central," on June 6, 2024, in Detroit. (AP)
Eminem performs during "Live From Detroit: The Concert at Michigan Central," on June 6, 2024, in Detroit. (AP)
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Eminem, Alanis Morissette, Sheryl Crow, N.W.A. and Janet Jackson Get Songwriters Hall of Fame Nods

Eminem performs during "Live From Detroit: The Concert at Michigan Central," on June 6, 2024, in Detroit. (AP)
Eminem performs during "Live From Detroit: The Concert at Michigan Central," on June 6, 2024, in Detroit. (AP)

Eminem, Boy George, George Clinton, Sheryl Crow, Janet Jackson, the Doobie Brothers, N.W.A. and Alanis Morissette are among the nominees for the 2025 class at the Songwriters Hall of Fame, an eclectic group of rap, rock, hip-hop and pop pioneers.

Joining them on the ballot are Bryan Adams, with radio staples like “Summer of ’69” and “Have You Ever Really Loved a Woman?,” and Mike Love of the Beach Boys, hoping to get in 25 years after band founder Brian Wilson. David Gates, co-lead singer of the pop-music group Bread, is also looking for entry.

The Hall annually inducts performers and non-performers alike, and the latter category this year includes Walter Afanasieff, who helped Mariah Carey with her smash “All I Want for Christmas Is You;” Mike Chapman, who co-wrote Pat Benatar’s “Love Is a Battlefield;” and Narada Michael Walden, the architect of Whitney Houston's “How Will I Know″ and Aretha Franklin's "Freeway of Love.”

Eligible voting members have until Dec. 22 to turn in ballots with their choices of three nominees from the songwriter category and three from the performing-songwriter category. The Associated Press got an early copy of the list.

Several performers are getting another shot at entry, including Clinton, whose Parliament-Funkadelic collective was hugely influential with hits like “Atomic Dog” and “Give Up the Funk,” and The Doobie Brothers — Tom Johnston, Patrick Simmons and Michael McDonald — with such classics as “Listen to the Music” and "Long Train Runnin.’” Steve Winwood, whose hits include “Higher Love” and “Roll With It,” has also been on the ballot before.

Hip-hop this year is represented by Eminem — whose hits include “Lose Yourself" and “Stan” — and N.W.A. members Dr. Dre, Eazy E, Ice Cube, MC Ren and DJ Yella. Already in the Hall are hip-hop stars like Jay-Z, Snoop Dogg and Missy Elliot. Tommy James, with hits including ”Mony Mony,″ ”Crimson and Clover″ and ”I Think We’re Alone Now,″ has also earned a nod.

If Jackson, whose 1989 album “Rhythm Nation” was a landmark, gets into the Hall, it will be more than two decades after her late brother Michael. The Canadian songwriter Morissette, whose influential “Jagged Little Pill” has won Grammys, Tonys, Junos and MTV awards would also add to the Hall's rocking women. (Glen Ballard, who helped produce and write the album, is already in.)

As would Crow, the “All I Wanna Do” and “Everyday Is a Winding Road” singer-songwriter, is having a critical resurgence after being inducted into the Rock & Roll Hall of Fame in 2023. Boy George lifts the flag for '80s New Wave with the Culture Club hits “Karma Chameleon” and “Do You Really Want to Hurt Me.”

Other nominees for the non-performing category include Franne Golde, who co-wrote Selena’s ”Dreaming of You;″ Tom Douglas, who wrote country hits for Tim McGraw, Lady Antebellum and Miranda Lambert; Ashley Gorley, fresh off his co-writing smash “I Had Some Help” by Post Malone and Morgan Wallen; and Roger Nichols, who co-wrote The Carpenters’ ″We’ve Only Just Begun.″

They join Rodney “Darkchild” Jerkins, who contributed to the hit ″The Boy Is Mine″ by Brandy and Monica; Sonny Curtis, former member of the Crickets who wrote and performed the theme song for “The Mary Tyler Moore Show," ”Love is All Around,” and British composer Tony Macaulay, who wrote “Build Me Up Buttercup.”

The Hall also put forward three songwriting teams: Steve Barri and P.F. Sloan, who wrote “Secret Agent Man;” and Dennis Lambert and Brian Potter, who penned the Four Tops hit “Ain’t No Woman (Like the One I’ve Got);” and Dan Penn and Spooner Oldham, who wrote the Percy Sledge tune “Out of Left Field.”

The Songwriters Hall of Fame was established in 1969 to honor those creating popular music. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

Some already in the hall include Carole King, Paul Simon, Billy Joel, Jon Bon Jovi and Richie Sambora, Elton John and Bernie Taupin, Brian Wilson, James Taylor, Bruce Springsteen, Tom Petty, Lionel Richie, Bill Withers, Neil Diamond and Phil Collins. Last year saw R.E.M., Steely Dan, Dean Pitchford, Hillary Lindsey and Timbaland inducted.