Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
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Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File

Singer Rod Stewart, who helped British rock conquer the world with a string of megahits, turns 80 on Friday -- with no plans to slow down.
Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s with hits like "Da Ya Think I'm Sexy?" and "Young Turks", notching up more than 250 million record sales worldwide.
He also made headlines for a prolific love life that included relationships with a string of models and actresses including Britt Ekland.
Despite his landmark birthday, Stewart says he has no plans to retire.
"I love what I do, and I do what I love. I'm fit, have a full head of hair and can run 100 meters (330 feet) in 18 seconds at the jolly old age of 79," he wrote last year.
The star will play the legends slot at the famed Glastonbury music festival this summer.
Although his forthcoming European and North American tour dates will be his last large-scale project, he has said he plans to concentrate on more intimate venues in the future.
He will headline a new residency in Las Vegas from March to June.
A tour is also slated for 2026 for Swing Fever, the album he released last year with pianist and ex-Squeeze band member Jools Holland.
As he has approached his ninth decade, Stewart has also made headlines for quirkier reasons such as his passion for model railways and his battle with potholes that have prevented him from driving his Ferrari near his home in eastern England.
The singer, who was knighted by Queen Elizabeth in 2016, has been married three times and has fathered eight children. His third wife is model and television personality Penny Lancaster.
From London to global star
Stewart's story began in north London on 10 January 1945, when Roderick Stewart was born into a middle-class family.
After a "fantastically happy childhood", he developed a love of music when his father bought him a guitar in 1959, and he formed a skiffle band with school friends a year later.
He joined the band Dimensions in 1963 as a harmonica player, exploring his love of folk, blues and soul music while learning from other artists such as Rolling Stones frontman Mick Jagger in London's blossoming rhythm and blues scene.
Stewart's career took off in 1967 when he joined the renowned guitarist Jeff Beck's eponymous new band, which also included future Rolling Stone Ronnie Wood, allowing him to develop his raw and soulful vocal style and stagecraft while exposing him to a US audience.
He and Wood took up the offer to join mod pioneers Small Faces following the departure of their singer Steve Marriott in 1969 -- the band soon changing its name to The Faces -- shortly before Stewart released his debut solo album.
It was his 1971 third solo release, "Every Picture Tells a Story", that confirmed him as one of the world's most successful artists, reaching number one in Britain, Australia and the United States, where it went platinum.
The album helped define Stewart's rock/folk sound, featuring heartfelt lyrics and heavy use of unusual instruments such as the mandolin, particularly prominent on the album's standout hit "Maggie May".
"I just love stories with a beginning, middle and end," he once said.
'I had the last laugh'
Focusing on his solo career after 1975, Stewart's "Da Ya Think I'm Sexy?" released in 1978 was not to everyone's taste.
"Once the most compassionate presence in music, he has become a bilious self-parody -– and sells more records than ever," Rolling Stone magazine said in 1980.
Never one to be cowed by the critics, Stewart defended this phase, telling an interviewer that audiences "absolutely love it, so I had the last laugh".
Richard Houghton, author of the book "Tell Everyone -- A People's History of the Faces" said that Stewart had "possibly the most distinctive voice in rock music".
The singer had successfully combined writing classic songs of his own such as "Maggie May" or "You Wear It Well" with taking other people's songs -- from Bob Dylan to Tom Waits -- and making them his own .
More recently, there had been four albums of the "classic songs of the 1930s from his Great American Songbook catalogue".
Houghton said audiences could expect to see plenty more of Stewart.
"He's like any entertainer. He loves the spotlight. He's not going to sit at home watching the television when somewhere around the world there's a crowd wanting to hear him sing 'Mandolin Wind' or 'First Cut Is The Deepest' one more time.
"Rod will keep singing until the day he drops," he added.



Ariana Grande to White House: Don't Use My Music for 'Heinous Nonsense'

US singer-songwriter Ariana Grande (R) and US music video director Christian Breslauer accept the award for Video of the Year for "Brighter Days Ahead" on stage during the MTV Video Music Awards at UBS Arena in Elmont, New York, on September 7, 2025. (Photo by ANGELA WEISS / AFP)
US singer-songwriter Ariana Grande (R) and US music video director Christian Breslauer accept the award for Video of the Year for "Brighter Days Ahead" on stage during the MTV Video Music Awards at UBS Arena in Elmont, New York, on September 7, 2025. (Photo by ANGELA WEISS / AFP)
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Ariana Grande to White House: Don't Use My Music for 'Heinous Nonsense'

US singer-songwriter Ariana Grande (R) and US music video director Christian Breslauer accept the award for Video of the Year for "Brighter Days Ahead" on stage during the MTV Video Music Awards at UBS Arena in Elmont, New York, on September 7, 2025. (Photo by ANGELA WEISS / AFP)
US singer-songwriter Ariana Grande (R) and US music video director Christian Breslauer accept the award for Video of the Year for "Brighter Days Ahead" on stage during the MTV Video Music Awards at UBS Arena in Elmont, New York, on September 7, 2025. (Photo by ANGELA WEISS / AFP)

American pop star Ariana Grande told President Donald Trump's administration on Thursday to stop using her music to promote its policies.

The comment came after the White House shared a video on TikTok earlier this week highlighting its immigration policy. The video, which depicts federal agents arresting and handcuffing people, features the Grammy Award-winning singer's 2024 song "Bye."

"Please ‌do not ‌ever use my music in ‌relation ⁠to this barbaric, inhumane, ⁠heinous nonsense," Grande wrote in a comment posted on the White House video on TikTok on Thursday.

A source close to the singer said her team is looking into how to remove the music from the video ⁠as soon as possible. Responding to Grande, ‌White House spokesperson ‌Abigail Jackson said: "We’ll say this one last time: what’s ‌actually barbaric, inhumane, and heinous are the criminal ‌illegal aliens who have injured and murdered innocent American citizens."

Grande, a singer and Academy Award-nominated actress, was critical of the Trump administration last year after ‌sharing a post on Instagram asking people who voted for Trump if ⁠their lives ⁠had gotten better since he returned to office.

Trump, now in his second non-consecutive term, has an active social media presence. Members of his communications team often post short videos that feature popular songs to illustrate the president's efforts to deliver on his campaign promises. Some of the videos have featured hit songs while depicting images showing Trump's immigration crackdown, US military operations against Iran and the arrest of former Venezuelan President Nicolas Maduro.


Taylor Swift Becomes Youngest Woman Inducted into the Songwriters Hall of Fame

 Honoree US singer-songwriter Taylor Swift attends the 55th Annual Songwriters Hall of Fame Induction and Awards Gala in New York on June 11, 2026. (AFP)
Honoree US singer-songwriter Taylor Swift attends the 55th Annual Songwriters Hall of Fame Induction and Awards Gala in New York on June 11, 2026. (AFP)
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Taylor Swift Becomes Youngest Woman Inducted into the Songwriters Hall of Fame

 Honoree US singer-songwriter Taylor Swift attends the 55th Annual Songwriters Hall of Fame Induction and Awards Gala in New York on June 11, 2026. (AFP)
Honoree US singer-songwriter Taylor Swift attends the 55th Annual Songwriters Hall of Fame Induction and Awards Gala in New York on June 11, 2026. (AFP)

Taylor Swift became the youngest woman ever inducted into the Songwriters Hall of Fame Thursday night.

"It was instinctual. No one taught me how to do it," she said of songwriting through a raspy voice she attributed to screaming along to the night's performances and Wednesday night's historic NBA game between the New York Knicks and the San Antonio Spurs.

She told the room about her family uprooting their lives to move her to Nashville as a tween. “I will never be able to express my gratitude,” she said while holding back tears — crediting their sacrifice for her career.

She offered young songwriters advice: “You really have to prioritize what you love, down to your very core. Because you'll need that."

Steven Spielberg introduced Swift with a surprise speech about the power of songwriting. “There is something undeniable about how songs imprint on our souls,” he said, before changing his focus to Swift. “Somehow Taylor knows us all too well.”

Swift started her speech by acknowledging Spielberg. “Because of examples like Steven's, I trusted my imagination," she said.

The Gen Z singer Sombr launched Swift's segment by performing “Cardigan” and “Dear John" in front of her.

Swift has brought new eyes to this year’s ceremony and undeniably shaped contemporary pop music trends with her songwriting. Swift is the youngest woman inducted, but Stevie Wonder, who started his recording career at 13, was the youngest ever inducted, it was announced on stage.

It was a notable moment in an evening full of them, where Swift, Kiss’ Gene Simmons and Paul Stanley, Christopher “Tricky” Stewart, Alanis Morissette, Kenny Loggins and more were honored.

Tamar Braxton opened the gala at the Marriott Marquis Hotel in New York City with a spirted tribute to a new inductee — the game-changing R&B songwriter, producer and rapper Christopher “Tricky” Stewart — with one of the biggest songs he's known for: Beyoncé's “Single Ladies.”

He's also responsible for Rihanna’s “Umbrella,” Mariah Carey's “Touch My Body” and Justin Bieber's “Baby.”

Dallas Austin, a songwriter and producer known for work with Boyz ll Men and Madonna, introduced Stewart. “Think about that catalog,” he said, listing off those zeitgeist-shifting records. “Those are cultural moments."

Stewart thanked God, his family, artists he's worked with and mentors — giving a special shout out to Grammy award-winning music producer Antonio “L.A.” Reid and the iconic singer-songwriter Babyface. “I wanted to be like L.A. and Baby,” he reflected.

Kiss founders Simmons and Stanley — two and a half years after the band’s farewell — were also recognized for their glam rock classics “Rock and Roll All Nite” and “I Love It Loud.” The Smashing Pumpkins’ Billy Corgan covered the former, a fittingly fiery introduction for the band. He was joined by Goo Goo Dolls’ frontman John Rzeznik for the latter.

Simmons was not present; Stanley said he had a family emergency.

“Songs are the messenger,” he said — the foundation of “every show.”

Soft rock legend Kenny Loggins (“Footloose,” “Danny’s Song”) and the alt-rock icon Morissette were also inducted.

For the latter, Brandi Carlile performed “Uninvited” alongside SistaStrings, before introducing Morissette.

“Writing to me is not a hobby,” Morissette said, it’s critical. “It’s write or die.” Then she performed “Mary Jane” and "You Oughta Know" from her 1995 album “Jagged Little Pill.”

For Loggins, Gavin DeGraw performed “Danny’s Song,” before Loggins told the story behind the tune in his acceptance speech.

Acknowledging writers and their hits Taylor Dayne and Madison Cunningham performed Tina Turner classics written by Terry Britten and Graham Lyle in honor of their induction; John Fogerty was honored with the Johnny Mercer Award.

“I got my songs back!” Fogerty said, ending a nearly 30-minute speech, referencing the fact that he won the rights back to his catalog at age 80. Then he ran through a medley of his hits: “Proud Mary,” “Fortunate Son,” and “Have You Ever Seen the Rain” among them.


Deezer Launches Free AI Music Detector for Users of Major Streaming Platforms

FILE PHOTO: The logo of French music streaming platform Deezer is seen at La Defense business and financial district in Courbevoie near Paris, France, July 5, 2022. REUTERS/Benoit Tessier/File Photo
FILE PHOTO: The logo of French music streaming platform Deezer is seen at La Defense business and financial district in Courbevoie near Paris, France, July 5, 2022. REUTERS/Benoit Tessier/File Photo
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Deezer Launches Free AI Music Detector for Users of Major Streaming Platforms

FILE PHOTO: The logo of French music streaming platform Deezer is seen at La Defense business and financial district in Courbevoie near Paris, France, July 5, 2022. REUTERS/Benoit Tessier/File Photo
FILE PHOTO: The logo of French music streaming platform Deezer is seen at La Defense business and financial district in Courbevoie near Paris, France, July 5, 2022. REUTERS/Benoit Tessier/File Photo

French music platform Deezer has launched a free online tool to detect AI-generated tracks in playlists, available to users of all major streaming platforms, it said on Thursday.

The company is also licensing its AI-detection technology to the wider music industry, building on earlier deals like the one it signed with France’s royalty agency Sacem in January, Reuters reported.

The free detector allows users of ⁠around 20 of the ⁠most common streaming platforms to scan their playlists for synthetic music.

Company data shows that 43% of users joining Deezer from rival services already have AI-generated music in their playlists.

On its own platform, ⁠Deezer tags AI-generated songs and automatically removes them from algorithmic recommendations and editorial playlists.

"This is a first step in making sure that these tracks don't dilute the royalty pool in any significant way," Deezer said.

It cited a 2024 Cisac study that showed 25% of artists’ revenue, or €4 billion ($4.6 billion) per year, could be at risk of ⁠being siphoned ⁠off by AI-generated songs by 2028.

Deezer receives nearly 75,000 AI-generated tracks daily, making up more than 44% of its new music delivery, up from 60,000 tracks reported in early 2025.

A recent Deezer and Ipsos survey found that 80% of respondents wanted AI-generated music to be clearly labelled on streaming platforms.