Shirley Bassey, Ridley Scott among Hundreds Awarded in UK’s New Year Honors List

Ridley Scott poses for photographers upon arrival at the UK premiere of the film "Napoleon" in London, Thursday, Nov. 15, 2023. (AP)
Ridley Scott poses for photographers upon arrival at the UK premiere of the film "Napoleon" in London, Thursday, Nov. 15, 2023. (AP)
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Shirley Bassey, Ridley Scott among Hundreds Awarded in UK’s New Year Honors List

Ridley Scott poses for photographers upon arrival at the UK premiere of the film "Napoleon" in London, Thursday, Nov. 15, 2023. (AP)
Ridley Scott poses for photographers upon arrival at the UK premiere of the film "Napoleon" in London, Thursday, Nov. 15, 2023. (AP)

Singer Shirley Bassey, director Ridley Scott and Mary Earps, the goalkeeper for England's women's soccer team, were recognized Friday in the UK's New Year Honors list, which celebrates the achievements and services of more than 1,000 people across the country.

Bassey, 86, who is already a dame — the female equivalent of a knight — was appointed to the Order of the Companions of Honor for her services to music. The Welsh singer, best known for her “James Bond" theme songs “Goldfinger” and “Diamonds Are Forever,” became the 64th living member of the order, a special status held by no more than 65 people at any one time.

“Entertaining audiences for over 70 years has been a privilege," she said. “My heart is full of emotion and I am truly humbled.”

Scott, whose films include “Gladiator,” “Alien” and more recently “Napoleon,” was awarded for his services to the UK film industry. He was made a Knight Grand Cross, upgrading his previous knighthood.

Other well-known names in entertainment on the list included “The Great British Bake Off” judge Paul Hollywood, who was honored for services to baking and broadcasting; and “Game of Thrones” actor Emilia Clarke, who along with her mother were made Members of the Order of the British Empire, or MBE, for their work founding a brain injury recovery charity.

Clarke survived two brain hemorrhages and started the SameYou charity to raise awareness about brain injuries and help advocate for better treatments and rehabilitation for survivors.

In sport, Earps was honored along with Lioness players Millie Bright and Lauren Hemp for their part in helping the Lionesses reach the women's World Cup final in the summer. England lost 1-0 to Spain in the final in Sydney.

In all, this year’s list includes a total of 1,227 recipients, with 48% of them women. About 14% came from an ethnic minority background.

Many on the list are ordinary people who have served their communities. They include 9-year-old Tony Hudgell, the youngest recipient, who was awarded a British Empire Medal for services to the prevention of child abuse.

Rizwan Javed, a 33-year-old train station assistant, was awarded for helping save 29 vulnerable people at risk of ending their lives at the railway.

UK monarchs have awarded honors as part of orders of chivalry since the Middle Ages. In modern times, nominations are submitted to the government’s Cabinet Office and vetted by a committee before being passed on to the prime minister and King Charles III.

An exception was Justin Welby, the Archbishop of Canterbury and spiritual head of the Anglican Church, who was awarded a Knight Grand Cross of the Royal Victorian Order by Charles independently of the government.

Welby conducted the service for the king's coronation, and had the key task of anointing and crowning Charles and Queen Camilla at the ceremony.



South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
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South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)

Twelve South Korean industry groups warned on Wednesday that the country's television drama production base was at risk and called on the government to set up a 1 trillion won ($746 million) investment fund to support production of Korean dramas, known as K-dramas.

K-dramas have been hugely popular globally, ‌but the number produced ‌has fallen from 141 titles in 2022 ‌to ⁠about 115 in 2025, ⁠according to research by Korea IR Service.

Three domestic broadcast networks cut drama output from 91 titles in 2012 to 32 in 2023, and some channels have stopped airing weekday dramas altogether, the groups said.

Such an environment makes it difficult for "a new writer's second work, a supporting actor's first lead role and an assistant ⁠crew member's directing debut", said Song Byeong-joon, chairman ‌of the Korea Drama Production Association.

The ‌groups, which represent industry workers including TV drama producers, directors, writers, ‌actors, cinematographers and crew, attributed the decline in long-form drama production to ‌rising production costs, which they linked to competition with global streaming platforms such as Netflix, and broadcasters' reduced capacity to invest.

They also cited competition from short-form content and AI for audiences and production.

Pay for top-billed ‌stars was the main driver of production costs, Korea IR Service said in a 2025 report, ⁠with pay ⁠climbing as streaming services competed for audience-drawing talent.

Kim Yong-hee, a professor of business administration at Sun Moon University, said the difficulties the groups cited largely reflected the decline of terrestrial broadcasting rather than the sector as a whole.

Official data showed employment across the content industry edged up to 693,090 in 2025 from 688,122 a year earlier, according to the Korea Creative Content Agency.

Broadcasting employment, however, fell 2.3% in 2024, according to a government survey.

A Netflix Korea spokesperson was reached but did not have an immediate comment.

Netflix launched in South Korea in 2016 and in 2023 pledged to invest $2.5 billion in the market over four years.


Movie Review: ‘The Cat in the Hat’ Ridiculously Builds the Stakes So High, the Universe Could Die

This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)
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Movie Review: ‘The Cat in the Hat’ Ridiculously Builds the Stakes So High, the Universe Could Die

This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows, from left, Sebastian, voiced by Tiago Martinez, Waffles, voiced by Matt Berry, and The Cat in the Hat, voiced by Bill Hader, in a scene from "The Cat in the Hat." (Warner Bros. Pictures via AP)

The folks behind the new animated “The Cat in the Hat” are pretty confident they've got the cat in the bag. It hasn't even opened yet and there are onscreen references to possible movie spinoffs for the jet-powered magical couch and The Things. As the credits roll, the titular feline even gets into the act: “Let's go sequel!”

He's probably right about that, though — an inevitable franchise born on the back of whimsical, beloved IP that now gets the Marvel Cinematic Universe treatment: Put the fate of the world in the balance, insert a horrific enemy and add lots of things — in this case dozens of Things — until we just want it to end. To quote the book's glum goldfish: “No, I do not like it/Not one little bit.”

Directed by Erica Rivinoja and Alessandro Carloni, who also wrote the screenplay, “The Cat in the Hat” is what happens when lots and lots of money gets thrown at a movie with middling returns. (We're talking Taylor Swift cash, courtesy of using her “Shake It Off.”)

At least it distances itself from the live-action approach of the underperforming and creepy 2003 film starring Mike Myers, instead using stylized and varied computer animation. Bill Hader now voices the Cat, with his trademark sarcastic, demented and oily approach. The Cat is portrayed with teeth, though, and that's unsettling.

We meet the Cat after he's bombed his latest assignment. It turns out he works for a gleaming corporate conglomerate that sends out envoys to cheer up kids at their homes. There's even a human resources department and white-collar cubicles — our anarchic Cat as office drone.

Missions here are evaluated on two measures: A hopeful uptick in clients' happiness and the level of destruction left behind. The Cat is good at thing one, but bad at thing two. He faces being fired unless he succeeds at his next task — cheering up two depressed kids whose single mom recently moved them to the city.

When he appears, he's quickly pepper-sprayed by the oldest, Gabby, a marching band nerd with huge glasses and a “creative, artistic soul.” She thinks it's a home invasion and wants to call the cops. This reaction is not canon.

The Cat has to convince Gabby and her younger brother, Sebastian, to have fun, and if there's any damage, he's stolen a device from office supplies — a clocklike “gobacker” — that can undo the past. They soon lose it. “I can't believe this and I'm a talking cat,” says our hero.

Now things click into operatic levels, with a mysterious nefarious creature with gleaming eyes — a cross between a massive bat and a toothy pterodactyl — that is also hunting the device. If it finds it, the “fabric of the universe will be distorted forever.” Yeesh. What happened to: “I know it is wet and the sun is not sunny, but we can have lots of good fun that is funny?”

The goldfish is here — Matt Berry, hijacking the movie — as an English-accented, pseudo-Shakespearean actor-y type fish named Waffles. Waffles? And there are Things galore — during the climactic battle scene — yes, there's a battle scene — there must be thousands of Things. But not one rhyme, a shame.

The animation is handled wonderfully, with three distinct styles for different worlds. (As the book would say: “My tricks are not bad.”) And the voices are perfectly cast: Giancarlo Esposito as Cat's evil boss, Bowen Yang as an intern and Paula Pell as a landlady all stand out.

The messaging is muddled. One is that you should always stand up for a friend. Another is that your parents were, shockingly, once cool. A third is that home is wherever you want it to be. And fourth is making a mess is the best part of childhood.

Making a mess of “The Cat in the Hat” didn't have to happen. It didn't have to have a possible rip in the time-space continuum. It didn't have to flood the zone with Things. And it doesn't need a sequel, please.


Martha Stewart Sorry for ‘Insensitive’ Homeless Halloween Costume

Martha Stewart. (AFP/Getty Images)
Martha Stewart. (AFP/Getty Images)
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Martha Stewart Sorry for ‘Insensitive’ Homeless Halloween Costume

Martha Stewart. (AFP/Getty Images)
Martha Stewart. (AFP/Getty Images)

American lifestyle guru Martha Stewart apologized late Sunday for an "insensitive and not funny" Halloween costume after she appeared to dress up as a homeless person.

"It's hard to admit when you've really screwed up," the billionaire, 85, wrote on Instagram after she deleted a photo of herself in ripped jeans, a torn sweater and a dirtied face.

Stewart also held a clipboard that read "I Am Hungry Help Me!!" Social media users quickly slammed her as out of touch.

"I know many people are suffering economically. Wearing a costume like I did was insensitive and not funny. I am very sorry," Stewart said in a statement.

She also acknowledged that an earlier explanation to US media, claiming she had intended to raise awareness of homelessness through her costume, "didn't go far enough."

Stewart built her success in the homemaking and lifestyle industries.

Through her cookbooks, magazines, television shows and retail housewares, Stewart became the personification of gracious living and America's most high-profile lifestyle expert.