Glynis Johns, ‘Mary Poppins’ Star Who First Sang Sondheim’s ‘Send in the Clowns,’ Dies at 100 

Actress Glynis Johns is shown, Sept. 11, 1982. (AP)
Actress Glynis Johns is shown, Sept. 11, 1982. (AP)
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Glynis Johns, ‘Mary Poppins’ Star Who First Sang Sondheim’s ‘Send in the Clowns,’ Dies at 100 

Actress Glynis Johns is shown, Sept. 11, 1982. (AP)
Actress Glynis Johns is shown, Sept. 11, 1982. (AP)

Glynis Johns, a Tony Award-winning stage and screen star who played the mother opposite Julie Andrews in the classic movie “Mary Poppins” and introduced the world to the bittersweet standard-to-be “Send in the Clowns” by Stephen Sondheim, has died. She was 100.

Mitch Clem, her manager, said she died Thursday at an assisted living home in Los Angeles of natural causes. “Today’s a sad day for Hollywood,” Clem said. “She is the last of the last of old Hollywood.”

Johns was known to be a perfectionist about her profession — precise, analytical and opinionated. The roles she took had to be multi-faceted. Anything less was giving less than her all.

“As far as I’m concerned, I’m not interested in playing the role on only one level,” she told The Associated Press in 1990. “The whole point of first-class acting is to make a reality of it. To be real. And I have to make sense of it in my own mind in order to be real.”

Johns’ greatest triumph was playing Desiree Armfeldt in “A Little Night Music,” for which she won a Tony in 1973. Sondheim wrote the show’s hit song “Send in the Clowns” to suit her distinctive husky voice, but she lost the part in the 1977 film version to Elizabeth Taylor.

“I’ve had other songs written for me, but nothing like that,” Johns told the AP in 1990. “It’s the greatest gift I’ve ever been given in the theater.”

Others who followed Johns in singing Sondheim’s most popular song include Frank Sinatra, Judy Collins, Barbra Streisand, Sarah Vaughan and Olivia Newton-John. It also appeared in season two of “Yellowjackets” in 2023, sung by Elijah Wood.

Back when it was being conceived, “A Little Night Music” had gone into rehearsal with some of the book and score unfinished, including a solo song for Johns. Director Hal Prince suggested she and co-star Len Cariou improvise a scene or two to give book writer Hugh Wheeler some ideas.

“Hal said ‘Why don’t you just say what you feel,”’ she recalled to the AP. “When Len and I did that, Hal got on the phone to Steve Sondheim and said, ‘I think you’d better get in a cab and get round here and watch what they’re doing because you are going to get the idea for Glynis’ solo.”’

Johns was the fourth generation of an English theatrical family. Her father, Mervyn Johns, had a long career as a character actor and her mother was a pianist. She was born in Pretoria, South Africa, because her parents were visiting the area on tour at the time of her birth.

Johns was a dancer at 12 and an actor at 14 in London’s West End. Her breakthrough role was as the amorous mermaid in the title of the 1948 hit comedy “Miranda.”

“I was quite an athlete, my muscles were strong from dancing, so the tail was just fine; I swam like a porpoise,” she told Newsday in 1998. In 1960’s “The Sundowners,” with Deborah Kerr and Robert Mitchum, she was nominated for a best supporting actress Oscar. (She lost out to Shirley Jones in “Elmer Gantry.”)

Other highlights include playing the mother in “Mary Poppins,” the movie that introduced Julie Andrews and where she sang the rousing tune “Sister Suffragette.” She also starred in the 1989 Broadway revival of “The Circle,” W. Somerset Maugham’s romantic comedy about love, marriage and fidelity, opposite Rex Harrison and Stewart Granger.

“I’ve retired many times. My personal life has come before my work. The theater is just part of my life. It probably uses my highest sense of intelligence, so therefore I have to come back to it, to realize that I’ve got the talent. I’m not as good doing anything else,” she told the AP.

To prepare for “A Coffin in Egypt,” Horton Foote’s 1998 play about a grand dame reminiscing about her life on and off a ranch on the Texas prairie, she asked the Texas-born Foote to record a short tape of himself reading some lines and used it as her coach.

In a 1991 revival of “A Little Night Music” in Los Angeles, she played Madame Armfeldt, the mother of Desiree, the part she had created. In 1963, she starred in her own TV sitcom “Glynis.”

Johns lived all around the world and had four husbands. The first was the father of her only child, the late Gareth Forwood, an actor who died in 2007.



Warner Bros Rejects Revised Paramount Bid as Risky Leveraged Buyout

A drone view shows the Warner Bros. studio lot in Burbank, California, US, December 8, 2025. (Reuters)
A drone view shows the Warner Bros. studio lot in Burbank, California, US, December 8, 2025. (Reuters)
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Warner Bros Rejects Revised Paramount Bid as Risky Leveraged Buyout

A drone view shows the Warner Bros. studio lot in Burbank, California, US, December 8, 2025. (Reuters)
A drone view shows the Warner Bros. studio lot in Burbank, California, US, December 8, 2025. (Reuters)

Warner Bros Discovery's board has unanimously turned down Paramount Skydance's latest attempt to acquire the studio, saying its revised $108.4 billion hostile bid amounted to a risky leveraged buyout that investors should reject.

In a letter to shareholders on Wednesday, Warner ​Bros' board said Paramount's offer hinges on "an extraordinary amount of debt financing" that heightens the risk of closing. It reaffirmed its commitment to streaming giant Netflix's $82.7 billion deal for the film and television studio and other assets.

Paramount and Netflix have been vying to win control of Warner Bros, and with it, its prized film and television studios and its extensive content library. Its lucrative entertainment franchises include "Harry Potter", "Game of Thrones", "Friends" and the DC Comics universe, as well as coveted classic films such as "Casablanca" and "Citizen Kane."

Paramount's financing plan would saddle the smaller Hollywood studio with $87 billion in debt once the acquisition closed, making it the largest leveraged buyout in history, the Warner Bros board told shareholders after voting against the $30-per-share cash offer on Tuesday.

The letter accompanied a 67-page amended merger filing where it laid out its case for rejecting Paramount's offer.

The ‌revised Paramount offer "remains inadequate particularly ‌given the insufficient value it would provide, the lack of certainty in PSKY’s ability ‌to ⁠complete ​the offer, ‌and the risks and costs borne by WBD shareholders should PSKY fail to complete the offer," the Warner Bros board wrote.

Paramount, which has a market value of about around $14 billion, proposed to use $40 billion in equity personally guaranteed by Oracle's billionaire co-founder Larry Ellison and $54 billion in debt to finance the deal.

Its financing plan would further weaken its credit rating, which S&P Global already rates at junk levels, and strain its cash flow – heightening the risk that the deal will not close, the Warner Bros board said.

Netflix, which has offered $27.75 a share in cash and stock, has a $400 billion market value and investment-grade credit rating.

The decision keeps Warner Bros on track to pursue the deal with Netflix, even after Paramount amended its bid on ⁠December 22 to address the earlier concerns about the lack of a personal guarantee from Ellison, who is Paramount's controlling shareholder and the father of its CEO David Ellison.

Warner Bros shares ‌closed at $28.47 on Tuesday.

HIGH BREAK-UP FEES

Wednesday's filing said Warner Bros' board met on ‍December 23 to review Paramount's amended offer and noted some improvements, including ‍Ellison's personal guarantee and a higher reverse termination fee of $5.8 billion, but found "significant costs" associated with Paramount's bid compared with a Netflix ‍deal.

Warner Bros would be obligated to pay the streaming service a $2.8 billion termination fee for abandoning its merger agreement with Netflix, $1.5 billion in fees to its lenders and about $350 million in additional financing costs.

Altogether, Warner Bros said it would incur about $4.7 billion in additional costs to terminate its deal with Netflix, or $1.79 per share.

The board repeated some concerns it had laid out on December 17, such as that Paramount would impose operating restrictions on the studio ​that would harm its business and competitive position, including barring the planned spin-out of the company's cable television networks into a separate public company, Discovery Global.

Paramount offered "insufficient compensation" for the damage done to the studio's business, if the Paramount ⁠deal failed to close, Warner Bros said.

Paramount "repeatedly failed to submit the best proposal" to Warner Bros shareholders, the board wrote, "despite clear direction" on the deficiencies in its bid and potential solutions.

TILTING THE POWER BALANCE IN HOLLYWOOD

The jockeying for Warner Bros has become Hollywood's most closely watched takeover battle, as studios race to scale up amid intensifying competition from streaming platforms and volatile theatrical revenues.

While Netflix's offer has a lower headline value, analysts have said it presents a clearer financing structure and fewer execution risks than Paramount's bid for the entire company, including its cable TV business.

Harris Oakmark, Warner Bros' fifth-largest investor, previously told Reuters that Paramount's revised offer was not "sufficient," noting it was not enough to cover the breakup fee.

Paramount has argued its bid would face fewer regulatory obstacles, but a combined Paramount-Warner Bros entity would create a formidable competitor to industry leader Disney and merge two major television operators and two streaming services.

The valuation of Warner Bros' planned Discovery Global spin-off, which includes cable television networks CNN, TNT Sports and the Discovery+ streaming service, is seen as a major sticking point.

Analysts peg the cable channels' value at up to $4 per share, while Paramount has suggested just $1.

Lawmakers ‌from both parties have raised concerns about further consolidation in the media industry, and US President Donald Trump has said he plans to weigh in on the landmark acquisition.


Sydney Sweeney Box-Office Hit ‘The Housemaid’ to Get a Sequel

Sydney Sweeney. (AFP/Getty Images)
Sydney Sweeney. (AFP/Getty Images)
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Sydney Sweeney Box-Office Hit ‘The Housemaid’ to Get a Sequel

Sydney Sweeney. (AFP/Getty Images)
Sydney Sweeney. (AFP/Getty Images)

After just two and half weeks of release, the Sydney Sweeney box-office hit “The Housemaid” is getting a sequel.

Lionsgate announced Tuesday that it will start production on “The Housemaid's Secret” later this year. The film will be based on the second of Freida McFadden's bestselling trilogy of books.

“The Housemaid” has been a hit at the holiday box office, grossing more than $75 million and $133 million worldwide in 17 days of release. The psychological thriller directed by Paul Feig cost a modest $35 million to make.

Lionsgate said “The Housemaid's Secret” is being developed with the aim of Feig and Sweeney returning, including Sweeney as an executive producer. “The Housemaid” screenwriter Rebecca Sonnenshine is writing the sequel.

“It’s clear from both the global box office and from the outpouring on social media that audiences have responded strongly — and audibly — to the totally unique and truly theatrical experience of The Housemaid and want to know what happens next,” said Adam Fogelson, Lionsgate Motion Picture Group chairman, in a statement.

“The Housemaid” has handed Sweeney a major box-office victory after a disappointing result for her awards-hopeful boxing drama “Christy” in November. That film grossed only $2 million worldwide. In “The Housemaid,” Sweeney stars a live-in housemaid hired by a wealthy couple played by Amanda Seyfried and Brandon Sklenar.


Chalamet Boosts Oscar Bid with Critics Choice Awards Win

Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)
Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)
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Chalamet Boosts Oscar Bid with Critics Choice Awards Win

Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)
Timothee Chalamet, with the spotlight actor of the year award for "Marty Supreme," poses in the press room during the 37th Palm Springs International Film Festival Film Awards on Saturday, Jan. 3, 2026 at Palm Springs Convention Center in Palm Springs, Calif. (Photo by Jordan Strauss/Invision/AP)

Timothee Chalamet's Oscars campaign earned a major boost Sunday as he scooped the best actor prize for "Marty Supreme" at the Critics Choice Awards, the first major gala of this year's Hollywood awards season.

He defeated rival Leonardo DiCaprio, whose raucous political thriller "One Battle After Another" took the night's top prize for best picture, as well as best director and best adapted screenplay for Paul Thomas Anderson.

In "Marty Supreme," Chalamet plays a 1950s table tennis champion consumed by grand ambitions.

Loosely based on a true story, and benefiting from the Franco-American actor's unique viral campaign, the film directed by Josh Safdie ("Uncut Gems") has become an unlikely global hit.

"Josh, you made a story about a flawed man with a relatable dream," said Chalamet. "And you didn't preach to the audience about what's right and wrong, and I think we should all be telling stories like that, so thank you for this dream."

The movie is loosely based on the life of table tennis star Marty Reisman, a man driven by the belief that he can achieve fame and fortune through a sport little known in the United States.

Chalamet -- the "Dune" superstar and two-time Oscar nominee who recently portrayed Bob Dylan in "A Complete Unknown" -- rigorously trained in table tennis for the role.

The 30-year-old has in the past made no secret of his ambitions to win multiple Academy Awards, and will now be the frontrunner for the ceremony on March 15.

- Oscars momentum -

The awards bestowed by North America's largest critics' group could give movie campaigns much-needed extra momentum as Oscars voting nears.

This year, it took the coveted first weekend of awards season usually occupied by the Golden Globes, which will take place in Beverly Hills next weekend.

Jessie Buckley won best actress for her tragic role as the wife of William Shakespeare in period drama "Hamnet."

Jacob Elordi won best supporting actor for his portrayal of the Monster in "Frankenstein," which also won three technical awards, while Amy Madigan won supporting actress for a villainous turn in horror flick "Weapons."

Netflix's global mega-hit musical "KPop Demon Hunters" won best animated feature and best song.

"Sinners," a period horror film also seen as a major contender for many of this season's top prizes, had to settle for best original screenplay, young actor, score, and casting and ensemble.

Among the television prizes, hospital saga "The Pitt" won best drama, Hollywood satire "The Studio" won best comedy, and teen murder drama "Adolescence" won best limited series.

Best talk show winner Jimmy Kimmel joked about his spat with US President Donald Trump last year, which saw the late-night host briefly taken off the air.

In the show's opening monologue, host Chelsea Handler paid tribute to the late Rob Reiner, "the nicest guy in Hollywood."

The beloved "When Harry Met Sally" director and his wife Michele were found stabbed to death in their Los Angeles home last month.

"Anyone who ever spent time with Rob Reiner knows that the minute that you met him, he felt like an old friend," she said, to emotional applause from the gathered A-listers and critics.