A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
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A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)

They may not have had lukewarm chardonnay on the tables, as nominee Jennifer Lawrence had predicted. But the 81st Golden Globes had a bit of everything else: Some silliness, some seriousness, a bit of history, a few good jokes and many bad ones, loads of stars — and one Taylor Swift, who didn’t ascend the podium but still made her presence known as perhaps only Swift can.

One decisive trend emerged: In the great "Barbenheimer" showdown of awards season 2024, round one went to the "heimer" part. Christopher Nolan’s sweeping biopic "Oppenheimer" dominated the evening, among its wins the prize for best drama, best director for Nolan, and best actor (Cillian Murphy) and supporting actor (Robert Downey Jr.). Greta Gerwig’s candy-colored "Barbie," meanwhile, lost to upset victor "Poor Things" in the comedy/musical category, but won the new cinematic and box office achievement award, as well as best song for Billie Eilish’s wistful "What Was I Made For."

It would be unwise to count "Barbie" out, but it was a disappointing night for her fans, and also for another fearsome force: Swifties. The pop superstar, who spent 2023 smashing all records in sight, lost out on her fifth Globe nomination. But she stunned on the carpet in shimmering Gucci green, and later created a meme-worthy moment when she reacted with a seemingly icy glare to a joke about her by host Jo Koy.

Swift was not alone in her displeasure; at one point the jokes were falling flat enough for Koy to stop and explain that he’d had only 10 days to prepare.

The crowd laughed harder at Will Ferrell and Kristen Wiig, who made an amusing bit of pretending — insisting — that the ceremony was "a serious night." The joke was that few actually take the ceremony seriously.

But it was indeed a serious note that served as an emotional highpoint: Lily Gladstone, of "Killers of the Flower Moon," became the first Indigenous winner of best actress in a drama, speaking in the Blackfeet language and reminding the crowd that there are still significant advances to be celebrated.

Some notable moments of the evening:

A BUMPY START Koy got a few laughs with a joke about the lengthy "Oppenheimer," saying, "I needed another hour." But as the monologue went on, it was clear that the comic needed something else: sharper jokes from the writers. Cameras caught negative reactions from celebs like Harrison Ford and Selena Gomez, and the "Barbie" team did not appear amused when he noted that "Oppenheimer" was based on serious material, but their own film was based on "a plastic doll with big boobies."

Koy sought to defend himself. "Yo, I got the gig 10 days ago. You want a perfect monologue?" He added: "I wrote some of these, and they’re the ones you’re laughing at."

THEY’RE NOT CALLED THAT... When Da’Vine Joy Randolph won for her acclaimed supporting actress performance in "The Holdovers," she duly thanked the Hollywood Foreign Press Association. Only problem: The HFPA is now defunct, and many in the audience responded audibly: "They’re not called that."

After several years of turmoil that followed the revelation that the HFPA had no Black members, the Golden Globes were acquired last year by Eldridge Industries and Dick Clark Productions and turned into a for-profit venture. Some 300 entertainment journalists now vote for the awards. Later, Randolph spoke about the vibe of the evening. "It’s a party in there," she said. "It’s a good time. We got through the pandemic. We stuck through our two strikes. There’s a sense of buzz in there."

...AND HE WASN’T CALLED THAT Winning an early award for best supporting actor, Downey Jr. told the crowd he had taken a beta-blocker, so "this is going to be a breeze." He then misspoke the name of his character, government official Lewis Strauss. "Dozens of folks have come up to me since the summertime saying that I was, I quote, ‘unrecognizably subtle as Leonard Strauss,’" the actor said. "To my fellow nominees, let’s not pretend this is a compliment."

‘SUCCESSION’ SUCCEEDS SUCCESSFULLY To nobody’s surprise, "Succession," the HBO drama about the Roy family dynasty, had lots of success, winning best drama as well as major acting awards for Kieran Culkin, Matthew Macfadyen and Sarah Snook.

Macfadyen said he’d enjoyed every second of playing the "weird and wonderful human grease stain" that was Tom Wambsgans. Culkin, who played troubled son Roman Roy, told the crowd how he’d been nominated for a Golden Globe 20 years ago and never thought he'd be back, and playfully taunted his co-nominee, Pedro Pascal of "The Last of Us," quipping: "Suck it, Pedro. Mine!" And Snook, who played Shiv Roy, ascended the stage and said: "Oh, wow. I was kind of hoping I didn’t have to get up. Kieran's usually better at these speeches, right? Don’t you want to get up instead?"

DON’T BE MEAN Also on the TV side, Hulu’s kitchen-based "The Bear" won big – taking best comedy series. Jeremy Allen White won for the second time, and Ayo Edebiri won her first Globe for her own lead performance, charming the ballroom crowd when she thanked the assistants of her agents and managers. "To the people who answer my emails, you’re the real ones," she said, adding: "If I forgot to thank you, I’m sorry. Unless you were mean or something. Okay, bye!"

IF LOOKS COULD KILL When "Barbie" won the new award for cinematic and box office achievement, it beat out the nominee many thought would win: "Taylor Swift: The Eras Tour." Still, Swift, whose attendance was in question until her boyfriend, Travis Kelce of the Kansas City Chiefs, was ruled inactive for the day's game against the Los Angeles Chargers, was a glamorous addition to the evening (Bruce Springsteen was there, too) in her custom Gucci gown. The camera cut to her several times, but she was not happy when Koy joked that the difference between the Globes and the NFL was that the NFL had more reaction shots of Swift. She stared ahead and took a sip of her drink.

THE IMPORTANCE OF WORDS It wasn’t far from anyone’s minds that Hollywood is emerging from historic actors and writers strikes, and one of the more clever presenter bits highlighted the importance of screenwriters. Daniel Kaluuya, Shameik Moore and Hailee Steinfeld joked that they’d asked for their segment to be written not by writers but by studio executives. "What is up, Shameik," Kaluuya said, robotically. "Not much, Daniel. How are you, Hailee?" Moore said. "I am relatable," Steinfeld said. The screenplay award they presented had a surprise winner: Justine Triet, writer-director of "Anatomy of a Fall," beating out both "Barbie" and "Oppenheimer."

A HISTORIC WIN The evening’s emotional highpoint came with the penultimate award, when Gladstone won best actress in a drama for Martin Scorsese's epic "Killers of the Flower Moon," becoming the first Indigenous winner in the category. She opened her speech in the Blackfeet language, explaining backstage that "it was one of the more natural things I could do in the moment."

In her speech, Gladstone, who played Osage community member Mollie Burkhart, pronounced her win historic and said: "This is for every little urban kid, every little Native kid out there who has a dream, who is seeing themselves represented and our stories told — by ourselves, in our own words — with tremendous allies and tremendous trust from and with each other."



Netflix Intensifies Bid for Warner Bros Making Its $72 Billion Offer All Cash

A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
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Netflix Intensifies Bid for Warner Bros Making Its $72 Billion Offer All Cash

A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)

Netflix is now offering to buy Warner Bros. Discovery’s studio and streaming business in all cash — in an effort to win over the Hollywood giant's shareholders for its $72 billion merger and potentially thwart a hostile bid from Skydance-owned Paramount.

Back in December, Netflix struck a cash and stock deal with Warner valued at $27.75 per share, giving it a total enterprise value of $82.7 billion, including debt. But on Tuesday, the companies announced that they would be revising the transaction to simplify its structure, provide more certainty of value for Warner stockholders and speed up the path to a shareholder vote — which they said could arrive by April.

The all-cash transaction is still valued at $27.75 per Warner share. Warner stockholders will also receive the additional value of shares of Discovery Global, which would become a separate public company following a previously-announced separation from Warner Bros.

Warner leadership has repeatedly backed a merger with Netflix and the boards of both companies approved the all-cash deal announced Tuesday. In a statement, Warner CEO David Zaslav said the revised agreement “brings us even closer to combining two of the greatest storytelling companies in the world.”

A spokesperson for Paramount declined to comment when reached by The Associated Press on Tuesday. Unlike Netflix, Paramount wants to acquire Warner's entire company — including networks like CNN and Discovery — and went straight to shareholders with all cash, $77.9 billion offer last month.

Warner stockholders have until 5 p.m. ET Wednesday to tender their shares in support of Paramount's bid, which has an enterprise value of $108 billion including debt. But that deadline could be pushed back further. While Paramount declined to share further details on Tuesday, the Wall Street Journal reported last week that the company was planning another extension.

Beyond its tender offer, Paramount has promised a proxy fight. Last week, the company said it would nominate its own slate of directors before the Warner's next shareholder meeting, the date of which has still not been set.

Paramount also filed a suit in Delaware Chancery Court seeking to compel Warner Bros. to disclose to shareholders how it values its bid and the competing offer from Netflix. But a judge on Thursday denied Paramount's request to expedite that proceeding.

In a statement at the time, Warner applauded the court’s decision and called Paramount’s lawsuit “yet another unserious attempt to distract.” Paramount, meanwhile, maintained that the ruling wasn't about the merits of its allegations and said Warner shareholders “should ask why their Board is working so hard to hide this information.”

Regardless of who eventually wins the upper hand, a Warner Bros. Discovery sale could be a long, drawn-out process that is almost certain to attract tremendous antitrust scrutiny. On Tuesday, Netflix and Warner maintained that they expect to close on a merger 12 to 18 months from December's agreement.


New James Bond Actor Revealed ’Soon’, Frontrunners Emerge

Actor Callum Turner is believed to be leading the charge (Getty Images) 
Actor Callum Turner is believed to be leading the charge (Getty Images) 
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New James Bond Actor Revealed ’Soon’, Frontrunners Emerge

Actor Callum Turner is believed to be leading the charge (Getty Images) 
Actor Callum Turner is believed to be leading the charge (Getty Images) 

An industry insider has revealed when the next James Bond film could begin shooting with its all-new 007, according to METRO newspaper.

The search for the next Bond has been on since Daniel Craig’s version of the character was killed off in No Time To Die, rather definitively vacating the role.

Since then, the franchise has been acquired by Amazon MGM Studios, who have begun work on the secret agent’s next era.

This has included hiring Dune director Denis Villeneuve to helm the next instalment of the long-running series.

While we know that Villeneuve will direct a script by Peaky Blinders creator Steven Knight, Amazon has yet to pick its next leading actor – although they have reportedly narrowed their search down to eight names.

Sharing his thoughts on when our new Bond could be revealed, senior Deadline film reporter Justin Kroll has hinted that the announcement everyone’s waiting for may be imminent.

Appearing on the My Mom’s Basement podcast, Kroll shared his prediction for when Villeneuve’s Bond might begin rolling.

“I am predicting summer, if I had to be a betting man,” Kroll said. “Because I think production will likely start [at the] end of this year/top of next.”

He continued: “Obviously, it could be a little sooner, but from everything people have said since I’ve been back, Bond is more likely middle of the year than first quarter.”

If true, this means that Bond fans could finally get some major news any day now.

This comes as producers have reportedly narrowed their search to include some of the hottest names in Hollywood right now.

Dua Lipa’s husband-to-be and Eternity actor Callum Turner is believed to be leading the charge – according to the star himself, if a source for the Daily Mail is to be believed.

Turner is confident that his license to kill is already in the post, with an insider sharing how he’d been ‘blabbing’ the news all over town.

“Callum is the new Bond; it’s been confirmed,” they said. “Everyone in his circle is talking about it. It’s the worst-kept secret going.”

They finished: “Dua is over the moon for Callum. She’s been saying she’d love to record the Bond theme.”


'Avatar: Fire and Ash' at Number One in N. America for 5th Straight Week

This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
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'Avatar: Fire and Ash' at Number One in N. America for 5th Straight Week

This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)

"Avatar: Fire and Ash" showed no signs of slowing down, topping the North American box office for the fifth consecutive week over the long holiday weekend, industry estimates showed Sunday.

The third installment in director James Cameron's blockbuster fantasy series took in another $17.2 million from Friday to Monday, when Americans mark Martin Luther King Jr Day.

That put its US and Canadian haul at $367.4 million, and its worldwide total at more than $1.3 billion, according to Exhibitor Relations.

"Fire and Ash" stars Zoe Saldana as Na'vi warrior Neytiri and Sam Worthington as ex-Marine Jake Sully, who must battle a new foe threatening their family's life on the planet Pandora.

It is the fourth Cameron film to pass the $1 billion mark, along with the first two "Avatar" films and "Titanic."

Debuting in second place with a disappointing $15 million was "28 Years Later: The Bone Temple," the fourth installment in the zombie horror series, which comes less than a year after the last film.

"Returning after 7 months is quick -- it's too quick, and it's hurting the numbers," said analyst David A. Gross of Franchise Entertainment Research.

Disney's feel-good animated film "Zootopia 2" showed its staying power, moving up to third place at $12 million over the four-day weekend.

In fourth place at $10.2 million was "The Housemaid," an adaptation of Freida McFadden's best-selling novel about a young woman who is hired by a wealthy couple with dark secrets. Sydney Sweeney and Amanda Seyfried star in the Lionsgate release.

"Marty Supreme," starring Oscars frontrunner Timothee Chalamet as a conniving 1950s table tennis player with big dreams, finished in fifth place at $6.7 million.