A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
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A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)

They may not have had lukewarm chardonnay on the tables, as nominee Jennifer Lawrence had predicted. But the 81st Golden Globes had a bit of everything else: Some silliness, some seriousness, a bit of history, a few good jokes and many bad ones, loads of stars — and one Taylor Swift, who didn’t ascend the podium but still made her presence known as perhaps only Swift can.

One decisive trend emerged: In the great "Barbenheimer" showdown of awards season 2024, round one went to the "heimer" part. Christopher Nolan’s sweeping biopic "Oppenheimer" dominated the evening, among its wins the prize for best drama, best director for Nolan, and best actor (Cillian Murphy) and supporting actor (Robert Downey Jr.). Greta Gerwig’s candy-colored "Barbie," meanwhile, lost to upset victor "Poor Things" in the comedy/musical category, but won the new cinematic and box office achievement award, as well as best song for Billie Eilish’s wistful "What Was I Made For."

It would be unwise to count "Barbie" out, but it was a disappointing night for her fans, and also for another fearsome force: Swifties. The pop superstar, who spent 2023 smashing all records in sight, lost out on her fifth Globe nomination. But she stunned on the carpet in shimmering Gucci green, and later created a meme-worthy moment when she reacted with a seemingly icy glare to a joke about her by host Jo Koy.

Swift was not alone in her displeasure; at one point the jokes were falling flat enough for Koy to stop and explain that he’d had only 10 days to prepare.

The crowd laughed harder at Will Ferrell and Kristen Wiig, who made an amusing bit of pretending — insisting — that the ceremony was "a serious night." The joke was that few actually take the ceremony seriously.

But it was indeed a serious note that served as an emotional highpoint: Lily Gladstone, of "Killers of the Flower Moon," became the first Indigenous winner of best actress in a drama, speaking in the Blackfeet language and reminding the crowd that there are still significant advances to be celebrated.

Some notable moments of the evening:

A BUMPY START Koy got a few laughs with a joke about the lengthy "Oppenheimer," saying, "I needed another hour." But as the monologue went on, it was clear that the comic needed something else: sharper jokes from the writers. Cameras caught negative reactions from celebs like Harrison Ford and Selena Gomez, and the "Barbie" team did not appear amused when he noted that "Oppenheimer" was based on serious material, but their own film was based on "a plastic doll with big boobies."

Koy sought to defend himself. "Yo, I got the gig 10 days ago. You want a perfect monologue?" He added: "I wrote some of these, and they’re the ones you’re laughing at."

THEY’RE NOT CALLED THAT... When Da’Vine Joy Randolph won for her acclaimed supporting actress performance in "The Holdovers," she duly thanked the Hollywood Foreign Press Association. Only problem: The HFPA is now defunct, and many in the audience responded audibly: "They’re not called that."

After several years of turmoil that followed the revelation that the HFPA had no Black members, the Golden Globes were acquired last year by Eldridge Industries and Dick Clark Productions and turned into a for-profit venture. Some 300 entertainment journalists now vote for the awards. Later, Randolph spoke about the vibe of the evening. "It’s a party in there," she said. "It’s a good time. We got through the pandemic. We stuck through our two strikes. There’s a sense of buzz in there."

...AND HE WASN’T CALLED THAT Winning an early award for best supporting actor, Downey Jr. told the crowd he had taken a beta-blocker, so "this is going to be a breeze." He then misspoke the name of his character, government official Lewis Strauss. "Dozens of folks have come up to me since the summertime saying that I was, I quote, ‘unrecognizably subtle as Leonard Strauss,’" the actor said. "To my fellow nominees, let’s not pretend this is a compliment."

‘SUCCESSION’ SUCCEEDS SUCCESSFULLY To nobody’s surprise, "Succession," the HBO drama about the Roy family dynasty, had lots of success, winning best drama as well as major acting awards for Kieran Culkin, Matthew Macfadyen and Sarah Snook.

Macfadyen said he’d enjoyed every second of playing the "weird and wonderful human grease stain" that was Tom Wambsgans. Culkin, who played troubled son Roman Roy, told the crowd how he’d been nominated for a Golden Globe 20 years ago and never thought he'd be back, and playfully taunted his co-nominee, Pedro Pascal of "The Last of Us," quipping: "Suck it, Pedro. Mine!" And Snook, who played Shiv Roy, ascended the stage and said: "Oh, wow. I was kind of hoping I didn’t have to get up. Kieran's usually better at these speeches, right? Don’t you want to get up instead?"

DON’T BE MEAN Also on the TV side, Hulu’s kitchen-based "The Bear" won big – taking best comedy series. Jeremy Allen White won for the second time, and Ayo Edebiri won her first Globe for her own lead performance, charming the ballroom crowd when she thanked the assistants of her agents and managers. "To the people who answer my emails, you’re the real ones," she said, adding: "If I forgot to thank you, I’m sorry. Unless you were mean or something. Okay, bye!"

IF LOOKS COULD KILL When "Barbie" won the new award for cinematic and box office achievement, it beat out the nominee many thought would win: "Taylor Swift: The Eras Tour." Still, Swift, whose attendance was in question until her boyfriend, Travis Kelce of the Kansas City Chiefs, was ruled inactive for the day's game against the Los Angeles Chargers, was a glamorous addition to the evening (Bruce Springsteen was there, too) in her custom Gucci gown. The camera cut to her several times, but she was not happy when Koy joked that the difference between the Globes and the NFL was that the NFL had more reaction shots of Swift. She stared ahead and took a sip of her drink.

THE IMPORTANCE OF WORDS It wasn’t far from anyone’s minds that Hollywood is emerging from historic actors and writers strikes, and one of the more clever presenter bits highlighted the importance of screenwriters. Daniel Kaluuya, Shameik Moore and Hailee Steinfeld joked that they’d asked for their segment to be written not by writers but by studio executives. "What is up, Shameik," Kaluuya said, robotically. "Not much, Daniel. How are you, Hailee?" Moore said. "I am relatable," Steinfeld said. The screenplay award they presented had a surprise winner: Justine Triet, writer-director of "Anatomy of a Fall," beating out both "Barbie" and "Oppenheimer."

A HISTORIC WIN The evening’s emotional highpoint came with the penultimate award, when Gladstone won best actress in a drama for Martin Scorsese's epic "Killers of the Flower Moon," becoming the first Indigenous winner in the category. She opened her speech in the Blackfeet language, explaining backstage that "it was one of the more natural things I could do in the moment."

In her speech, Gladstone, who played Osage community member Mollie Burkhart, pronounced her win historic and said: "This is for every little urban kid, every little Native kid out there who has a dream, who is seeing themselves represented and our stories told — by ourselves, in our own words — with tremendous allies and tremendous trust from and with each other."



Technician Dies Installing Stage for Shakira Concert in Rio

A general view of the stage after the death of a worker in an accident that occurred during its setup for Colombian singer Shakira at Copacabana Beach in Rio de Janeiro, Brazil, on April 26, 2026. (AFP)
A general view of the stage after the death of a worker in an accident that occurred during its setup for Colombian singer Shakira at Copacabana Beach in Rio de Janeiro, Brazil, on April 26, 2026. (AFP)
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Technician Dies Installing Stage for Shakira Concert in Rio

A general view of the stage after the death of a worker in an accident that occurred during its setup for Colombian singer Shakira at Copacabana Beach in Rio de Janeiro, Brazil, on April 26, 2026. (AFP)
A general view of the stage after the death of a worker in an accident that occurred during its setup for Colombian singer Shakira at Copacabana Beach in Rio de Janeiro, Brazil, on April 26, 2026. (AFP)

A technician was killed on Sunday in Rio de Janeiro setting up a stage where pop superstar Shakira is set to perform a free concert this week, authorities and organizers said.

Crews have been working for weeks to assemble a stage on the sands of the Brazilian city's Copacabana beach, where crowds are expected from around the world to see the Colombian singer perform on May 2 as part of her record-breaking world tour.

The man suffered crushing injuries to his legs in a lifting system, the fire department said in a statement.

Workers managed to free the man and he was taken to hospital, but he did not survive, the state fire department (CBMERJ) said.

"Unfortunately, the technician passed away in hospital," concert organizer Bonus Track said in a statement.

"Out of nowhere, we saw people running, and when we looked, the structure was on the ground," Antonio Marcos Ferreira dos Santos, 51, who was on the beach at the time, told AFP.

"People were saying that a man had gotten trapped underneath. People rushed over to pull him out."


'Michael' Moonwalks to $97 Million Opening, Shattering Record for Music Biopics

Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
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'Michael' Moonwalks to $97 Million Opening, Shattering Record for Music Biopics

Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier

"Michael," the big-budget Michael Jackson spectacle, shrugged off bad reviews and a troubled production to launch with $97 million in US and Canada theaters, according to studio estimates Sunday, shattering a record debut for music biopics.

A highly authorized portrayal of the King of Pop, co-produced by the Jackson estate, Lionsgate’s “Michael” far surpassed previous biopic top performers like “Straight Outta Compton” (a $60.2 million debut in 2015) and “Bohemian Rhapsody” ($51 million in 2018).

International sales were also strong, The Associated Press reported. “Michael” collected $120.4 million overseas, to give it a $217.4 million global opening — a new high for a music biopic. Universal picked up distribution in most international markets.

Even in the lucrative market of music biopics, “Michael” was an audacious bet by Lionsgate on an extraordinarily popular but controversial figure. The reputation of Jackson, who died in 2009 at the age of 50, has been repeatedly tarnished by allegations of sexual abuse of children. Jackson and his estate have maintained his innocence, though the pop star acknowledged sharing a bedroom with other people’s children. He was acquitted in his sole criminal trial in 2005.

Some Jackson family members opposed the film. Janet Jackson was uninvolved and doesn’t appear in it. Jackson’s daughter, Paris, called it “fantasy land.” But three years after “Leaving Neverland,” the 2009 documentary about Jackson’s alleged sexual abuse of children, “Bohemian Rhapsody” producer Graham King announced plans for the biopic. Jackson’s nephew, Jaafar Jackson, was cast to star.

“Michael” had an unusually rocky production. After shooting was completed, producers realized they had made a costly mistake. The third act focused on the accusations of Jordan Chandler, then 13 years old, whom Jackson paid $23 million to in a 1994 settlement. The terms of that settlement barred the Jackson estate from ever mentioning Chandler in a movie.

A huge chunk of the film had to be cut. Reshoots for as much as $50 million were done at the estate’s expense. Director Antoine Fuqua and screenwriter John Logan reworked the movie to conclude in 1988, before any accusations were made.

Yet as bad as things once looked for “Michael,” the movie turned into a hit. The film’s total production cost came close to $200 million. To defray costs, Lionsgate sold international distribution rights to Universal. A sequel, while not yet announced, is expected.

Critics slammed the film for glossing over some of the less convenient aspects of Jackson’s life. It scored a paltry 38% on Rotten Tomatoes. But audiences were far more enthusiastic.

“Michael” earned an “A-” CinemaScore.

The opening for “Michael” added to a strong spring for Hollywood boosted by box-office hits like Amazon MGM’s “Project Hail Mary” and Universal’s “The Super Mario Galaxy Movie.” After three weeks atop the box office, the “Mario” sequel slid to second place, with $21.2 million. It four weeks, it’s collected $386.5 million domestically.


Screenwriters Overwhelmingly Approve a 4-Year Contract with Hollywood Studios

Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)
Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)
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Screenwriters Overwhelmingly Approve a 4-Year Contract with Hollywood Studios

Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)
Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)

Members of the screenwriters union overwhelmingly ratified a four-year agreement with Hollywood studios and streamers on Friday, bringing an end to a surprisingly smooth and quick process that brought a prolonged strike the last time around.

Union leaders said 90% voted to approve the deal struck between the Writers Guild of America West, Writers Guild of America East and Alliance of Motion Picture and Television Producers. Studios will now shift to negotiations with actors and directors.

Leaders of the unions emphasized gains in health coverage.

“In the face of industry contraction and runaway health care cost inflation, writers were able to secure a contract that returns our Health Fund to a sustainable path and builds on gains from the 2023 strike,” WGA West President Michele Mulroney said in a statement.

Guild leaders said the deal also includes minimum pay hikes, especially for comedy and variety writers, with more money in residuals for the re-airing of their work.

The AMPTP congratulated the union on the ratification.

“This deal reflects a collaborative approach that supports both writers and the industry’s long-term stability,” it said in its own statement.

An April 4 tentative agreement came about three weeks after negotiations began — a stark contrast to the contentious contract negotiation that along with an actors strike brought the industry to a standstill in 2023.

The Writers Guild has had its own labor struggles with its staff, whose strike brought the cancellation of their annual awards ceremony in March.

Actors, through their union SAG-AFTRA, are still negotiating their new contract. The groups have negotiated for about a month and are set to resume Monday after a break.

SAG-AFTRA President Sean Astin said in a February interview with The Associated Press that he has seen signs that the studios want “to work as partners again."

The Directors Guild begins its contract talks on May 11.