A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
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A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)

They may not have had lukewarm chardonnay on the tables, as nominee Jennifer Lawrence had predicted. But the 81st Golden Globes had a bit of everything else: Some silliness, some seriousness, a bit of history, a few good jokes and many bad ones, loads of stars — and one Taylor Swift, who didn’t ascend the podium but still made her presence known as perhaps only Swift can.

One decisive trend emerged: In the great "Barbenheimer" showdown of awards season 2024, round one went to the "heimer" part. Christopher Nolan’s sweeping biopic "Oppenheimer" dominated the evening, among its wins the prize for best drama, best director for Nolan, and best actor (Cillian Murphy) and supporting actor (Robert Downey Jr.). Greta Gerwig’s candy-colored "Barbie," meanwhile, lost to upset victor "Poor Things" in the comedy/musical category, but won the new cinematic and box office achievement award, as well as best song for Billie Eilish’s wistful "What Was I Made For."

It would be unwise to count "Barbie" out, but it was a disappointing night for her fans, and also for another fearsome force: Swifties. The pop superstar, who spent 2023 smashing all records in sight, lost out on her fifth Globe nomination. But she stunned on the carpet in shimmering Gucci green, and later created a meme-worthy moment when she reacted with a seemingly icy glare to a joke about her by host Jo Koy.

Swift was not alone in her displeasure; at one point the jokes were falling flat enough for Koy to stop and explain that he’d had only 10 days to prepare.

The crowd laughed harder at Will Ferrell and Kristen Wiig, who made an amusing bit of pretending — insisting — that the ceremony was "a serious night." The joke was that few actually take the ceremony seriously.

But it was indeed a serious note that served as an emotional highpoint: Lily Gladstone, of "Killers of the Flower Moon," became the first Indigenous winner of best actress in a drama, speaking in the Blackfeet language and reminding the crowd that there are still significant advances to be celebrated.

Some notable moments of the evening:

A BUMPY START Koy got a few laughs with a joke about the lengthy "Oppenheimer," saying, "I needed another hour." But as the monologue went on, it was clear that the comic needed something else: sharper jokes from the writers. Cameras caught negative reactions from celebs like Harrison Ford and Selena Gomez, and the "Barbie" team did not appear amused when he noted that "Oppenheimer" was based on serious material, but their own film was based on "a plastic doll with big boobies."

Koy sought to defend himself. "Yo, I got the gig 10 days ago. You want a perfect monologue?" He added: "I wrote some of these, and they’re the ones you’re laughing at."

THEY’RE NOT CALLED THAT... When Da’Vine Joy Randolph won for her acclaimed supporting actress performance in "The Holdovers," she duly thanked the Hollywood Foreign Press Association. Only problem: The HFPA is now defunct, and many in the audience responded audibly: "They’re not called that."

After several years of turmoil that followed the revelation that the HFPA had no Black members, the Golden Globes were acquired last year by Eldridge Industries and Dick Clark Productions and turned into a for-profit venture. Some 300 entertainment journalists now vote for the awards. Later, Randolph spoke about the vibe of the evening. "It’s a party in there," she said. "It’s a good time. We got through the pandemic. We stuck through our two strikes. There’s a sense of buzz in there."

...AND HE WASN’T CALLED THAT Winning an early award for best supporting actor, Downey Jr. told the crowd he had taken a beta-blocker, so "this is going to be a breeze." He then misspoke the name of his character, government official Lewis Strauss. "Dozens of folks have come up to me since the summertime saying that I was, I quote, ‘unrecognizably subtle as Leonard Strauss,’" the actor said. "To my fellow nominees, let’s not pretend this is a compliment."

‘SUCCESSION’ SUCCEEDS SUCCESSFULLY To nobody’s surprise, "Succession," the HBO drama about the Roy family dynasty, had lots of success, winning best drama as well as major acting awards for Kieran Culkin, Matthew Macfadyen and Sarah Snook.

Macfadyen said he’d enjoyed every second of playing the "weird and wonderful human grease stain" that was Tom Wambsgans. Culkin, who played troubled son Roman Roy, told the crowd how he’d been nominated for a Golden Globe 20 years ago and never thought he'd be back, and playfully taunted his co-nominee, Pedro Pascal of "The Last of Us," quipping: "Suck it, Pedro. Mine!" And Snook, who played Shiv Roy, ascended the stage and said: "Oh, wow. I was kind of hoping I didn’t have to get up. Kieran's usually better at these speeches, right? Don’t you want to get up instead?"

DON’T BE MEAN Also on the TV side, Hulu’s kitchen-based "The Bear" won big – taking best comedy series. Jeremy Allen White won for the second time, and Ayo Edebiri won her first Globe for her own lead performance, charming the ballroom crowd when she thanked the assistants of her agents and managers. "To the people who answer my emails, you’re the real ones," she said, adding: "If I forgot to thank you, I’m sorry. Unless you were mean or something. Okay, bye!"

IF LOOKS COULD KILL When "Barbie" won the new award for cinematic and box office achievement, it beat out the nominee many thought would win: "Taylor Swift: The Eras Tour." Still, Swift, whose attendance was in question until her boyfriend, Travis Kelce of the Kansas City Chiefs, was ruled inactive for the day's game against the Los Angeles Chargers, was a glamorous addition to the evening (Bruce Springsteen was there, too) in her custom Gucci gown. The camera cut to her several times, but she was not happy when Koy joked that the difference between the Globes and the NFL was that the NFL had more reaction shots of Swift. She stared ahead and took a sip of her drink.

THE IMPORTANCE OF WORDS It wasn’t far from anyone’s minds that Hollywood is emerging from historic actors and writers strikes, and one of the more clever presenter bits highlighted the importance of screenwriters. Daniel Kaluuya, Shameik Moore and Hailee Steinfeld joked that they’d asked for their segment to be written not by writers but by studio executives. "What is up, Shameik," Kaluuya said, robotically. "Not much, Daniel. How are you, Hailee?" Moore said. "I am relatable," Steinfeld said. The screenplay award they presented had a surprise winner: Justine Triet, writer-director of "Anatomy of a Fall," beating out both "Barbie" and "Oppenheimer."

A HISTORIC WIN The evening’s emotional highpoint came with the penultimate award, when Gladstone won best actress in a drama for Martin Scorsese's epic "Killers of the Flower Moon," becoming the first Indigenous winner in the category. She opened her speech in the Blackfeet language, explaining backstage that "it was one of the more natural things I could do in the moment."

In her speech, Gladstone, who played Osage community member Mollie Burkhart, pronounced her win historic and said: "This is for every little urban kid, every little Native kid out there who has a dream, who is seeing themselves represented and our stories told — by ourselves, in our own words — with tremendous allies and tremendous trust from and with each other."



Israeli Oscars Entry Evokes Empathy to Palestinians but Irks Government

Basel Adra, from left, Rachel Szor, Hamdan Ballal, and Yuval Abraham accept the award for best documentary feature film for "No Other Land" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Basel Adra, from left, Rachel Szor, Hamdan Ballal, and Yuval Abraham accept the award for best documentary feature film for "No Other Land" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
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Israeli Oscars Entry Evokes Empathy to Palestinians but Irks Government

Basel Adra, from left, Rachel Szor, Hamdan Ballal, and Yuval Abraham accept the award for best documentary feature film for "No Other Land" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Basel Adra, from left, Rachel Szor, Hamdan Ballal, and Yuval Abraham accept the award for best documentary feature film for "No Other Land" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

The director of Israel's entry for the 2026 Oscars about a Palestinian boy's quest to see the sea hopes it will help arouse compassion in his homeland during so much conflict. Prospects for lasting peace between Israelis and Palestinians have rarely looked so bleak after the October 7, 2023 Hamas attacks, two years of war in Gaza and surging settler violence in the West Bank.

However, director and writer Shai Carmeli-Pollak has taken heart from the reception to his film "The Sea" which won Israel's top film prize so was automatically submitted for the foreign-language Oscar prize to be decided in March, Reuters reported.

"I met the audience that came to watch it and it was amazing that people could be emotional and sometimes shed a tear for this story while violence and atrocities happened not far from here," Carmeli-Pollak said in an interview this week after a viewing.

"The Sea" tells the story of Khaled, a Palestinian boy in the Israeli-occupied West Bank who fears growing up without seeing the sea and makes the perilous journey alone and without travel papers into Israel to try to reach the coast.

He had recently been turned away at a checkpoint on a school trip to the sea, and his sudden disappearance from home leads his father, an undocumented labourer in Israel, to risk arrest by setting out in search of him.

"The Sea" won Best Picture at September's Ophir awards, the Israeli equivalent of the Oscars, prompting condemnation from Culture Minister Miki Zohar, who pulled funding from the ceremony over the movie's portrayal of the Israeli military.

Israel's government since 2022 has been among the most right-wing in its history, adamantly opposed to Palestinian statehood and committed to expanding settlement in the West Bank.

The 2023 Hamas attack on Israel, which killed more than 1,200 people, has hardened many Israelis towards Palestinians and made criticism of the army more sensitive.

'COMPASSION AND LOVE'

Carmeli-Pollak and the Israeli-Palestinian producer of "The Sea", Baher Agbaria, said it was important to make films that helped people hear each other's stories.

"I hope that the film will open other channels - channels of compassion and love - and give other ways that we can live together in this place," Carmeli-Pollak told Reuters.

Agbaria said it felt surprising to bring a Palestinian story to mainstream cinemas in Israel against the backdrop of the war.

"Because (of) what is happening this is time also for this film, you know, for this kind of story, to listen to the others," he said.

The film was released in cinemas in Israel in July and is still running. At the 2025 Oscars, an Israeli-Palestinian film "No Other Land", about the Israeli displacement of a Palestinian community in the West Bank, won the documentary feature film award, also angering Israel's government.

Carmeli-Pollak, a longtime peace activist, said that even though the government did not want him to represent Israel, he was proud to be part of a community of filmmakers who chose to honour "The Sea".

"I represent every people, like both Israelis and Palestinians, that aspire for peace and for equality and for living together in a different way than this government is working for."


Apple Streaming Service Restored after Brief Outage

FILED - 16 September 2023, US, New York: The Apple logo, taken at the Apple Store on 5th Avenue in Manhattan. Photo: Michael Kappeler/dpa
FILED - 16 September 2023, US, New York: The Apple logo, taken at the Apple Store on 5th Avenue in Manhattan. Photo: Michael Kappeler/dpa
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Apple Streaming Service Restored after Brief Outage

FILED - 16 September 2023, US, New York: The Apple logo, taken at the Apple Store on 5th Avenue in Manhattan. Photo: Michael Kappeler/dpa
FILED - 16 September 2023, US, New York: The Apple logo, taken at the Apple Store on 5th Avenue in Manhattan. Photo: Michael Kappeler/dpa

Apple's streaming service resumed for users in the United States after a brief outage late Thursday, Apple's status page showed.

The number of users reporting issues with Apple TV had dropped to 208, from a peak of about 15,000, according to tracking website Downdetector.com.

The company also experienced issues with Apple Music and Apple Arcade services, both of which were also restored, according to its status page.

Downdetector tracks outages by collating status reports from several sources including users.


Red Sea Film Festival Launches Mobile App Ahead of Fifth Edition

Red Sea International Film Festival logo
Red Sea International Film Festival logo
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Red Sea Film Festival Launches Mobile App Ahead of Fifth Edition

Red Sea International Film Festival logo
Red Sea International Film Festival logo

The Red Sea International Film Festival has unveiled its newly redesigned mobile app, offering a fully integrated digital experience that provides visitors with seamless access to all festival details ahead of its fifth edition, set to take place this December in the historic Al-Balad district of Jeddah.

The updated app enables users to explore the full film lineup, including screening schedules and synopses, browse panel discussions and special events, reserve tickets, and navigate festival venues through interactive maps.

The app is now available for download on the Apple App Store and Google Play, serving as an essential companion for festival-goers.