A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
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A Chaotic Golden Globes Night Had a Bit of Everything: The Silly, the Serious, and Taylor Swift, Too 

Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)
Kieran Culkin, winner of the award to Best Performance by a Male Actor in a Television Series for "Succession" poses at the 81st Annual Golden Globe Awards in Beverly Hills, California, US, January 7, 2024. (Reuters)

They may not have had lukewarm chardonnay on the tables, as nominee Jennifer Lawrence had predicted. But the 81st Golden Globes had a bit of everything else: Some silliness, some seriousness, a bit of history, a few good jokes and many bad ones, loads of stars — and one Taylor Swift, who didn’t ascend the podium but still made her presence known as perhaps only Swift can.

One decisive trend emerged: In the great "Barbenheimer" showdown of awards season 2024, round one went to the "heimer" part. Christopher Nolan’s sweeping biopic "Oppenheimer" dominated the evening, among its wins the prize for best drama, best director for Nolan, and best actor (Cillian Murphy) and supporting actor (Robert Downey Jr.). Greta Gerwig’s candy-colored "Barbie," meanwhile, lost to upset victor "Poor Things" in the comedy/musical category, but won the new cinematic and box office achievement award, as well as best song for Billie Eilish’s wistful "What Was I Made For."

It would be unwise to count "Barbie" out, but it was a disappointing night for her fans, and also for another fearsome force: Swifties. The pop superstar, who spent 2023 smashing all records in sight, lost out on her fifth Globe nomination. But she stunned on the carpet in shimmering Gucci green, and later created a meme-worthy moment when she reacted with a seemingly icy glare to a joke about her by host Jo Koy.

Swift was not alone in her displeasure; at one point the jokes were falling flat enough for Koy to stop and explain that he’d had only 10 days to prepare.

The crowd laughed harder at Will Ferrell and Kristen Wiig, who made an amusing bit of pretending — insisting — that the ceremony was "a serious night." The joke was that few actually take the ceremony seriously.

But it was indeed a serious note that served as an emotional highpoint: Lily Gladstone, of "Killers of the Flower Moon," became the first Indigenous winner of best actress in a drama, speaking in the Blackfeet language and reminding the crowd that there are still significant advances to be celebrated.

Some notable moments of the evening:

A BUMPY START Koy got a few laughs with a joke about the lengthy "Oppenheimer," saying, "I needed another hour." But as the monologue went on, it was clear that the comic needed something else: sharper jokes from the writers. Cameras caught negative reactions from celebs like Harrison Ford and Selena Gomez, and the "Barbie" team did not appear amused when he noted that "Oppenheimer" was based on serious material, but their own film was based on "a plastic doll with big boobies."

Koy sought to defend himself. "Yo, I got the gig 10 days ago. You want a perfect monologue?" He added: "I wrote some of these, and they’re the ones you’re laughing at."

THEY’RE NOT CALLED THAT... When Da’Vine Joy Randolph won for her acclaimed supporting actress performance in "The Holdovers," she duly thanked the Hollywood Foreign Press Association. Only problem: The HFPA is now defunct, and many in the audience responded audibly: "They’re not called that."

After several years of turmoil that followed the revelation that the HFPA had no Black members, the Golden Globes were acquired last year by Eldridge Industries and Dick Clark Productions and turned into a for-profit venture. Some 300 entertainment journalists now vote for the awards. Later, Randolph spoke about the vibe of the evening. "It’s a party in there," she said. "It’s a good time. We got through the pandemic. We stuck through our two strikes. There’s a sense of buzz in there."

...AND HE WASN’T CALLED THAT Winning an early award for best supporting actor, Downey Jr. told the crowd he had taken a beta-blocker, so "this is going to be a breeze." He then misspoke the name of his character, government official Lewis Strauss. "Dozens of folks have come up to me since the summertime saying that I was, I quote, ‘unrecognizably subtle as Leonard Strauss,’" the actor said. "To my fellow nominees, let’s not pretend this is a compliment."

‘SUCCESSION’ SUCCEEDS SUCCESSFULLY To nobody’s surprise, "Succession," the HBO drama about the Roy family dynasty, had lots of success, winning best drama as well as major acting awards for Kieran Culkin, Matthew Macfadyen and Sarah Snook.

Macfadyen said he’d enjoyed every second of playing the "weird and wonderful human grease stain" that was Tom Wambsgans. Culkin, who played troubled son Roman Roy, told the crowd how he’d been nominated for a Golden Globe 20 years ago and never thought he'd be back, and playfully taunted his co-nominee, Pedro Pascal of "The Last of Us," quipping: "Suck it, Pedro. Mine!" And Snook, who played Shiv Roy, ascended the stage and said: "Oh, wow. I was kind of hoping I didn’t have to get up. Kieran's usually better at these speeches, right? Don’t you want to get up instead?"

DON’T BE MEAN Also on the TV side, Hulu’s kitchen-based "The Bear" won big – taking best comedy series. Jeremy Allen White won for the second time, and Ayo Edebiri won her first Globe for her own lead performance, charming the ballroom crowd when she thanked the assistants of her agents and managers. "To the people who answer my emails, you’re the real ones," she said, adding: "If I forgot to thank you, I’m sorry. Unless you were mean or something. Okay, bye!"

IF LOOKS COULD KILL When "Barbie" won the new award for cinematic and box office achievement, it beat out the nominee many thought would win: "Taylor Swift: The Eras Tour." Still, Swift, whose attendance was in question until her boyfriend, Travis Kelce of the Kansas City Chiefs, was ruled inactive for the day's game against the Los Angeles Chargers, was a glamorous addition to the evening (Bruce Springsteen was there, too) in her custom Gucci gown. The camera cut to her several times, but she was not happy when Koy joked that the difference between the Globes and the NFL was that the NFL had more reaction shots of Swift. She stared ahead and took a sip of her drink.

THE IMPORTANCE OF WORDS It wasn’t far from anyone’s minds that Hollywood is emerging from historic actors and writers strikes, and one of the more clever presenter bits highlighted the importance of screenwriters. Daniel Kaluuya, Shameik Moore and Hailee Steinfeld joked that they’d asked for their segment to be written not by writers but by studio executives. "What is up, Shameik," Kaluuya said, robotically. "Not much, Daniel. How are you, Hailee?" Moore said. "I am relatable," Steinfeld said. The screenplay award they presented had a surprise winner: Justine Triet, writer-director of "Anatomy of a Fall," beating out both "Barbie" and "Oppenheimer."

A HISTORIC WIN The evening’s emotional highpoint came with the penultimate award, when Gladstone won best actress in a drama for Martin Scorsese's epic "Killers of the Flower Moon," becoming the first Indigenous winner in the category. She opened her speech in the Blackfeet language, explaining backstage that "it was one of the more natural things I could do in the moment."

In her speech, Gladstone, who played Osage community member Mollie Burkhart, pronounced her win historic and said: "This is for every little urban kid, every little Native kid out there who has a dream, who is seeing themselves represented and our stories told — by ourselves, in our own words — with tremendous allies and tremendous trust from and with each other."



'Project Hail Mary' Rockets to Top of N. America Box Office

Ryan Gosling arrives for the premiere of "Project Hail Mary" at Lincoln Center in New York City, US, March 18, 2026. REUTERS/Eduardo Munoz
Ryan Gosling arrives for the premiere of "Project Hail Mary" at Lincoln Center in New York City, US, March 18, 2026. REUTERS/Eduardo Munoz
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'Project Hail Mary' Rockets to Top of N. America Box Office

Ryan Gosling arrives for the premiere of "Project Hail Mary" at Lincoln Center in New York City, US, March 18, 2026. REUTERS/Eduardo Munoz
Ryan Gosling arrives for the premiere of "Project Hail Mary" at Lincoln Center in New York City, US, March 18, 2026. REUTERS/Eduardo Munoz

Amazon MGM's sci-fi adventure flick "Project Hail Mary" debuted at the top of the North American box office this week with an astronomical $80.5 million, industry estimates showed Sunday.

Ryan Gosling stars in the film as a teacher-turned-astronaut who awakes on a spaceship with a mission to save Earth from a sun-dimming phenomenon.

It is adapted from a novel by Andy Weir, the author behind 2015 hit "The Martian" starring Matt Damon.

"Weir wrote the story as a standalone, but the weekend figure is more than double the average for a series launch -- that's how strong this is," analyst David A. Gross of Franchise Entertainment Research said.

Directed by filmmaking duo Phil Lord and Christopher Miller, the movie marks "Amazon MGM's first big hit" since the retail giant acquired the storied studio in 2021, Gross noted.

Falling to second place after two weeks on top was animated hit "Hoppers," with $18 million, according to Exhibitor Relations.

The latest original film from Disney's Pixar tells the story of a young animal lover who uses technology to transfer her consciousness into a robotic beaver so she can better communicate and protect wildlife.

It has now taken in $242 million globally, according to Exhibitor Relations.

Third place went to Hindi-language spy thriller "Dhurandhar: The Revenge" with $9.6 million.

"Depending on where the final figure comes in on Monday, this is a record-breaking opening for a Bollywood film in the US," said Gross, potentially besting 2022 hit "RRR."

Released just three months after the original aired in North America, "Dhurandhar" continues the story of an Indian spy infiltrating Pakistani crime syndicates and politics, seeking to dismantle a terror network.

Considered political propaganda by some of India's neighbors, it has been notably banned in Pakistan.

With $9.1 million, fourth place went to Searchlight's "Ready or Not 2," a follow-up to the 2019 original comedy horror in which a bride must survive a deadly game of hide-and-seek with her new in-laws, AFP reported.

Australia's Samara Weaving reprises her starring role in the sequel, which sees her forced once again to run a gauntlet, this time against multiple families.

"This is a solid opening for the 2nd episode of a low-budget horror comedy series," Gross said. "This opening is up over the first picture, and that's rare."

Fifth place went to Universal's romance film "Reminders of Him," with $8 million.

It is the latest adaptation of a novel by Colleen Hoover and stars Maika Monroe and Tyriq Withers.


India Blocks Release of Oscar-Nominated Gaza Film over Ties with Israel

 Drone view of a giant sand portrait of Hind Rajab, a 5-year-old Palestinian girl killed in Gaza in 2024 and the focus of the Oscar-nominated film "The Voice of Hind Rajab," created on a beach near Scarborough, North Yorkshire, Britain, in this undated handout image. (A Letter from Lucy/Handout via Reuters)
Drone view of a giant sand portrait of Hind Rajab, a 5-year-old Palestinian girl killed in Gaza in 2024 and the focus of the Oscar-nominated film "The Voice of Hind Rajab," created on a beach near Scarborough, North Yorkshire, Britain, in this undated handout image. (A Letter from Lucy/Handout via Reuters)
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India Blocks Release of Oscar-Nominated Gaza Film over Ties with Israel

 Drone view of a giant sand portrait of Hind Rajab, a 5-year-old Palestinian girl killed in Gaza in 2024 and the focus of the Oscar-nominated film "The Voice of Hind Rajab," created on a beach near Scarborough, North Yorkshire, Britain, in this undated handout image. (A Letter from Lucy/Handout via Reuters)
Drone view of a giant sand portrait of Hind Rajab, a 5-year-old Palestinian girl killed in Gaza in 2024 and the focus of the Oscar-nominated film "The Voice of Hind Rajab," created on a beach near Scarborough, North Yorkshire, Britain, in this undated handout image. (A Letter from Lucy/Handout via Reuters)

India has blocked the release of "The Voice of Hind Rajab", a film about the killing of a five-year-old Palestinian girl by Israeli forces, the movie's distributor told AFP on Saturday.

The Oscar-nominated docudrama by French-Tunisian director Kaouther Ben Hania recounts the real-life death of Hind Rajab in Gaza last year as her family attempted to flee during Israel's war with Hamas.

Manoj Nandwana of Jai Viratra Entertainment, the film's Indian distributor, said a member of the Central Board of Film Certification (CBFC) told him that the film's theatrical release would "hamper India's relations with Israel".

"After screening it for the board it was clear to me that they would not clear it for release in India," Nandwana told AFP on Saturday, adding that he was not officially notified of the denial.

"The film has been released all over the world including in Israel. Why is it bad or sensitive for Indians?" Nandwana asked. "It's strange."

The film was, however, screened at an international film festival in the eastern Indian city of Kolkata in November last year, Nandwana said.

New Delhi has expanded ties with Israel in defense, agriculture, technology and cybersecurity while balancing diplomatic interests in the Middle East and historically supporting Palestinian statehood.

Last month, Prime Minister Narendra Modi visited Israel for two days -- his second trip since 2017 -- just days before Israel and the United States began a campaign of airstrikes on Iran.

Parliamentarian Shashi Tharoor from the opposition Congress party said blocking the film was "disgraceful".

"In a democracy, screening a film is a reflection of our society's freedom of expression and has nothing to do with government-to-government relations," he said in a post on X.

"This practice of banning films or books because of the offense they might cause to foreign countries must stop immediately. It's unworthy of a mature democracy."

"The Voice of Hind Rajab" was nominated for Best International Feature at this year's Oscars but lost to the Norwegian family drama "Sentimental Value".

Last year, the film won the Silver Lion grand jury prize at the Venice Film Festival where it left audiences in tears at its premiere.


K-pop Kings BTS Rock Seoul in Comeback Concert

K-pop group BTS performs during the "BTS THE COMEBACK LIVE | ARIRANG" concert in central Seoul, South Korea, 21 March 2026. (EPA)
K-pop group BTS performs during the "BTS THE COMEBACK LIVE | ARIRANG" concert in central Seoul, South Korea, 21 March 2026. (EPA)
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K-pop Kings BTS Rock Seoul in Comeback Concert

K-pop group BTS performs during the "BTS THE COMEBACK LIVE | ARIRANG" concert in central Seoul, South Korea, 21 March 2026. (EPA)
K-pop group BTS performs during the "BTS THE COMEBACK LIVE | ARIRANG" concert in central Seoul, South Korea, 21 March 2026. (EPA)

South Korean megastars BTS reunited Saturday for their first show in nearly four years, blowing away enormous crowds in Seoul for a K-pop extravaganza livestreamed to millions more worldwide.

Widely lauded as the biggest boy band in the world, BTS went on hiatus in 2022 so the seven members could serve compulsory stints in the South Korean military.

The comeback concert by the group at the vanguard of the Korean cultural wave was staged on the doorstep of the historic Gyeongbokgung royal palace -- a fitting venue for the "Kings of K-pop".

Enormous crowds of fans -- 260,000 were predicted before -- descended on Seoul from morning onwards in colorful costumers, taking selfies and clutching BTS "ARMY" glowsticks.

Before they came on stage fans chanted "BTS! BTS!" with the main boulevard leading up to Gwanghwamun Square -- the symbolic heart of the Seoul -- ram-packed with people as far as the eye could see.

"Hi Seoul, we are back," one of the group members said.

Gwanghwamun Gate was lit in rainbow colors, as a massive stage installation featuring three circular features -- symbolizing BTS's new album -- glowed beneath towering lighting rigs.

Lee Yeon-seo, 36, a South Korean who travelled from the southern city of Jeonju, was one of those who arrived early.

"My seat is actually toward the front, near the main stage, so I'm even more excited thinking I'll get to see them up close," she told AFP.

"With the tour kicking off in April, this is the beginning of their new journey. In a way, it feels like an honor to experience it live like this, more vividly than most people."

"I'm from Australia so I came down to Korea for the culture and for the BTS concert, just to see," Gloria Moloney, 22, told AFP.

Potentially millions more across the world will tune in to see a Netflix live broadcast.

In a last-minute setback, the group's agency said Friday that BTS leader RM hurt his ankle in rehearsals and that his "participation in certain performance elements, such as choreography on stage, will be restricted."

The group was expected to perform their latest album, "ARIRANG", which was released on Friday and is billed as a reflection of the maturing boy band's Korean identity.

The album sold almost four million copies in the first day, BTS's record label said. Five million fans pre-saved it on Spotify, the most ever for a K-pop act.

"ARIRANG" takes its name from a folk song about longing and separation that is often dubbed South Korea's unofficial national anthem.

Featuring collaborations with multiple Western artists and producers, the 14 tracks on the album mix rap, heavy beats and experimentation.

"Compared to their earlier work, there's a wider range of genres, which gives it a more mature and expansive feel," impressed fan Lee Ji-young, a university professor, told AFP.

"As always, their lyrics are honest, and through a diverse range of sounds, they give a clear sense of who they are and where they stand right now."

Another fan on Reddit wasn't so impressed.

"I hope they sing some of their old stuff," they said.