‘Barbenheimer’ Sitting Pretty as Oscar Nominations to Be Unveiled

 Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)
Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)
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‘Barbenheimer’ Sitting Pretty as Oscar Nominations to Be Unveiled

 Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)
Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)

Nominations for this year's Oscars will be unveiled on Tuesday, with the "Barbenheimer" juggernaut expected to roll on to the climax of Hollywood's awards season with multiple chances at glory.

After a combined $2.4 billion global box office take, "Barbie" and "Oppenheimer" -- two films linked only by their simultaneous release last July -- are seen as locks for a suite of nods for the 96th Academy Awards, which take place on March 10.

"It continues to be their year, and we expect them to dominate the nominations," Pete Hammond, columnist for industry site Deadline, told AFP.

With its clutch of five Golden Globes and momentum on its side, "Oppenheimer" -- Christopher Nolan's masterly portrait of the father of the atomic bomb -- appears to have the edge in the race for best picture, the Academy's top prize.

Greta Gerwig's popular "Barbie" -- a sharp satire about misogyny and female empowerment -- is playing catch-up after an initial burst of awards optimism faded.

The film, which had nine nominations for the Globes, left with just two consolation prizes -- best song and a newly created trophy for box office achievement.

And, said Hammond, it faces an uphill battle to turn its audience gold into major Oscars success.

"Comedies, or something considered lighter, are generally at a disadvantage against something a little heavier," he said.

"So in the world of Barbenheimer, 'Oppenheimer' definitely has the advantage because it's got gravitas; it's important."

Rounding out the best picture category, nominations are widely expected for Martin Scorsese's crime saga "Killers of the Flower Moon" and Venice Film Festival winner "Poor Things," a female-focused take on the Frankenstein myth.

Christmas boarding school tale "The Holdovers" is already being spoken of as a durable seasonal classic, while Leonard Bernstein biopic "Maestro," which sees Bradley Cooper in front and behind the camera, also appears well placed.

The well-received French film "Anatomy of a Fall," which won two Golden Globes including best screenplay, might fare well in a world where voters no longer seem scared of subtitles.

A year for women directors?

Between Justine Triet's "Anatomy," Gerwig's "Barbie" and "Past Lives," a Korean-American drama by Celine Song, the fight for the best picture Oscar could include three works directed by women, a historic first.

Over nine-and-a-half decades of awards, only 19 films by female directors have been nominated for the top prize.

"It could be the biggest year ever for women, in terms of the best picture race," said Hammond.

In the acting categories, the two summer blockbusters seem likely to garner nominations for their stars -- Cillian Murphy as scientist J. Robert Oppenheimer, consumed by the devastating consequences of his creation, and Margot Robbie as a perfect doll tormented by morbid thoughts.

The two films' supporting actors could also be recognized -- Robert Downey Jr shines as a foil to Oppenheimer more concerned with his own political fortunes than understanding quantum physics, while Ryan Gosling is remarkable as Ken.

Da'Vine Joy Randolph appears to be in pole position for best supporting actress honors for her tour-de-force as the school cook in Alexander Payne's 1970s-set "The Holdovers."

Joining Margot Robbie in the best actress race will likely be Emma Stone for her no-holds-barred turn in "Poor Things," and Lily Gladstone, who plays a Native American whose tribe's oil wealth is threatened by a series of murders in "Killers of the Flower Moon."

Her scheming (or is he just stupid?) on-screen husband Leonardo DiCaprio might make the best actor list, but it's a tough ask in a crowded year.

In addition to Murphy and Cooper, nominees could also include Paul Giamatti's uptight history teacher in "The Holdovers," Jeffrey Wright's unwittingly popular author in "American Fiction" and Colman Domingo for his turn as a charismatic, civil rights activist in "Rustin'"

The unveiling of the Oscar nominations will begin at 530 am (1330 GMT) on Tuesday.



Actor Jon Voight Met with Trump to Advocate for Hollywood Tax Incentives

Cast member Jon Voight attends a premiere for the film "Reagan" at TCL Chinese Theatre in Los Angeles, California, US, August 20, 2024. REUTERS/Mario Anzuoni Purchase Licensing Rights
Cast member Jon Voight attends a premiere for the film "Reagan" at TCL Chinese Theatre in Los Angeles, California, US, August 20, 2024. REUTERS/Mario Anzuoni Purchase Licensing Rights
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Actor Jon Voight Met with Trump to Advocate for Hollywood Tax Incentives

Cast member Jon Voight attends a premiere for the film "Reagan" at TCL Chinese Theatre in Los Angeles, California, US, August 20, 2024. REUTERS/Mario Anzuoni Purchase Licensing Rights
Cast member Jon Voight attends a premiere for the film "Reagan" at TCL Chinese Theatre in Los Angeles, California, US, August 20, 2024. REUTERS/Mario Anzuoni Purchase Licensing Rights

Actor Jon Voight met with President Donald Trump earlier this year to advocate for a federal tax credit intended to help boost film and TV production in the United States, representatives of the actor said on Monday.

The previously undisclosed meeting at the White House on February 11 is part of a Hollywood effort to secure federal assistance to fight the flight of production overseas, Reuters reported.

When asked about the meeting, a White House spokesperson said Trump "is committed to Make Hollywood Great Again, and his administration continues to explore all possible policy options to ensure Hollywood remains a potent force of American culture.”

Trump named Voight, who rose to fame following ‌his role ‌in the 1969 film "Midnight Cowboy," as one of three special ambassadors ‌to ⁠Hollywood along with ⁠Sylvester Stallone and Mel Gibson in January 2025.

To fight an exodus of entertainment production abroad, Voight is working with a coalition that includes the Motion Picture Association, the Directors Guild of America and unions representing actors, writers and other talent.

SP Media Group CEO Steven Paul, a film producer and Voight's agent, and SP Media President Scott Karol have proposed a 20% federal tax credit for labor ⁠costs on a film or television production in the United ‌States.

An additional 5% could be earned for ‌independent films or for filming in a disaster zone or a defined “enterprise zone.” Those credits ‌could be used in tandem with state incentives.

The goal is to ‌make the cost of domestic production competitive with Britain and other places around the world that offer tax credits, lower labor costs and world-class soundstages.

Overseas incentives have been luring movie and TV producers to locations outside the United States for years. Filming in the US ‌declined 10% in the first quarter, compared with a year ago, according to ProdPro, which tracks worldwide film ⁠and television production.

The United ⁠States accounted for roughly 38% of film and television work in the first quarter of the year, while the United Kingdom and Canada together represented nearly one-third of global production, ProdPro reported.

In September 2025, Trump floated the idea of a 100% tariff on movies made abroad as a way to bring production back to the United States. Industry advocates welcomed Trump's desire to fight production flight but have urged the president to support tax incentives.

California more than doubled its annual tax incentives for film and television production in June 2025 to $750 million. Early results show the effort helped bring some projects back to Hollywood. Shoot days in Los Angeles rose nearly 11% in the first quarter of this year, according to permitting agency FilmLA.


Kylie Minogue Looks Back on Life in Pop Music in New Documentary

Kylie Minogue arrives at the Vanity Fair Oscar party after the 96th Academy Awards, known as the Oscars, in Beverly Hills, California, US, March 10, 2024. (Reuters)
Kylie Minogue arrives at the Vanity Fair Oscar party after the 96th Academy Awards, known as the Oscars, in Beverly Hills, California, US, March 10, 2024. (Reuters)
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Kylie Minogue Looks Back on Life in Pop Music in New Documentary

Kylie Minogue arrives at the Vanity Fair Oscar party after the 96th Academy Awards, known as the Oscars, in Beverly Hills, California, US, March 10, 2024. (Reuters)
Kylie Minogue arrives at the Vanity Fair Oscar party after the 96th Academy Awards, known as the Oscars, in Beverly Hills, California, US, March 10, 2024. (Reuters)

Kylie Minogue opens ‌up about her life in pop music for new documentary "KYLIE", looking back on her career as well as the personal challenges she has faced, such as the scrutiny when she was starting out and overcoming breast cancer.

The three-part series, which premieres on Netflix on Wednesday, sees the "Spinning Around" and "Padam Padam" singer share videos and photos from her personal archive and talk about her rise to stardom.

“Oh, there were surprises ‌left, right and ‌center, like 'Ooh, er, no, yes, ‌that ⁠was good. That ⁠should never have happened'. Like, there was worlds within worlds within worlds of the archive," Minogue told Reuters on making the docuseries.

"A nice surprise is that I can kind of recognize myself from the beginning ... I don't know that I've changed that ⁠much. My level of experience has changed... ‌But I can see ... ‌the seed of who I was and I think that's ‌really moving."

Minogue, 57, first starred on Australian ‌soap "Neighbours" in the 1980s before kicking off her music career with hits such as "The Loco-Motion" and "I Should Be So Lucky". She has gone on to sell more than 80 ‌million records worldwide and has won numerous awards, including two Grammys.

In the docuseries, she ⁠talks ⁠about success but also about the scrutiny and criticism she faced early in her career, being diagnosed with breast cancer in 2005, as well as her personal relationships. There are also interviews with her sister, singer Dannii Minogue, her former "Neighbours" co-star Jason Donovan and singer Nick Cave.

"I just go with my gut. I go with what's inspiring me at the time. I think whatever I do depends on what I've done previously," she said on reinventing herself during her career.


Blockbuster ‘Hope’ Shows S.Korea’s Growing Movie Muscle

Director Na Hong-jin and cast members Hwang Jung-min, Alicia Vikander, Michael Fassbender, Taylor Russell and Hoyeon pose on the red carpet during arrivals for the screening of the film "Hope" in competition at the 79th Cannes Film Festival in Cannes, France, May 17, 2026. (Reuters)
Director Na Hong-jin and cast members Hwang Jung-min, Alicia Vikander, Michael Fassbender, Taylor Russell and Hoyeon pose on the red carpet during arrivals for the screening of the film "Hope" in competition at the 79th Cannes Film Festival in Cannes, France, May 17, 2026. (Reuters)
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Blockbuster ‘Hope’ Shows S.Korea’s Growing Movie Muscle

Director Na Hong-jin and cast members Hwang Jung-min, Alicia Vikander, Michael Fassbender, Taylor Russell and Hoyeon pose on the red carpet during arrivals for the screening of the film "Hope" in competition at the 79th Cannes Film Festival in Cannes, France, May 17, 2026. (Reuters)
Director Na Hong-jin and cast members Hwang Jung-min, Alicia Vikander, Michael Fassbender, Taylor Russell and Hoyeon pose on the red carpet during arrivals for the screening of the film "Hope" in competition at the 79th Cannes Film Festival in Cannes, France, May 17, 2026. (Reuters)

Acclaimed director Na Hong-jin has unveiled South Korea's biggest budget film ever: a blood-splattered sci-fi thriller featuring killer extraterrestrials played by real-life couple Michael Fassbender and Alicia Vikander.

"Hope" by Na, whose low-budget horror movie "The Wailing" became a huge hit in his home country, was able to give free rein to his dark imagination in this gory tale of alien invasion.

"It's the most expensive film in the history of Korean cinema," Na told AFP in an interview at the Cannes Film Festival where the film premiered on Sunday night.

"It's a film that really required a very, very large budget because of the special effects, the design, the actors."

Despite having a genre-defying concept that was hard to sell initially -- it skips between thriller, sci-fi, horror and comedy -- he received backing from Korea's Plus M Entertainment and a budget of around 30 million euros ($35 million).

The cost of "Hope" underlines the increasing resources available to South Korean directors whose hit films such as the quadruple Oscar-winning "Parasite", as well as TV series like "Squid Game" have turned the home of KPop music into a global entertainment center.

Reviews for "Hope" were broadly positive, with Screen magazine calling it "a thunderously entertaining genre mash-up" while The Hollywood Reporter said it had "instant cult classic written all over it".

But others such as IndieWire slammed the quality of the special effects -- suggesting the budget was "not enough" for Na's grand ambitions, while its run-time of 160 minutes was described as "over long" by Variety.

Although married acting couple Fassbender and Vikander, stars of films from "12 Years a Slave" to "Ex Machina", are listed on the film's cast, many fans might struggle to recognize them.

Their acting has been transformed by special effects, with all the recognizable lead roles performed by bankable Korean stars including Hwang Jung-min, as well as Hoyeon from "Squid Game".

- Korean wave -

The all-action film, full of bodily fluids and gunfire, revolves around a clash between the residents of a remote town close to the frontier between South and North Korea and terrifying visitors from another planet.

With its themes of conflict and the incompetence of local officials, Na said he had "the wars that we know at the moment and the political situation that we had" at the time in his mind as he was writing the screenplay.

"Hope", intended as the first film in a series, is one of 22 films competing for the prestigious Palme d'Or prize for best film in Cannes.

It is the first by Na in 10 years since "The Wailing", which also focused on a remote location struggling with a mystery arrival.

The Cannes jury this year is headed by a South Korean director for the first time, Park Chan-wook, the maker of arthouse classics such as "Oldboy" and "The Handmaiden".

"Korea is playing a role as one of the central hubs of the film world, and I believe this is a movement befitting the time," he told AFP last week.

"It makes me think of a lot of the (Korean) predecessors who were truly outstanding but never had the opportunity to be recognized internationally," he added.

Park insisted that he would not favor his compatriot, Na.

"Some even joked that I might go out of my way to be harsher on a Korean film, because it wouldn't look good if I appeared to be favoring it," he told AFP. "I intend to judge everything as fairly and objectively as possible."