‘Barbenheimer’ Sitting Pretty as Oscar Nominations to Be Unveiled

 Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)
Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)
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‘Barbenheimer’ Sitting Pretty as Oscar Nominations to Be Unveiled

 Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)
Cillian Murphy attends the 29th Annual Critics Choice Awards, in Santa Monica, California, US, January 14, 2024. (Reuters)

Nominations for this year's Oscars will be unveiled on Tuesday, with the "Barbenheimer" juggernaut expected to roll on to the climax of Hollywood's awards season with multiple chances at glory.

After a combined $2.4 billion global box office take, "Barbie" and "Oppenheimer" -- two films linked only by their simultaneous release last July -- are seen as locks for a suite of nods for the 96th Academy Awards, which take place on March 10.

"It continues to be their year, and we expect them to dominate the nominations," Pete Hammond, columnist for industry site Deadline, told AFP.

With its clutch of five Golden Globes and momentum on its side, "Oppenheimer" -- Christopher Nolan's masterly portrait of the father of the atomic bomb -- appears to have the edge in the race for best picture, the Academy's top prize.

Greta Gerwig's popular "Barbie" -- a sharp satire about misogyny and female empowerment -- is playing catch-up after an initial burst of awards optimism faded.

The film, which had nine nominations for the Globes, left with just two consolation prizes -- best song and a newly created trophy for box office achievement.

And, said Hammond, it faces an uphill battle to turn its audience gold into major Oscars success.

"Comedies, or something considered lighter, are generally at a disadvantage against something a little heavier," he said.

"So in the world of Barbenheimer, 'Oppenheimer' definitely has the advantage because it's got gravitas; it's important."

Rounding out the best picture category, nominations are widely expected for Martin Scorsese's crime saga "Killers of the Flower Moon" and Venice Film Festival winner "Poor Things," a female-focused take on the Frankenstein myth.

Christmas boarding school tale "The Holdovers" is already being spoken of as a durable seasonal classic, while Leonard Bernstein biopic "Maestro," which sees Bradley Cooper in front and behind the camera, also appears well placed.

The well-received French film "Anatomy of a Fall," which won two Golden Globes including best screenplay, might fare well in a world where voters no longer seem scared of subtitles.

A year for women directors?

Between Justine Triet's "Anatomy," Gerwig's "Barbie" and "Past Lives," a Korean-American drama by Celine Song, the fight for the best picture Oscar could include three works directed by women, a historic first.

Over nine-and-a-half decades of awards, only 19 films by female directors have been nominated for the top prize.

"It could be the biggest year ever for women, in terms of the best picture race," said Hammond.

In the acting categories, the two summer blockbusters seem likely to garner nominations for their stars -- Cillian Murphy as scientist J. Robert Oppenheimer, consumed by the devastating consequences of his creation, and Margot Robbie as a perfect doll tormented by morbid thoughts.

The two films' supporting actors could also be recognized -- Robert Downey Jr shines as a foil to Oppenheimer more concerned with his own political fortunes than understanding quantum physics, while Ryan Gosling is remarkable as Ken.

Da'Vine Joy Randolph appears to be in pole position for best supporting actress honors for her tour-de-force as the school cook in Alexander Payne's 1970s-set "The Holdovers."

Joining Margot Robbie in the best actress race will likely be Emma Stone for her no-holds-barred turn in "Poor Things," and Lily Gladstone, who plays a Native American whose tribe's oil wealth is threatened by a series of murders in "Killers of the Flower Moon."

Her scheming (or is he just stupid?) on-screen husband Leonardo DiCaprio might make the best actor list, but it's a tough ask in a crowded year.

In addition to Murphy and Cooper, nominees could also include Paul Giamatti's uptight history teacher in "The Holdovers," Jeffrey Wright's unwittingly popular author in "American Fiction" and Colman Domingo for his turn as a charismatic, civil rights activist in "Rustin'"

The unveiling of the Oscar nominations will begin at 530 am (1330 GMT) on Tuesday.



‘Sinners’ Surges Past ‘Minecraft’ to Lead Box Office

 Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)
Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)
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‘Sinners’ Surges Past ‘Minecraft’ to Lead Box Office

 Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)
Director Ryan Coogler, left, and Michael B. Jordan pose for photographers upon arrival at the premiere of the film "Sinners" on Monday, April 14, 2025, in London. (AP)

Brand names, not filmmakers or stars, are said to rule the box office these days. But Ryan Coogler’s “Sinners,” led by twin Michael B. Jordans, proved a bloody exception to modern movie rules, launching with $45.6 million in ticket sales in US and Canadian theaters, according to studio estimates Sunday.

“Sinners,” a Warner Bros. release that cost about $90 million to produce, was a bold gamble on originality — albeit with genre elements — and one of the most bankable American directors in Coogler. The “Creed” and “Black Panther” director wrote and produced “Sinners,” a 1932-set vampire movie about bootlegging brothers (both played by Jordan) who open a juke joint in their Mississippi hometown.

“A Minecraft Movie,” the year’s biggest Hollywood hit, followed close behind in second, collecting $41.3 million in its third week of release. That gave Warner Bros., after a handful of disappointments, an enviable one-two punch at the box office with one original, director-driven movie and one IP-based property.

“A Minecraft Movie,” which Warner Bros. co-produced with Legendary Pictures, has amassed $720.8 million worldwide in three weeks of release.

Pam Abdy and Mike De Luca, co-chairs of Warner Bros. Motion Picture Group, celebrated the two films’ resonance with moviegoers. The studio accounted for a remarkable 64% of the domestic box office for the Easter weekend.

“Movies have the power to transport us to worlds only seen on the big screen, and Warner Bros. Pictures remains committed to bringing singular in-theater experiences to audiences looking for bold movies, both original and those based on beloved existing properties,” Abdy and De Luca said in a statement Sunday.

But all eyes were on the performance on “Sinners,” which Warner Bros. went to extreme lengths to secure. Abdy and De Luca agreed to give Coogler not just a cut of gross ticket sales but ownership of the film after 25 years — a virtually unheard of concession.

But Coogler and Jordan, whose collaborations stretch back to “Fruitvale Station,” make up one of the industry’s most potent director-actor duos. Reviews (98% “fresh” on Rotten Tomatoes) were stellar for “Sinners” and audiences, too, were enthralled by its supernatural twists. The film earned an “A” CinemaScore from moviegoers.

Overseas, “Sinners” faced a more uphill battle. It collected $15.4 million in 71 international markets. Domestically, “Sinners” attracted a diverse audience: 38% Black, 35% white, 18% Hispanic and 5% Asian.

Before “Sinners,” dual roles had been rough business for Warner Bros. The studio saw flops in both “The Alto Knights” (a period gangster film featuring a doubled Robert De Niro) and “Mickey 17” (a sci-fi movie with two Robert Pattinsons).

But the strong opening for “Sinners,” which should be sustained in the coming weeks given the strong word of mouth, cements Coogler’s place as one of a handful of filmmakers whose name draws big audiences. Another would be Jordan Peele, whose “Nope” (2022) debuted similarly with $44.3 million.

Angel Studios’ “The King of Kings,” an animated tale of Jesus’ life aimed at Christian audiences, capitalized on the Easter weekend, grossing $17.2 million in its second week of release. That was nearly equal to its opening weekend ($19.1 million), and brought “The King of Kings” to a domestic total of $45.3 million.

Bleecker Street’s “The Wedding Banquet,” Andrew Ahn’s reimagining of Ang Lee’s 1993 comedy of errors, opened on 1,142 North American screens with $922,906 in ticket sales. “The Wedding Banquet,” a hit at the Sundance Film Festival, stars Lily Gladstone, Bowen Yang, Kelly Marie Tran and newcomer Han Gi-chan.