Jodie Foster's Back, 'Barbie' Brings Novel Numbers and Other Oscar Nomination Facts and Figures

Jodie Foster (AP)
Jodie Foster (AP)
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Jodie Foster's Back, 'Barbie' Brings Novel Numbers and Other Oscar Nomination Facts and Figures

Jodie Foster (AP)
Jodie Foster (AP)

A look at notable facts, figures and curiosities from Tuesday's nominations for the 96th Academy Awards, which saw “Oppenheimer” lead with 13 Oscar nominations, with “Poor Things” and “Killers of the Flower Moon” also running up big numbers.
FOSTERING THE OSCARS Jodie Foster became an Academy Awards mainstay starting at age 14 with her first nomination for Martin Scorsese's “Taxi Driver” in 1977. This year she returns with a best supporting actress nomination after an unusually long absence. Like her “Nyad” co-star Annette Bening, she got her fifth Oscar nomination for the based-on-a-true-story swimming drama from Netflix, and it's Foster's first in 29 years. Her last nod was for “Nell” in 1995, The Associated Press said.
She has won twice, for “The Accused” in 1989 and for “The Silence of the Lambs" in 1992. (Bening has yet to take a statuette home.) Foster has more nominations than the rest of the actors in her category combined. Emily Blunt, Danielle Brooks, America Ferrera and Da’Vine Joy Randolph are all first-timers.
Foster's gap between nods isn't close to a record, though. Last year, Judd Hirsch got his first nomination in 42 years, for “The Fabelmans," breaking a record set by Henry Fonda. Helen Hayes went 39 years between her 1932 nomination for “The Sin of Madelon Claudet” and her 1971 nod for “Airport.” She won both times.
The nominations for Foster and Colman Domingo — nominated for best actor for “Rustin” — also brought the rare Oscars occurrence of openly gay actors playing gay characters.
JOHN WILLIAMS DIALS IN ON DISNEY WITH ‘DESTINY’ John Williams just keeps creating staggering numbers — both musical and statistical. At 91, he becomes the oldest nominee in history with his nod for writing the original score for “Indiana Jones and the Dial of Destiny,” breaking his own record, set last year at 90.
Williams has been nominated a staggering 54 times — 49 for original score and five for original song, making him the most nominated living person. He’ll need a half-dozen more to surpass the late Walt Disney’s record of 59 nominations.
But despite all those chances, Williams has won just five times, and has come up empty in his last 22 nominations, not taking a trophy since the score for “Schindler’s List” in 1994.
WOMEN'S FILMS HONORED, WOMEN SNUBBED A record three films directed by women were nominated for best picture: “Barbie” from Greta Gerwig, “Anatomy of a Fall” from Justine Triet, and “Past Lives” from Celine Song. But only one of them – Triet – was nominated for best director.
Gerwig's snub along with Margot Robbie's in the best actress category for playing “Barbie” were widely decried after the nominations were announced Tuesday. But each are still in the larger pool of nominees. Robbie is a producer who will get an Oscar if “Barbie" wins best picture. And Gerwig is nominated for best adapted screenplay. It's her fourth nomination, and the fourth for her husband and co-writer Noah Baumbach, though it's their first together.
THE SPIRIT OF SPIELBERG AND SCORES FOR SCORSESE Steven Spielberg managed to be an Oscars presence even on a year off. Spielberg didn’t direct a movie that was eligible for an Academy Award this year, but still managed to nab a nomination as a producer of “Maestro.” He’ll get his fourth Oscar if the Bradley Cooper-directed film wins best picture.
Scorsese, meanwhile, surpassed his friend Spielberg with his 10th best director nomination. Both trail William Wyler, who was nominated 12 times and won three. And while Spielberg trails Scorsese in director nominations with nine, he tops him in wins two to one.
But Scorsese stands alone as the oldest-ever best director nominee at 81, surpassing John Huston’s nomination at 79 for “Prizzi’s Honor” in 1986.
MORE 2024 OSCAR FACTS AND FIGURES The best actor category includes three first-time Oscar nominees: Domingo, Jeffrey Wright and Cillian Murphy. The other two nominees in the category, Paul Giamatti and Cooper, have been nominated before. It’s Giamatti’s second, and Cooper has had 12 nominations across various categories — but neither has won.
“The Zone of Interest” and “Anatomy of a Fall,” each nominated for five Oscars, are the first two films primarily in non-English languages to be nominated for best picture in the same year.
“Barbie” is the first film since “La La Land” in 2017 to have two nominees for best original song: “I’m Just Ken” and “What Was I Made For?” Four films in the past have had three songs nominated: “Enchanted,” “Dreamgirls,” “Beauty and the Beast” and “The Lion King," but a rule installed in 2008 now allows for only two per movie.
And speaking of best original song, no running of the recent Oscar numbers would be complete without a nod to Diane Warren. She got her 15th nomination, and seventh straight nod, for best original song this year for writing “The Fire Inside” from “Flamin’ Hot.” She has yet to win the award (though she got an honorary Oscar in 2022), and with her songs coming from increasingly outside-the-Oscar-box movies, she's unlikely to break through this year.
She'll probably be back.



Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
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Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)

You’d be hard pressed to find an upcoming film weirder than “Rumours.”

The biting commentary on the emptiness of political statements and the performances politicians put on starts off as a straight political satire focusing on the G7 world leaders, but then slips into a world of slow-yet-terrifying zombies; a mysterious, giant brain found in the middle of a forest with unexplained origins; and an AI chatbot bent on entrapment.

It goes from provocative to absurd within a few short scenes, with the G7 leaders no longer the subject of criticism, but the butt of the joke.

And that’s kind of the whole point, according to its star and executive producer, Cate Blanchett.

“We’re all in such a state of heightened anxiety and fear with what’s going on with climate, what’s going on with the global political situation. We feel like we’re on the precipice of a world war and there’s a lot of people in positions of power who seem to be relishing that moment,” Blanchett told The Associated Press.

She plays a fictional chancellor of Germany named Hilda Orlmann, the host of the conference who's more focused on optics than action.

“I think the audience will come to it with a need for some kind of catharsis. And because the film is ridiculous and terrifying ... I think they’ll be able to laugh at the absurdity of the situation we found ourselves in. I think it’s a very generous film in that way,” she said.

The three directors, Guy Maddin and brothers Evan and Galen Johnson, said they wanted the film to feel like it had a “generic wash of political disrespect” and to include some resonant critiques, but they didn’t want viewers to feel like they were leaving a lecture hall as they walked out of the theater.

“I’m preachy enough when I talk to people. I don’t want to make a movie that’s preachy, you know? I just favor movies that aren’t that. That just hit me with a little mystery of ... ‘What are you doing or seeing? What am I experiencing?’” Evan Johnson, who wrote the script, as well as co-directed, said.

As for the more absurd plotlines, Maddin said he and his collaborators share “a compulsion to come up with an original recipe.”

And original it certainly is. In its straightforward opening act, leaders from the Group of 7 meet for their annual summit and try to draft a provisional statement for an unnamed crisis. Then, as the evening goes on and they struggle to string together a couple, meaningful sentences, they find themselves abandoned and subject to attack from “bog people,” or well-preserved mummified bodies from thousands of years ago. Hijinks — and hilarity — ensue from there.

Nikki Amuka-Bird, who plays the fictionalized British Prime Minister Cardosa Dewindt, said that while reading the script, she kept asking herself, “What’s happening?” But the ridiculous plotline — including the apocalyptic invasion of zombie-like “bog people” — was only part of the reason why she took on the project.

“This kind of total courage to genre splice in this way takes away any kind of apprehension or fear you might have about it because their (the directors’) tongues are firmly in their cheeks the whole time,” Amuka-Bird said. “It’s a really imaginative exercise and it’s just fantastic to work with directors who can be that bold and take chances like that.”

The cast is rounded out by a starry ensemble: Roy Dupuis is a melodramatic Canadian prime minister, Charles Dance is an American president with an inexplicable British accent, Denis Ménochet is a paranoid French president and Alicia Vikander makes an appearance as a frenetic leader from the European Commission.

The title of the movie, Blanchett said, is meant to invoke the revered Fleetwood Mac album of the same name, which was made at a time when the bandmembers were reportedly “all sleeping together and bickering and breaking up,” she said.

“What was surprising about it is you think, ‘OK, this is a film about the G7,’ but it’s like a sort of a daytime soap opera with these sort of trysts and liaisons and petty squabbles,” Blanchett said. “It was such an unusual way to look at the mess we’re all in and the leadership that’s led us here.”