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Taylor Swift Eyes Record at Grammys as Women Take Center Stage 

US singer-songwriter Taylor Swift arrives for the 81st annual Golden Globe Awards at The Beverly Hilton hotel in Beverly Hills, California, on January 7, 2024. (AFP)
US singer-songwriter Taylor Swift arrives for the 81st annual Golden Globe Awards at The Beverly Hilton hotel in Beverly Hills, California, on January 7, 2024. (AFP)
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Taylor Swift Eyes Record at Grammys as Women Take Center Stage 

US singer-songwriter Taylor Swift arrives for the 81st annual Golden Globe Awards at The Beverly Hilton hotel in Beverly Hills, California, on January 7, 2024. (AFP)
US singer-songwriter Taylor Swift arrives for the 81st annual Golden Globe Awards at The Beverly Hilton hotel in Beverly Hills, California, on January 7, 2024. (AFP)

All eyes are on -- who else? -- Taylor Swift ahead of Sunday's Grammys, when the megastar could break the record for most Album of the Year wins at a gala where women finally are taking center stage.

SZA will arrive at the star-studded event in Los Angeles as the evening's top nominee with nine, while Billie Eilish, Olivia Rodrigo and Miley Cyrus are also in the running for the show's top prizes.

With her sophomore album "SOS," SZA explored an eclectic blend of styles and genre including pop, rock and jazz, with dreamy electro inflections that scored her the most nominations of any artist.

And supergroup boygenius -- Phoebe Bridgers, Julien Baker and Lucy Dacus -- are up for six Grammys.

The trio met as up-and-comers in the indie music scene and, tired of constant comparisons to each other as "women in rock," decided to collaborate while also continuing to produce solo work.

Bridgers has a seventh nomination for her collaboration with SZA.

Janelle Monae and Lana Del Rey are in the mix for Album of the Year, while Victoria Monet is a contender for Record of the Year.

So it's highly likely a female act will win the top awards -- unless Grammys darling Jon Batiste does.

The piano virtuoso is the sole man up for the two major prizes, two years after he bested pop's royalty to dominate the proceedings.

It will be a particularly poignant evening for Batiste, whose triumph in 2022 was paired with immense personal struggle behind the scenes as his wife, the writer Suleika Jaouad, was receiving treatment for a recurrence of leukemia.

This time around, she will be able to join the party as her partner contends for some of music's most prestigious honors.

Among his accolades, Batiste is up for the top songwriting prize for "Butterfly," written for Jaouad while she was in hospital.

"For us to be able to celebrate the album and that song, and to also be at the Grammys again, with her this time? That's what my favorite part of this is," Batiste told AFP in an interview late last year.

"It's full circle."

Another day, another Swift record

If Swift's "Midnights" wins Album of the Year, it would be a record-breaking fourth win of the prize for the 34-year-old, who's already the toast of the music world, making headlines with every breath.

She is currently tied in elite company with Frank Sinatra, Paul Simon and Stevie Wonder at three top album honors.

Swift's in-demand producer Jack Antonoff scored six nominations for his work, notably with her and Del Rey, the baroque pop singer whose album "Did you know there's a tunnel under Ocean Blvd" earned her five nominations.

And the soundtrack of the blockbuster film "Barbie" could also clean up: music from the effervescent summer smash earned 11 nods thanks to performances including from Eilish as well as Dua Lipa, rapper Nicki Minaj and the movie's sleeper standout... Oscar-nominated actor Ryan Gosling.

Bubbly Bronx rapper Ice Spice is also up for an award for her work on "Barbie" as well as the prize for Best New Artist, which industry watchers predict she could take home after a banner year that saw her go totally viral.

Joni, Billy, U2 set to perform

The vast majority of the more than 90 competitive trophies are doled out prior to the Grammys gala broadcast, which is heavy on spectacle: many of the top nominees, including SZA, Eilish and Rodrigo are on deck to perform.

Nigerian sensation Burna Boy, country singer Luke Combs and rapper Travis Scott will also deliver sets.

And the legendary Joni Mitchell will take the stage in her first ever performance at the Grammy Awards.

The 80-year-old -- who has nine competitive Grammys and a Lifetime Achievement Award -- is in the running for best folk album for her live record entitled "Joni Mitchell at Newport."

She won her first Grammy for "Clouds" more than half a century ago.

"Piano Man" Billy Joel also will perform on the heels of releasing his new single "Turn The Lights Back On" -- his first original music in 17 years -- on Thursday.

And U2 will make a special remote appearance from Las Vegas, where the rockers have a residency at the new Sphere arena.

The main Grammys gala airs on Sunday at 5:00 pm (0100 GMT Monday) on US network CBS.

Comedian Trevor Noah, who's up for best comedy album, will host for the fourth consecutive year.

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Entertainment

Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."

Entertainment

First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.

Entertainment

Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”