Taylor Swift, Miley Cyrus and Billie Eilish Help Grammys Reach Its Largest Audience Since 2020

US singer-songwriter Miley Cyrus arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)
US singer-songwriter Miley Cyrus arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)
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Taylor Swift, Miley Cyrus and Billie Eilish Help Grammys Reach Its Largest Audience Since 2020

US singer-songwriter Miley Cyrus arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)
US singer-songwriter Miley Cyrus arrives for the 66th Annual Grammy Awards at the Crypto.com Arena in Los Angeles on February 4, 2024. (AFP)

An average of 16.9 million viewers tuned in to see performances by Miley Cyrus and Billie Eilish and watch Taylor Swift make history at the Grammy Awards on Sunday, the largest audience for the telecast in four years and another consecutive annual increase for a show that is recovering from its pandemic declines.

Ratings were up 34% on Sunday across CBS, Paramount+ and other digital platforms from last year, and with delayed watching included was expected to amass over 17 million viewers. The telecast peaked with 18.25 million viewers during the in memorium segment, with performances by Stevie Wonder, Annie Lennox, Jon Batiste and Fantasia Barrino.

The numbers Sunday easily beat the 12.4 million people who tuned in to watch Harry Styles, Lizzo and Bad Bunny perform during the show in 2023, along with a tribute to 50 years of rap history.

That’s another year of growth seen under host Trevor Noah, who has hosted since 2021. Live viewership was 8.8 million in 2021 and 8.9 million in 2022. The numbers this year are closer to pre-pandemic levels: Music’s showcase night was seen by 18.7 million people in 2020.

The upward trajectory is in stark contrast to the fate of the Emmy Awards earlier this year: That telecast on Fox reached a record low audience of 4.3 million viewers.

This year, Grammy viewers watched Miley Cyrus powerfully belt out her megahit “Flowers”, which won record of the year, and Billie Eilish’s gentle piano ballad from “Barbie,” “What Was I Made For?”, which was crowned song of the year. The album “Midnights” earned Swift her fourth career Grammy for album of the year, a record.

Live television viewership has declined across-the-board over the past few years, with pro football one of the few events to buck the trend.



Future of Cinema Clouded by Uncertainty, Venice Jury Chief Huppert Says

 The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
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Future of Cinema Clouded by Uncertainty, Venice Jury Chief Huppert Says

 The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)
The 81st Venice Film Festival Jury member Isabelle Huppert poses during a photocall on the day of the opening ceremony of the 81st Venice Film Festival, Venice, Italy, August 28, 2024. (Reuters)

Cinema has been weakened in recent years and its survival cannot be taken for granted, French actress Isabelle Huppert said on Wednesday as she took charge of the main jury at the Venice Film Festival.

The 11-day event draws together film-makers from around the world, giving them an invaluable opportunity to promote work that might otherwise not gain global prominence.

But beyond the Venice Lido's glamorous red carpet, movie veterans worry about the future of the industry: box office sales have not yet recovered from the COVID pandemic, raising questions about the long-term financial viability of movies.

"What concerns us all is that cinema continues to live on as much as possible. We know that it has been weakened in recent times," Huppert said at the traditional news conference to mark the start of the world's oldest film festival.

"I am not a director, I am only an actress, but we know what it represents in terms of courage, endurance, solitude, determination, to ... make a film," she added, saying her goal was to help cinema keep going "for as long as possible".

"But that's why a festival like Venice exists, it's like an ecosystem that is more necessary than ever to proclaim these values. So I'm really happy to be here," Huppert said.

Huppert, 71, has appeared in over 120 films and has won the best actress award twice at Venice, in 1988 and 1995. She and her family also run two small art house cinemas in Paris.

Global cinema box office takings are estimated to have hit almost $34 billion in 2023, according to data from Gower Street Analytics, an increase of 30.5% on 2022, but still 15% below average annual returns from 2017-2019, before COVID hit.

However, sales have declined again this year in the United States - the biggest movie market in the world, setting alarm bells ringing.

US director Debra Granik, who is the head of the jury for Venice's more experimental Horizons section this year, thanked Huppert for addressing the "elephant in the room".

"That's why we all showed up here because we want to see this art form thrive,” Granik said.

The Venice festival opens on Wednesday night with the world premiere of Tim Burton's "Beetlejuice Beetlejuice", which is being shown out of competition. The event ends on Sept. 7 when Huppert will announce who has won the top Golden Lion award.