Acclaimed Japanese Conductor Seiji Ozawa Dies at Age 88

Former Director of the Boston Symphony Orchestra Seiji Ozawa conducts the orchestra during a rehearsal of Berlioz's "Symphonie Fantastique," at Symphony Hall, in Boston, on Nov. 26, 2008. (AP)
Former Director of the Boston Symphony Orchestra Seiji Ozawa conducts the orchestra during a rehearsal of Berlioz's "Symphonie Fantastique," at Symphony Hall, in Boston, on Nov. 26, 2008. (AP)
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Acclaimed Japanese Conductor Seiji Ozawa Dies at Age 88

Former Director of the Boston Symphony Orchestra Seiji Ozawa conducts the orchestra during a rehearsal of Berlioz's "Symphonie Fantastique," at Symphony Hall, in Boston, on Nov. 26, 2008. (AP)
Former Director of the Boston Symphony Orchestra Seiji Ozawa conducts the orchestra during a rehearsal of Berlioz's "Symphonie Fantastique," at Symphony Hall, in Boston, on Nov. 26, 2008. (AP)

World-renowned conductor Seiji Ozawa has died of heart failure at his home in Tokyo, his management office said Friday. He was 88.

The acclaimed Japanese maestro led the Boston Symphony Orchestra from 1973 to 2002, longer than any other conductor in the orchestra’s 128-year history. From 2002 to 2010, he was music director of the Vienna State Opera.

Ozawa exerted enormous influence over the BSO during his tenure. His celebrity attracted famous performers like Yo-Yo Ma. He won two Emmys for television work with the orchestra.

When Ozawa conducted the Boston orchestra in 2006 for the first time since he left four years before, he received a hero’s welcome with a nearly six-minute ovation.

Ozawa was also the artistic director and founder of the Saito Kinen Festival, Japan’s music and opera festival.

Ozawa died on Tuesday at his Tokyo home, according to his management office, Veroza Japan. His funeral was attended only by close relatives as his family wished to have a quiet farewell, his office said.



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.