Acclaimed Japanese Conductor Seiji Ozawa Dies at Age 88

Former Director of the Boston Symphony Orchestra Seiji Ozawa conducts the orchestra during a rehearsal of Berlioz's "Symphonie Fantastique," at Symphony Hall, in Boston, on Nov. 26, 2008. (AP)
Former Director of the Boston Symphony Orchestra Seiji Ozawa conducts the orchestra during a rehearsal of Berlioz's "Symphonie Fantastique," at Symphony Hall, in Boston, on Nov. 26, 2008. (AP)
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Acclaimed Japanese Conductor Seiji Ozawa Dies at Age 88

Former Director of the Boston Symphony Orchestra Seiji Ozawa conducts the orchestra during a rehearsal of Berlioz's "Symphonie Fantastique," at Symphony Hall, in Boston, on Nov. 26, 2008. (AP)
Former Director of the Boston Symphony Orchestra Seiji Ozawa conducts the orchestra during a rehearsal of Berlioz's "Symphonie Fantastique," at Symphony Hall, in Boston, on Nov. 26, 2008. (AP)

World-renowned conductor Seiji Ozawa has died of heart failure at his home in Tokyo, his management office said Friday. He was 88.

The acclaimed Japanese maestro led the Boston Symphony Orchestra from 1973 to 2002, longer than any other conductor in the orchestra’s 128-year history. From 2002 to 2010, he was music director of the Vienna State Opera.

Ozawa exerted enormous influence over the BSO during his tenure. His celebrity attracted famous performers like Yo-Yo Ma. He won two Emmys for television work with the orchestra.

When Ozawa conducted the Boston orchestra in 2006 for the first time since he left four years before, he received a hero’s welcome with a nearly six-minute ovation.

Ozawa was also the artistic director and founder of the Saito Kinen Festival, Japan’s music and opera festival.

Ozawa died on Tuesday at his Tokyo home, according to his management office, Veroza Japan. His funeral was attended only by close relatives as his family wished to have a quiet farewell, his office said.



Eminem Brings Taylor Swift's Historic Reign at No. 1 to an End, Stevie Wonder's Record Stays Intact

Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
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Eminem Brings Taylor Swift's Historic Reign at No. 1 to an End, Stevie Wonder's Record Stays Intact

Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)

Eminem's latest album, “The Death of Slim Shady (Coup de Grâce),” has debuted at No. 1 on the Billboard 200, unseating Taylor Swift's "The Tortured Poets Department" after 12 weeks.
In its first week, “The Tortured Poets Department” hit 891.34 million album streams stateside, according to Luminate, the biggest streaming week for an album in history, The Associated Press said.
Swift's album debuted at No. 1 in April and held the top spot for three months. She is the only woman to have done so; Swift beat the previous record held by Whitney Houston's 1987 album, “Whitney.” It spent its first 11 weeks at No. 1.
“The Tortured Poets Department” tied Morgan Wallen's 2023 album “One Thing at a Time,” which also debuted at No. 1 and stayed there for 12 consecutive weeks. (It would later remerge at the top spot, spending 19 weeks total at No. 1.)
The only album to outperform them is Stevie Wonder’s 1976 masterpiece, “Songs in the Key of Life.” It spent 13 weeks at No. 1 after debuting in the top spot; 14 weeks there in total.
“The Death of Slim Shady (Coup de Grâce)" is Eminem's 12th album and his 11th to hit No. 1. “The Tortured Poets Department” dropped to No. 4 as a result. In the second slot is K-pop boy band ENHYPHEN's “ROMANCE:UNTOLD” and irreverent country Zach Bryan's “The Great American Bar Scene” is at No. 3.