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Taylor Swift Prepares for an Epic Journey to the Super Bowl. Will She Make It?

US singer-songwriter Taylor Swift made history with her fourth Album of the Year Grammy, this time for 'Midnights'. Valerie Macon / AFP
US singer-songwriter Taylor Swift made history with her fourth Album of the Year Grammy, this time for 'Midnights'. Valerie Macon / AFP
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Taylor Swift Prepares for an Epic Journey to the Super Bowl. Will She Make It?

US singer-songwriter Taylor Swift made history with her fourth Album of the Year Grammy, this time for 'Midnights'. Valerie Macon / AFP
US singer-songwriter Taylor Swift made history with her fourth Album of the Year Grammy, this time for 'Midnights'. Valerie Macon / AFP

Will she make it?
Taylor Swift's last song will still be ringing in the ears of thousands of fans at the Tokyo Dome on Saturday night when the singer is expected to rush to a private jet at Haneda airport that will take her on a time-zone-spanning journey to see her boyfriend, NFL star Travis Kelce, play in the Super Bowl in Las Vegas.
The prospect of this race against time, crossing nine time zones and the international date line, has fired imaginations, and speculation, for weeks.
At Saturday night’s concert, there was plenty of evidence of the unique cultural phenomenon that is the Swift-Kelce relationship, a nexus of professional football and the huge star power of Swift. In addition to sequined dresses celebrating Swift in the packed Tokyo Dome, there were Travis Kelce jerseys and hats and other gear celebrating his team, the Kansas City Chiefs. Some in Tokyo spent thousands of dollars to attend the pop superstar’s concerts this week.
To call the worldwide scrutiny of Swift's travels intense is an understatement.
Fans have tracked her jet. The planet-warming carbon emissions of her globe-trotting travels have been criticized. Officials have weighed in on her ability to park her jet in Las Vegas airports.
Even Japanese diplomats have gotten into the act. The Japanese Embassy in Washington posted on social media that she could make the Super Bowl in time, including in their statement three Swift song titles – “Speak Now”, “Fearless” and “Red."
“If she departs Tokyo in the evening after her concert, she should comfortably arrive in Las Vegas before the Super Bowl begins,” it said.
Office worker Hitomi Takahashi, 29, bought matching Taylor Swift sweatshirts along with her friend and was taking photos just outside of the dome on Saturday. “I hope she can return in time. It’s so romantic,” she said.
She is aware of the criticisms Swift is facing about her private jets, but said the singer was being singled out unfairly.
“Many other people are flying on business, and she is here for her work. She faces a bashing because she is famous and stands out,” Takahashi said.
Swift has been crisscrossing the globe this week already.
Before coming to Asia, she attended the Grammys in Los Angeles, winning her 14th Grammy and a record-breaking fourth Album of the Year award for “Midnights.” The show was watched by nearly 17 million people. She also made a surprise announcement that her next album is ready to drop in April.
Then the four concerts in Tokyo, and now apparently a rushed trip to try to make it to Las Vegas to watch Kelce, the tight end for the Kansas City Chiefs, play in the Super Bowl. She has followed Kelce for much of the Chiefs’ season.
If it all goes as planned she’s then expected to fly to Australia later this week to continue her tour.
“This week is truly the best kind of chaos,” Swift posted Wednesday on Instagram.

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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)

If one thing is certain about “Deadpool,” it’s that its titular hero, for reasons never explained, understands his place in the world — well, in our world.

Indeed, the irreverent and raunchy mutant is sure to belabor his awareness of the context in which he lives — namely an over-saturated, increasingly labyrinthine multibillion-dollar Marvel multiverse which spans decades, studios and too many films for most viewers to count.

From its inception, the “Deadpool” franchise has prided itself on a subversive, self-aware anti-superhero superhero movie, making fun of everything from comic books to Hollywood to its biggest champion, co-writer and star, Ryan Reynolds.

It’s no surprise then, as fans have come to expect, that the long-anticipated “Deadpool & Wolverine” further embraces its fourth wall-breaking self-awareness — even as it looks increasingly and more earnestly like the superhero movie blueprint it loves to exploit. That tension — the fact that “Deadpool” has called out comic book movie tropes despite being, in fact, a comic book movie — is somehow remedied in “Deadpool & Wolverine,” which leans into its genre more than the franchise’s first two movies.

Perhaps this gives viewers more clarity on its intended audience. After all, someone who hates superhero films — I’m looking at you, Scorsese — isn’t going to be won over because of a few self-deprecating jokes about lazy writing, budgets for A-list cameos and the overused “superhero landing” Reynolds’ Deadpool regularly refers to.

But this time around, director Shawn Levy — his first Marvel movie — seems to have found a sweet spot. Levy is surely helped by the fact that the third film in the franchise has a bigger budget, more hype and, of course, a brooding Hugh Jackman as Wolverine.

That anticipation makes their relationship, packed with hatred and fandom, all the more enticing. Their fight scenes against each other are just as compelling as their moments of self-sacrificial partnership in the spirit of, you guessed it, saving the world(s).

Speaking of worlds, there is one important development in our own to be aware of ahead of time. The first two “Deadpool” films were distributed by 20th Century Fox, whose $71.3 billion acquisition by the Walt Disney Co. in 2019 opened the door for the franchise to join the Marvel Cinematic Universe.

Perhaps unsurprisingly, “Deadpool & Wolverine” takes full advantage of that vast playground, which began in 2008 with Robert Downey Jr.’s “Iron Man” and now includes more than 30 films and a host of television shows. The acquisition is also a recurring target of Deadpool’s sarcasm throughout the movie.

Although steeped in references and cameos that can feel a bit like inside baseball for the less devoted, “Deadpool & Wolverine” is easy enough to follow for the casual Marvel viewer, though it wouldn’t hurt to have seen the first “Deadpool” and Jackman’s 2017 “Logan,” a harbinger of the increasing appetite for R-rated superhero violence. The Disney+ series “Loki” also gives helpful context, though is by no means a must watch, on the Time Variance Authority, which polices multiverse timelines to avoid “incursions,” or the catastrophic colliding of universes.

A defining feature of “Deadpool” has been its R rating and hyper violent action scenes. Whether thanks to more money, Levy’s direction or some combination of the two, these scenes are much more visually appealing.

But “Deadpool & Wolverine” does succumb to some of the deus ex machina writing that so often plagues superhero movies. Wade Wilson’s (the real identity of Deadpool) relationship with his ex (?) Vanessa is particularly underdeveloped — though it’s possible that ambiguity is a metaphor for Deadpool’s future within the MCU.

The plot feels aimless at points toward the end. One cameo-saturated battle scene in particular is resolved in a way that leaves its audience wanting after spending quite a bit of time building tension around it. While there are a few impressive stars who make an appearance, audiences may be disappointed by the amount of MCU characters referenced who don’t make it in.

The bloody but comedic final fight scene, however, is enough to perk viewers back up for the last act, solidifying the film’s identity as a fun, generally well-made summer movie.

The sole MCU release of 2024, “Deadpool & Wolverine” proves it’s not necessarily the source material that’s causing so-called superhero fatigue. It also suggests, in light of Marvel’s move to scale back production following a pandemic and historic Hollywood strikes, that increased attention given to making a movie will ultimately help the final product.