Review: Usher Shines at Star-Studded 2024 Super Bowl Halftime Show 

Football - NFL - Super Bowl LVIII - Half-Time Show - Allegiant Stadium, Las Vegas, Nevada, United States - February 11, 2024 Usher performs during the halftime show. (Reuters)
Football - NFL - Super Bowl LVIII - Half-Time Show - Allegiant Stadium, Las Vegas, Nevada, United States - February 11, 2024 Usher performs during the halftime show. (Reuters)
TT

Review: Usher Shines at Star-Studded 2024 Super Bowl Halftime Show 

Football - NFL - Super Bowl LVIII - Half-Time Show - Allegiant Stadium, Las Vegas, Nevada, United States - February 11, 2024 Usher performs during the halftime show. (Reuters)
Football - NFL - Super Bowl LVIII - Half-Time Show - Allegiant Stadium, Las Vegas, Nevada, United States - February 11, 2024 Usher performs during the halftime show. (Reuters)

Usher emerged at Las Vegas' Allegiant Stadium for the Super Bowl halftime show seated on a throne, joined by a marching band and a trove of Vegas performers — but stayed its center.

It was an immediate confirmation of his position as the ideal halftime performer: one with timeless, well-known hits, masterful choreography, and a devoted audience.

He started with "Caught Up," moving into "U Don't Have to Call,Superstar," and "Love in the Club."

Then Alicia Keys joined in front of bright red piano for her song "If I Ain't Got You," which morphed into "My Boo," Usher losing a glove in an apparent tribute to Michael Jackson — notable for a performance during Black History Month.

"They said I wouldn't make it," he told the crowd, dedicating the set to his "mama."

Across 13 minutes during the halftime show sponsored by Apple Music, Usher brought out a number of guests including H.E.R., Jermaine Dupri, Lil Jon (for "Turn Down for What," which became "Yeah!" — and included a guest appearance from Ludacris).

Across three decades, the R&B superstar had an endless treasure trove of hits to pull from — and did so with costume changes, and a rolling performance of "OMG" while wearing roller skates — at one moment, sliding between will.i.am's legs.

His album "Confessions" ranks among one of the best-selling music projects of all time and turned 20 this year; "Burn" became an easy performance highlight.

Over the past two years, Usher, 45, has made Vegas a home for his unique talents, with his sold-out residency, "Usher: My Way," at Dolby Live at Park MGM making him the perfect pick for Sunday's game.

The eight-time Grammy award winner is also no stranger to the Super Bowl stage — he made a guest appearance with Black Eyed Peas frontman will.i.am in 2011.

"I got a chance to see a bit of what it felt like," Usher told The Associated Press in a recent interview. In his first Super Bowl performance, he descended from the stadium ceiling to perform "OMG" in Arlington, Texas.

"Don’t take the moments for granted because you only get 13 of them," he said in advance of his 2024 performance, referring to the usually allotted 13-minute run time. "The hardest part is trying to figure out how to squeeze it all in when you actually have a large catalog, or a lot of records people celebrate and love."

With a doubt — he figured out exactly how to do just that.



Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
TT

Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)

Alfonso Cuarón is the first to admit that he does not know how to make a television series. He might even be too old to learn how, he said.

The Oscar-winning filmmaker has technically now made a series, the seven-part AppleTV+ show “Disclaimer,” four episodes of which premiered Thursday at the Venice Film Festival. But he did it his way: Like a film.

Based on Renée Knight’s 2015 book of the same name, “Disclaimer” is a psychological thriller about a documentarian and journalist, Catherine Ravenscroft (Cate Blanchett), who discovers she’s a character in a novel that reveals her darkest secret.

Cuarón, Blanchett and Kevin Kline all made the journey to the Italian film festival to debut and speak about the show before it begins streaming on Oct. 11.

“I read the book and immediately in my mind I saw a film, but I didn’t know how to make that film,” Cuarón, the director of films including “Gravity” and “Roma,” said in a news conference Thursday. “It was way too long. I could not shape it as such.”

It was only later, he said, that he thought it might work in longer form, inspired by predecessors like Rainer Werner Fassbinder, David Lynch and Krzysztof Kieślowski.

“I was intrigued and that was the point of departure,” Cuarón said.

He started writing with one name in mind for Catherine: Blanchett, terrified that she might say no. Not only did she not say no, she also was the one who suggested Kline for a British character. Sacha Baron Cohen plays her husband in the show and Kodi Smit-McPhee plays her son.

All soon realized that approaching it as a film, and shooting it as a film, would take much longer than a normal series. He even enlisted two cinematographers, Emmanuel Lubezki and Bruno Delbonnel, to add a distinct visual language to the different perspectives in the story. All told, it took about a year.

“It was a really long process,” Cuarón said. “And I really feel for the actors because they were stuck with the characters for way too long.”

Blanchett laughed that they were “still recovering.”

The final three episodes will screen Friday at the festival. Though the festival is most known for its feature film premieres, it does play host to select series as well. This year those also include Joe Wright’s Mussolini biopic “M: Son of the Century,” Rodrigo Sorogoyen’s “The New Years” and Thomas Vinterberg’s “Families Like Ours.”