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Music Review: Jennifer Lopez Returns to Her Pop Music Throne With New Album, ‘This Is Me... Now’ 

US actress Jennifer Lopez attends Amazon's "This is Me... Now: A Love Story" premiere at the Dolby theater in Hollywood, California, February 13, 2024. (AFP)
US actress Jennifer Lopez attends Amazon's "This is Me... Now: A Love Story" premiere at the Dolby theater in Hollywood, California, February 13, 2024. (AFP)
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Music Review: Jennifer Lopez Returns to Her Pop Music Throne With New Album, ‘This Is Me... Now’ 

US actress Jennifer Lopez attends Amazon's "This is Me... Now: A Love Story" premiere at the Dolby theater in Hollywood, California, February 13, 2024. (AFP)
US actress Jennifer Lopez attends Amazon's "This is Me... Now: A Love Story" premiere at the Dolby theater in Hollywood, California, February 13, 2024. (AFP)

On “This Is Me....Now,” Jennifer Lopez's first solo album in a decade, the singer takes back her rightful place on the throne of pop music.

In 2002, Jennifer Lopez dropped “This Is Me... Then," her third studio album that married her glossy-eyed romanticism with R&B-pop rhythms. She also announced an engagement to the actor Ben Affleck, who she met while filming the movie “Gigli” in 2001. The pair broke up a few years later.

Fast forward 20 years and “Bennifer” — as they were dubbed by the '00s press — has returned, and so has her sublime pop. In 2022, they married, and now in 2024, the “This Is Me” series continues — articulating nostalgia and a loving feeling she knows best. It is the soundtrack to a new J.Lo Renaissance — one where she got her happy ending and has made the art to let listeners into her dreamy love story.

The opening track, “This Is Me... Now,” is quintessential J.Lo, with romantic instrumentation of flutes and harps. “Had a lot to learn, had a lot to grow, had to find my way,” sings Lopez on a track reminiscent of a track that might've been on her 2002 R&B dance-pop album — with a new, refined wisdom.

It proceeds “To Be Yours,” an energetic love song — sentimental but never saccharine — perfect for a serenade or the dance floor atop hip-hop beats.

The album releases Friday, the same day as a film by the same name: “This Is Me... Now: A Love Story."

“Can't Get Enough,” an early single that doubled as a tease for the movie, was released with a music video that depicts the singer getting married three times, as she did in real life. In that way, the visual communicates that she's ready to open the door to her life and show it all — the good and the ugly — all the while sweetly singing “I'm still in love with you, boy,” a gender-flipped take on Alton Ellis' 1967 reggae classic “I’m Still in Love with You,” which her song samples.

As for that relationship transparency: “Dear Ben pt. II” is a sequel to the slow-burn “Dear Ben” from the 2002 album. The second installment is a more dynamic take on the same relationship. “When I think you’ll let me down, you lift my hopes,” she sings about finding love with Affleck again, two decades later.

At the end of the album is the R&B anthem “Greatest Love Story Never Told” — a bow on the album's full package — Lopez's breathy vocals sway above an acoustic guitar, piano and strings. “It’s destiny how we found each other twice in one lifetime,” she sings both for her audience and for her husband.

“This Is Me... Now” is for the Jennifer Lopez loyalists who patiently awaited her return, Bennifer fans, and those who believe in true love — no matter what shape it takes, or how long.

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Entertainment

JoJo Was a Teen Sensation. At 33, She’s Found Her Voice Again

Singer Joanna Levesque, who rose to fame as “JoJo” when she was 13, poses for a portrait to promote her memoir, “Over the Influence,” on Wednesday, Sept. 18, 2024, in New York. (Invision/AP)
Singer Joanna Levesque, who rose to fame as “JoJo” when she was 13, poses for a portrait to promote her memoir, “Over the Influence,” on Wednesday, Sept. 18, 2024, in New York. (Invision/AP)
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JoJo Was a Teen Sensation. At 33, She’s Found Her Voice Again

Singer Joanna Levesque, who rose to fame as “JoJo” when she was 13, poses for a portrait to promote her memoir, “Over the Influence,” on Wednesday, Sept. 18, 2024, in New York. (Invision/AP)
Singer Joanna Levesque, who rose to fame as “JoJo” when she was 13, poses for a portrait to promote her memoir, “Over the Influence,” on Wednesday, Sept. 18, 2024, in New York. (Invision/AP)

Joanna Levesque shot to stardom at 13. Two decades later, “JoJo” — as she’s better known — has written a memoir and says the song responsible for her meteoric rise, “Leave (Get Out),” was foreign to her. In fact, she cried when her label told her they wanted to make it her first single.

Lyrics about a boy who treated her poorly were not relatable to the sixth grader who recorded the hit. And sonically, the pop sound was far away from the young prodigy's R&B and hip-hop comfort zone.

“I think that’s where the initial seed of confusion was planted within me, where I was like, 'Oh, you should trust other people over yourself because ... look at this. You trusted other people and look how big it paid off,’” she said in a recent interview with The Associated Press.

“Leave (Get Out)” went on to top the Billboard charts, making Levesque the youngest solo artist ever to have a No. 1 hit.

“I grew to love it. But initially, I just didn’t get it,” she said.

Much of Levesque’s experience with young pop stardom was similarly unpredictable or tumultuous, and she details those feelings in her new memoir, “Over the Influence.”

With “Leave (Get Out)” and her several other commercial hits like “Too Little Too Late” and “Baby It’s You,” Levesque’s formative years were spent in recording studios and tour buses. Still, she had a strong resonance with teens and young people, and her raw talent grabbed the attention of music fans of all ages.

“Sometimes, I don’t know what to say when people are like, ‘I grew up with you’ and I’m like, ‘We grew up together’ because I still am just a baby lady. But I feel really grateful to have this longevity and to still be here after all the crazy stuff that was going on,” she said.

Some of that “crazy stuff” Levesque is referring to is a years-long legal battle with her former record label. Blackground Records, which signed her as a 12-year-old, stalled the release of her third album and slowed down the trajectory of her blazing career.

Levesque said she knows, despite the hurdles and roadblocks the label and its executives put in her path, they shaped “what JoJo is."

“Even though there were things that were chaotic and frustrating and scary and not at all what I would have wanted to go through, I take the good and the bad,” she said.

Levesque felt like the executives and team she worked with at the label were family, describing them as her “father figures and my uncles and my brothers." “I love them, now, still, even though it didn’t work out,” she said.

With new music on the way, Levesque said she thinks the industry is headed in a direction that grants artists more freedom over their work and more of a voice in discussions about the direction of their careers. In 2018, she re-recorded her first two albums, which were not made available on streaming, to regain control of the rights. Three years later, Taylor Swift started doing the same.

“Things are changing and it’s crumbling — the old way of doing things,” she said. “I think it’s great. The structure of major labels still offers a lot, but at what cost?”

As she looks forward to the next chapter of her already veteran-level career, Levesque said it’s “refreshing” for her to see a new generation of young women in music who are defying the standards she felt she had to follow when she was coming up.

“'You have to be nice. You have to be acceptable in these ways. You have to play these politics of politeness.’ It’s just exhausting,” she said, “So many of us that grew up with that woven into the fabric of our beliefs burn out and crash and burn.”

It’s “healing” to see artists like Chappell Roan and Billie Eilish play by their own rules, she said.

In writing her memoir and tracing her life from the earliest childhood memories to today, Levesque said she’s “reclaiming ownership” over her life.

“My hope is that other people will read this, in my gross transparency sometimes in this book, and hopefully be inspired to carve their own path, whatever that looks like for them.”