‘Oppenheimer’ Keeps Devouring Awards with Top Prize at Producers Guild, with Oscars up Next 

Christopher Nolan, nominated for Best Director for "Oppenheimer" which is also nominated for Best Adapted Screenplay and Best Picture, and his wife Emma Thomas, producer of "Oppenheimer", attend the Nominees Luncheon for the 96th Oscars in Beverly Hills, California, US, February 12, 2024. (Reuters)
Christopher Nolan, nominated for Best Director for "Oppenheimer" which is also nominated for Best Adapted Screenplay and Best Picture, and his wife Emma Thomas, producer of "Oppenheimer", attend the Nominees Luncheon for the 96th Oscars in Beverly Hills, California, US, February 12, 2024. (Reuters)
TT

‘Oppenheimer’ Keeps Devouring Awards with Top Prize at Producers Guild, with Oscars up Next 

Christopher Nolan, nominated for Best Director for "Oppenheimer" which is also nominated for Best Adapted Screenplay and Best Picture, and his wife Emma Thomas, producer of "Oppenheimer", attend the Nominees Luncheon for the 96th Oscars in Beverly Hills, California, US, February 12, 2024. (Reuters)
Christopher Nolan, nominated for Best Director for "Oppenheimer" which is also nominated for Best Adapted Screenplay and Best Picture, and his wife Emma Thomas, producer of "Oppenheimer", attend the Nominees Luncheon for the 96th Oscars in Beverly Hills, California, US, February 12, 2024. (Reuters)

With two weeks to go before the Oscars, "Oppenheimer" looks unstoppable.

Director and producer Christopher Nolan’s tale of the life of J. Robert Oppenheimer and the birth of the atomic age won the top prize Sunday at the 35th Producers Guild of America Awards — a frequent predictor of Oscar best picture winners — the night after doing the same at the Screen Actors Guild Awards.

"Oppenheimer" won the PGA's Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures over the exact same set of 10 nominees up for best picture at the March 10 Academy Awards, including "Barbie,Poor Things" and "Killers of the Flower Moon," whose director, Martin Scorsese, was honored Sunday for his concurrent career as a producer.

The Zanuck Award winner has gone on to take the best picture Oscar for five of the past six years, and 12 of the past 15, including last year with "Everything, Everywhere All At Once."

From the stage at the Ray Dolby Ballroom in Hollywood, in the same complex where the Academy Awards will be held at the Dolby Theatre, Nolan thanked his fellow producer Charles Royen for giving him "American Prometheus," the book that led to "Oppenheimer," and "starting a chain reaction that’s spread all over the world."

Earlier in the show, Robert Downey Jr. called it "the highest-grossing film about theoretical physics yet made."

Downey on Saturday won best supporting actor at the SAG Awards, where "Oppenheimer" also won best ensemble, part of an awards season sweep that also included wins at the Golden Globes and Directors Guild Awards.

"Succession" and "The Bear" took the top television prizes at the PGA Awards after doing the same at the SAG Awards and last month's Emmy Awards.

"Spider-Man: Across the Spider-Verse," nominated for the animated feature Oscar, won the PGA's animated motion picture award. Its predecessor, "Spider-Man: Into the Spider-Verse," won the PGA award in 2019 before going on to win the Academy Award.

Scorsese joined Tom Cruise, Steven Spielberg and Kevin Feige as winners of the David O. Selznick award for an outstanding body of work as a producer of motion pictures.

Scorsese said the first film he remembers seeing, at age 4, was the Selznick written and produced "Duel in the Sun."

"It was condemned by the Catholic church, and my mother wanted to see it," Scorsese told the audience. "She said, ‘The kid likes westerns, I’m taking him.’"

Scorsese said: "The very first impact of classic Hollywood cinema starts right there for me. Slashes of color, movement, the landscapes, stunning set pieces."

He called them "Proustian sense memories" of early cinema.

"I was frightened by them," he said, "and thrilled."

The 81-year-old said he was grateful for the privilege of getting to spend his life exploring "beauty that’s at the core of what we all strive to do."

Scorsese-produced films include his own "Hugo,The Wolf of Wall Street,Silence" and "Killers of the Flower Moon," along with dozens of films for younger directors including Spike Lee’s "Clockers," the Safdie brothers’ "Uncut Gems" and Joanna Hogg’s "The Souvenir."

Other career achievement awards went to producers Charles D. King and Gail Berman.

King became the first Black winner of the PGA's Milestone Award, whose previous winners include Walt Disney, Clint Eastwood and George Lucas, for historic career contributions to the motion picture industry.

King was lauded for leaving his job as a Hollywood agent in 2015 to found MACRO, a media company dedicated to amplifying the voices of black artists and other people of color.

The company has produced films including 2016's "Fences" starring Denzel Washington and Viola Davis, who won an Oscar for the role, and 2021's "Judas and the Black Messiah," for which King was personally nominated for an Oscar as a producer.

King thanked "our ancestors who kicked down doors, made sacrifices and blazed a trail for me to be able to do what I’m blessed to do."

Berman, the only woman to have held the top job at both a major film company and television network, was given the Norman Lear Achievement Award in Television. Berman was the driving force behind the creation and airing of "Buffy the Vampire Slayer," whose star, Sarah Michelle Gellar, presented her with the award.

"Not a single person on this earth was interested in buying that television show," Berman said. "But I just couldn’t ignore my gut telling me there was something unique there."

The PGA announced an initiative during the show that seeks to provide healthcare coverage for its member producers who are not covered other ways. Members of the actors and writers guilds have long used the unions for health insurance.

"Producers deserve to be covered," PGA Co-President Stephanie Allain said.

The effort involves asking production companies, including major studios and streamers, to include contributions to producers’ health coverage on its production budgets.

Film companies Blumhouse, Legendary and King's MACRO already have signed on.



'Sonic 3' and 'Mufasa' Battle for No. 1 at the Holiday Box Office

This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
TT

'Sonic 3' and 'Mufasa' Battle for No. 1 at the Holiday Box Office

This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)
This image released by Paramount Pictures and Sega of America shows the character Sonic, voiced by Ben Schwartz, in a scene from "Sonic the Hedgehog 3". (Paramount Pictures and Sega of America, Inc. via AP)

Two family films dominated the holiday box office this week, with "Sonic the Hedgehog 3" winning the three-day weekend over "Mufasa" by a blue hair.

Paramount's Sonic movie earned $38 million, while "Mufasa" brought in $37.1 million from theaters in the US and Canada, according to studio estimates Sunday. On a normal weekend counting Friday, Saturday and Sunday ticket purchases, the winner would be somewhat clear.

But when the Christmas holiday falls on a Wednesday as it did this year, the studios look at two sets of numbers: The five-day earnings and the three-day weekend earnings. With the five-day tally, The Walt Disney Co.'s "Mufasa" had the edge, bringing in $63.8 million.

It all adds up to a rather robust theatrical landscape, helped by the continued success of "Wicked" and "Moana 2," which are on their sixth and fifth weekends, respectively.

The vampire horror "Nosferatu" also debuted fairly triumphantly. Robert Eggers' modern reimagining of a 1922 silent film starring Nicholas Hoult and Lily-Rose Depp rose to the top of a starry batch of Christmas Day newcomers, which included the Bob Dylan biopic "A Complete Unknown," with Timothée Chalamet; the drama "Babygirl" with Nicole Kidman; and "The Fire Inside," about boxer Claressa Shields.

"Nosferatu" landed in third place with $21.2 million from the weekend and $40.3 million from its first five days. Not accounting for inflation, it had the best Christmas Day opening ever for a genre film, with $11.6 million (besting "The Faculty's" $4.4 million in 1998). Focus Features released the R-rated film in 2,992 theaters.

It was a gamble to open "Nosferatu" on Christmas, when family films or all-ages blockbusters tend to be prioritized. But it paid off, attracting the coveted 18 to 34-year-old demographic to theaters.

"It was a risky move, but we knew that we had such a great film," said Lisa Bunnell, who leads distribution for Focus Features. "A lot of people thought we were insane. But I think the more that people thought we were crazy, the more we all felt like it was the right thing to do."

The response to the unconventional counter-programming was gratifying. The sarcophagus-inspired popcorn buckets are even reselling for over $100.

"People keep talking about 'how do we get people back into the movies?' I think the only way you can get people to go back is to shake it up," Bunnell said. "You don't just spoon feed them the same things over and over again."

The Bob Dylan movie, directed by James Mangold, also got off to a bright start with $11.6 million over the weekend and $23.2 million since Christmas. The 5-day total is a record for Searchlight Pictures since Disney acquired the company in early 2019. It's been well received by both critics (96% on Rotten Tomatoes) and audiences (A on CinemaScore) and will likely get more of a boost from the awards race.

"Babygirl," an A24 release from filmmaker Halina Reijn, played on 2115 screens, earning $4.4 million over the weekend and $7.2 million since Christmas. The film stars Kidman as a married, buttoned-up CEO who begins an affair with a young intern at the company, played by Harris Dickinson. Kidman won the best acting prize for her performance at the Venice Film Festival.

"The Fire Inside," from Amazon MGM Studios, meanwhile got a bit lost in the mix despite strong reviews. It has earned a total of $4.3 million, with $2 million coming from weekend showings where it played in 2006 theaters.

Thanksgiving releases continued to perform well through the Christmas timeframe. Fourth place went to "Wicked," which earned another $19.5 million, bringing its domestic total to $424.2 million. On Tuesday, the lavish movie musical will also be available to rent or purchase at home. It's a move that has drawn some critics who believe making it available at home after only 40 days in theaters will cannibalize profits.

"Moana 2" rounded out the top five films this weekend with $18.2 million. The Disney movie has made $882.5 million globally and is closing in on $400 million domestically.

Christmas Day itself was massive for the industry, with $61 million in ticket sales. Thursday was nearly as big, with $50 million.

"Every day was like Saturday at the box office because of the way the holidays lined up," said Paul Dergarabedian, Comscore's senior media analyst.

Comscore is projecting that the year will net out with about $8.75 billion in domestic box office receipts. That's down about 3.3% from last year, which cracked $9 billion, and the pre-pandemic normal of $11 billion.