Indigenous Musician Goes -- Reluctantly -- For Oscars Glory 

Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)
Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)
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Indigenous Musician Goes -- Reluctantly -- For Oscars Glory 

Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)
Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)

Scott George spends his weekdays providing affordable housing for Native American families in Oklahoma, and his weekends singing at traditional Osage dances.

That schedule will have to be interrupted next month as he travels to Hollywood for the Oscars, where the song he wrote for Martin Scorsese will compete with tracks from Billie Eilish, Mark Ronson and Jon Batiste for an Academy Award.

"I guess you could use the word surreal. But I don't really know what that means any more compared to this," George told AFP.

"Music is -- even though it's something I wake up with every day -- it's something we pursue on the weekends," he said.

George is a proud member of the Osage Nation, whose often tragic history forms the subject of Scorsese's "Killers of the Flower Moon."

The movie, which is up for 10 awards on March 10, tells the story of how the Osage struck enormous oil wealth in the early 20th century, only to be exploited and murdered by their duplicitous white neighbors.

The film was made with the deep collaboration of the Osage people, and filmed on location in their heartland.

Its lead actress Lily Gladstone has Blackfeet and Nez Perce heritage, and the movie's musical score was composed by the late Robbie Robertson, who also is of Native American ancestry. Both are also Oscar nominees.

Scorsese also was determined to have an authentic Osage song at the finale of his epic drama.

George recalls one of his fellow musicians spotting the director in the stands at a ceremonial dance, as they took a break between sets.

"It was like, 'Oh wow, so he's watching us,'" said George. "So when he asked us about the song, or about putting a song in there, we knew what he wanted."

Even so, the initial answer was no. Many Osage songs contain the names of old warriors from two or three centuries ago.

"These are ours. This belongs to us," explained George.

"And so we said, 'Well, we can't give him that. We can do something close, but we can't give him that.'

"So that's where that came from. We started composing our own song for him."

'Poems'

The result was "Wahzhazhe (A Song for My People)," a powerful six-and-a-half minute anthem featuring thunderous drums, and lyrics encouraging the Osage people to stand up and be proud after surviving so many ordeals.

The movie and song came at a perfect time for tribal elders, who were embarking on a campaign to educate younger members about their history, and to remind them that "we're still here, we are not relics," said Geoffrey Standing Bear, chief of the Osage nation.

"We're not that trusting of outsiders given our history. But Scorsese and his team showed that trust to us, and us to them," he recalled.

"So when you see our ceremonies, and you see all the different activities, and you hear the music? That's Osage... these songs are poems."

Having made the 15-strong Oscars shortlist, the track was not considered a favorite to earn a best song nomination, meaning the announcement last month was greeted with euphoria by many attached to the film.

"Isn't it great? For me to be nominated for playing an Osage character, it's so important that an Osage person has also been nominated," best actress contender Gladstone told AFP.

But for George, describing his Oscar nomination as an "achievement" does not sit well, because it was "not something I aspired to do."

"I'm comfortable providing music for my people," he said. "Outside of that, it gets a little touchy."

Having now seen his song embraced by Academy voters, George does see it as important that a form of music that had often been "comically depicted in cartoons" is now being recognized.

"I just want the world to see it and understand it, maybe develop an ear for it. Because it's out there. You can go to YouTube and listen to powwows," he said.

"We understand it's got its niche and probably will always just have that niche. But hopefully people will get to hear it, feel the power that's in it.

"Because there's power in it."

Though not yet confirmed this year, it is traditional for all five nominated songs to be performed live during the Oscars ceremony, typically by their original singers.

George has already attended starry events including the Academy's annual nominees luncheon in Los Angeles, where he rubbed shoulders with his "rivals" such as Eilish and Batiste.

"We were on a Zoom call the other day with all of us, and I was a little starstruck. 'Who are these people and what am I doing here?'" he recalled.

"My wife put it best -- 'You've been singing for 45 years, that should put you somewhere.' I guess so."



Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
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Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)

Hollywood's video game performers announced they would go on strike Thursday, throwing part of the entertainment industry into another work stoppage after talks for a new contract with major game studios broke down over artificial intelligence protections.

The strike — the second for video game voice actors and motion capture performers under the Screen Actors Guild-American Federation of Television and Radio Artists — will begin at 12:01 a.m. Friday. The move comes after nearly two years of negotiations with gaming giants, including divisions of Activision, Warner Bros. and Walt Disney Co., over a new interactive media agreement.

SAG-AFTRA negotiators say gains have been made over wages and job safety in the video game contract, but that the two sides remained split over the regulation of generative AI. A spokesperson for the video game producers, Audrey Cooling, said the studios offered AI protections, but SAG-AFTRA’s negotiating committee said that the studios’ definition of who constitutes a "performer" is key to understanding the issue of who would be protected.

"The industry has told us point blank that they do not necessarily consider everyone who is rendering movement performance to be a performer that is covered by the collective bargaining agreement," SAG-AFTRA Chief Contracts Officer Ray Rodriguez said at a news conference Thursday afternoon. He said some physical performances are being treated as "data."

Without guardrails, game companies could train AI to replicate an actor’s voice, or create a digital replica of their likeness without consent or fair compensation, the union said.

"We strike as a matter of last resort. We have given this process absolutely as much time as we responsibly can," Rodriguez told reporters. "We have exhausted the other possibilities, and that is why we’re doing it now."

Cooling said the companies' offer "extends meaningful AI protections."

"We are disappointed the union has chosen to walk away when we are so close to a deal, and we remain prepared to resume negotiations," she said.

Andi Norris, an actor and member of the union's negotiating committee, said that those who do stunt work or creature performances would still be at risk under the game companies' offer.

"The performers who bring their body of work to these games create a whole variety of characters, and all of that work must be covered. Their proposal would carve out anything that doesn’t look and sound identical to me as I sit here, when, in truth, on any given week I am a zombie, I am a soldier, I am a zombie soldier," Norris said. "We cannot and will not accept that a stunt or movement performer giving a full performance on stage next to a voice actor isn’t a performer."

The global video game industry generates well over $100 billion dollars in profit annually, according to game market forecaster Newzoo. The people who design and bring those games to life are the driving force behind that success, SAG-AFTRA said.

Members voted overwhelmingly last year to give leadership the authority to strike. Concerns about how movie studios will use AI helped fuel last year’s film and television strikes by the union, which lasted four months.

The last interactive contract, which expired in November 2022, did not provide protections around AI but secured a bonus compensation structure for voice actors and performance capture artists after an 11-month strike that began in October 2016. That work stoppage marked the first major labor action from SAG-AFTRA following the merger of Hollywood’s two largest actors unions in 2012.

The video game agreement covers more than 2,500 "off-camera (voiceover) performers, on-camera (motion capture, stunt) performers, stunt coordinators, singers, dancers, puppeteers, and background performers," according to the union.

Amid the tense interactive negotiations, SAG-AFTRA created a separate contract in February that covered independent and lower-budget video game projects. The tiered-budget independent interactive media agreement contains some of the protections on AI that video game industry titans have rejected. Games signed to an interim interactive media agreement, tiered-budget independent interactive agreement or interim interactive localization agreement are not part of the strike, the union said.