Indigenous Musician Goes -- Reluctantly -- For Oscars Glory 

Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)
Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)
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Indigenous Musician Goes -- Reluctantly -- For Oscars Glory 

Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)
Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)

Scott George spends his weekdays providing affordable housing for Native American families in Oklahoma, and his weekends singing at traditional Osage dances.

That schedule will have to be interrupted next month as he travels to Hollywood for the Oscars, where the song he wrote for Martin Scorsese will compete with tracks from Billie Eilish, Mark Ronson and Jon Batiste for an Academy Award.

"I guess you could use the word surreal. But I don't really know what that means any more compared to this," George told AFP.

"Music is -- even though it's something I wake up with every day -- it's something we pursue on the weekends," he said.

George is a proud member of the Osage Nation, whose often tragic history forms the subject of Scorsese's "Killers of the Flower Moon."

The movie, which is up for 10 awards on March 10, tells the story of how the Osage struck enormous oil wealth in the early 20th century, only to be exploited and murdered by their duplicitous white neighbors.

The film was made with the deep collaboration of the Osage people, and filmed on location in their heartland.

Its lead actress Lily Gladstone has Blackfeet and Nez Perce heritage, and the movie's musical score was composed by the late Robbie Robertson, who also is of Native American ancestry. Both are also Oscar nominees.

Scorsese also was determined to have an authentic Osage song at the finale of his epic drama.

George recalls one of his fellow musicians spotting the director in the stands at a ceremonial dance, as they took a break between sets.

"It was like, 'Oh wow, so he's watching us,'" said George. "So when he asked us about the song, or about putting a song in there, we knew what he wanted."

Even so, the initial answer was no. Many Osage songs contain the names of old warriors from two or three centuries ago.

"These are ours. This belongs to us," explained George.

"And so we said, 'Well, we can't give him that. We can do something close, but we can't give him that.'

"So that's where that came from. We started composing our own song for him."

'Poems'

The result was "Wahzhazhe (A Song for My People)," a powerful six-and-a-half minute anthem featuring thunderous drums, and lyrics encouraging the Osage people to stand up and be proud after surviving so many ordeals.

The movie and song came at a perfect time for tribal elders, who were embarking on a campaign to educate younger members about their history, and to remind them that "we're still here, we are not relics," said Geoffrey Standing Bear, chief of the Osage nation.

"We're not that trusting of outsiders given our history. But Scorsese and his team showed that trust to us, and us to them," he recalled.

"So when you see our ceremonies, and you see all the different activities, and you hear the music? That's Osage... these songs are poems."

Having made the 15-strong Oscars shortlist, the track was not considered a favorite to earn a best song nomination, meaning the announcement last month was greeted with euphoria by many attached to the film.

"Isn't it great? For me to be nominated for playing an Osage character, it's so important that an Osage person has also been nominated," best actress contender Gladstone told AFP.

But for George, describing his Oscar nomination as an "achievement" does not sit well, because it was "not something I aspired to do."

"I'm comfortable providing music for my people," he said. "Outside of that, it gets a little touchy."

Having now seen his song embraced by Academy voters, George does see it as important that a form of music that had often been "comically depicted in cartoons" is now being recognized.

"I just want the world to see it and understand it, maybe develop an ear for it. Because it's out there. You can go to YouTube and listen to powwows," he said.

"We understand it's got its niche and probably will always just have that niche. But hopefully people will get to hear it, feel the power that's in it.

"Because there's power in it."

Though not yet confirmed this year, it is traditional for all five nominated songs to be performed live during the Oscars ceremony, typically by their original singers.

George has already attended starry events including the Academy's annual nominees luncheon in Los Angeles, where he rubbed shoulders with his "rivals" such as Eilish and Batiste.

"We were on a Zoom call the other day with all of us, and I was a little starstruck. 'Who are these people and what am I doing here?'" he recalled.

"My wife put it best -- 'You've been singing for 45 years, that should put you somewhere.' I guess so."



At Venice Film Festival, Jude Law Debuts ‘The Order’ about FBI Manhunt for Domestic Terrorist

Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
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At Venice Film Festival, Jude Law Debuts ‘The Order’ about FBI Manhunt for Domestic Terrorist

Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)
Jude Law poses for photographers at the photo call for the film 'The Order' during the 81st edition of the Venice Film Festival in Venice, Italy, on Saturday, Aug. 31, 2024. (Photo by Joel C Ryan/Invision/AP)

Jude Law plays an FBI agent investigating the violent crimes of a white supremacist group in “The Order,” which premieres Saturday at the Venice Film Festival.

An adaptation of Kevin Flynn and Gary Gerhardt’s nonfiction book “The Silent Brotherhood,” Nicolas Hoult was cast as Robert Jay Mathews, the charismatic leader of the group which was considered the most radical hate group since the Ku Klux Klan. Their crimes, including bank robberies and armored car heists that the group was using to fund an armed revolution, led to one of the largest manhunts in FBI history, in 1983, according to The AP.

“What amazed me was it was a story I hadn’t heard about before,” said Law, who also produced. “It like a piece of work that needed to be made now.”

He added: “It’s always interesting finding a piece from the relative past that has some relationship to the present day.”

Law made the trip to Italy with his director, Justin Kurzel, and co-stars Hoult, Jurnee Smollett and Tye Sheridan for the premiere.

His character, called Agent Huss, is an amalgam FBI agent and not based on a specific person. This, they said, was important for positioning him within this story.

“He represents an awful lot of us,” Law said. “He felt his hardest work was behind him and in fact he had his biggest battle ahead of him.”

Kurzel, an Australian filmmaker known for the 2015 adaptation of “Macbeth” with Michael Fassbender, said he’d always wanted to make an American film in the vein of dramatic thrillers from the 1970s like “The French Connection,” “Mississippi Burning” and “All the Presidents’ Men.” He tried to make this film with the classic simplicity he admired in those classics.

Hoult felt it was a “difficult story to tell and difficult characters to inhabit,” but praised his director for helping to create a safe and creative environment as they explored the darkness of Mathews. He’d just recently learned, on the boat over to the Lido, that Kurzel had told Law to actually follow him around one day to get into character.

“The first time we spoke was in the first scene we interact,” Hoult said. “It gave a great energy.”

And all were struck by the parallels to today. Though no one wanted to comment directly on the upcoming U.S. presidential election, the film, they hope, speaks for itself.

“The history of America is very complex,” Smollett said. “This level of bigotry is not new and it has existed in our nation since it was founded. As artists we get to hold a mirror up to society....explore the very complex sides of humanity, the ugliness, the darkness in order for us to learn from it and hopefully not repeat it.”

“The Order” is playing in competition at Venice, alongside “ Maria,” “ Babygirl,” “The Room Next Door," “Queer” and “Joker: Folie à Deux.”

Vertical Entertainment will release the film in theaters later this year.