Indigenous Musician Goes -- Reluctantly -- For Oscars Glory 

Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)
Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)
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Indigenous Musician Goes -- Reluctantly -- For Oscars Glory 

Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)
Songwriter Scott George, member of the Osage Native Americans Tribe, poses for a picture at the Grammy Museum in Los Angeles, on February 14, 2024. (AFP)

Scott George spends his weekdays providing affordable housing for Native American families in Oklahoma, and his weekends singing at traditional Osage dances.

That schedule will have to be interrupted next month as he travels to Hollywood for the Oscars, where the song he wrote for Martin Scorsese will compete with tracks from Billie Eilish, Mark Ronson and Jon Batiste for an Academy Award.

"I guess you could use the word surreal. But I don't really know what that means any more compared to this," George told AFP.

"Music is -- even though it's something I wake up with every day -- it's something we pursue on the weekends," he said.

George is a proud member of the Osage Nation, whose often tragic history forms the subject of Scorsese's "Killers of the Flower Moon."

The movie, which is up for 10 awards on March 10, tells the story of how the Osage struck enormous oil wealth in the early 20th century, only to be exploited and murdered by their duplicitous white neighbors.

The film was made with the deep collaboration of the Osage people, and filmed on location in their heartland.

Its lead actress Lily Gladstone has Blackfeet and Nez Perce heritage, and the movie's musical score was composed by the late Robbie Robertson, who also is of Native American ancestry. Both are also Oscar nominees.

Scorsese also was determined to have an authentic Osage song at the finale of his epic drama.

George recalls one of his fellow musicians spotting the director in the stands at a ceremonial dance, as they took a break between sets.

"It was like, 'Oh wow, so he's watching us,'" said George. "So when he asked us about the song, or about putting a song in there, we knew what he wanted."

Even so, the initial answer was no. Many Osage songs contain the names of old warriors from two or three centuries ago.

"These are ours. This belongs to us," explained George.

"And so we said, 'Well, we can't give him that. We can do something close, but we can't give him that.'

"So that's where that came from. We started composing our own song for him."

'Poems'

The result was "Wahzhazhe (A Song for My People)," a powerful six-and-a-half minute anthem featuring thunderous drums, and lyrics encouraging the Osage people to stand up and be proud after surviving so many ordeals.

The movie and song came at a perfect time for tribal elders, who were embarking on a campaign to educate younger members about their history, and to remind them that "we're still here, we are not relics," said Geoffrey Standing Bear, chief of the Osage nation.

"We're not that trusting of outsiders given our history. But Scorsese and his team showed that trust to us, and us to them," he recalled.

"So when you see our ceremonies, and you see all the different activities, and you hear the music? That's Osage... these songs are poems."

Having made the 15-strong Oscars shortlist, the track was not considered a favorite to earn a best song nomination, meaning the announcement last month was greeted with euphoria by many attached to the film.

"Isn't it great? For me to be nominated for playing an Osage character, it's so important that an Osage person has also been nominated," best actress contender Gladstone told AFP.

But for George, describing his Oscar nomination as an "achievement" does not sit well, because it was "not something I aspired to do."

"I'm comfortable providing music for my people," he said. "Outside of that, it gets a little touchy."

Having now seen his song embraced by Academy voters, George does see it as important that a form of music that had often been "comically depicted in cartoons" is now being recognized.

"I just want the world to see it and understand it, maybe develop an ear for it. Because it's out there. You can go to YouTube and listen to powwows," he said.

"We understand it's got its niche and probably will always just have that niche. But hopefully people will get to hear it, feel the power that's in it.

"Because there's power in it."

Though not yet confirmed this year, it is traditional for all five nominated songs to be performed live during the Oscars ceremony, typically by their original singers.

George has already attended starry events including the Academy's annual nominees luncheon in Los Angeles, where he rubbed shoulders with his "rivals" such as Eilish and Batiste.

"We were on a Zoom call the other day with all of us, and I was a little starstruck. 'Who are these people and what am I doing here?'" he recalled.

"My wife put it best -- 'You've been singing for 45 years, that should put you somewhere.' I guess so."



Ticketmaster May Have Misled UK Oasis Fans, Watchdog Says

A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
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Ticketmaster May Have Misled UK Oasis Fans, Watchdog Says

A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)
A view of a mural of Oasis band members Liam and Noel Gallagher by artist Pic.One.Art on the side of Sifters record shop in the Burnage area of Manchester, Britain, August 31, 2024. (Reuters)

Ticketmaster may have misled music fans into paying more for tickets than they had planned last year to see British band Oasis, the UK's competition watchdog said on Tuesday, urging the company to change how it labels tickets and informs customers.

Thousands of fans waited for hours online to get their hands on highly coveted tickets for the band's 2025 reunion shows, only to find prices had jumped by the time they got to the front of the queue.

"We’re concerned that Oasis fans didn’t get the information they needed or may have been misled into buying tickets they thought were better than they were," said Hayley Fletcher, interim senior director of consumer protection at the Competition and Markets Authority (CMA).

The watchdog said it was concerned that Ticketmaster may have breached consumer law. CMA does not currently have power to levy fines for breaching consumer laws, which are enforced through the court system.

A Ticketmaster statement said that it aimed to provide a "simple, transparent and consumer-friendly experience" and welcomed the CMA's input.

The CMA launched an investigation into Ticketmaster in September to examine if it had engaged in "unfair commercial practices," and if they were pressured to buy tickets within a short period of time.

The CMA originally said it was also looking at how dynamic pricing models - a form of surge pricing - may have been used, but Ticketmaster has said it did not use dynamic pricing models.

The outcry over the way the ticket sale process was managed became a hot political topic, spurring Prime Minister Keir Starmer to promise to get a grip on the wider issue of event tickets being sold at inflated prices.

The government has since announced proposals to cap resale prices and hold reselling websites more accountable.

The CMA issued an update on its findings on Tuesday outlining two main concerns.

One was that seats labelled as "platinum" were sold at a premium without consumers being made fully aware that they didn't come with any extra benefits.

Another was insufficient information provided to buyers at the start of the queue on different ticket categories and their prices if cheaper tickets were sold out before their turn to buy.

The CMA said Ticketmaster had made some changes since the investigation began, but that more work was still needed.

"We now expect Ticketmaster to work with us to address these concerns so, in future, fans can make well-informed decisions when buying tickets," the CMA's Fletcher said.